Here are 100 books that A Whole Empire Walking fans have personally recommended if you like
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I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
A variety of factors in the 1990s (most notably the break-up of the Soviet Union and the war in Yugoslavia) saw historians re-evaluate both nationalism as a concept and nationalism within the Russian context. Several historians working in the field of Russian and East European history observed that World War I was a particularly important period for the evolution of Russian nationalism. Lohr’s book is critical for this re-evaluation. It focuses not only on the (mis) treatment of foreign subjects in Russia during the war, but also the large political consequences of the “nationalization” of the empire in terms of eroding concepts of personal inviolability and property rights.
In this compelling study of the treatment of "enemy" minorities in the Russian Empire during the First World War, Eric Lohr uncovers a dramatic story of mass deportations, purges, expropriations, and popular violence.A campaign initially aimed at restricting foreign citizens rapidly spun out of control. It swept up Russian subjects of German, Jewish, and Muslim backgrounds and drove roughly a million civilians from one part of the empire to another, resulting in one of the largest cases of forced migration in history to that time. Because foreigners and diaspora minorities were prominent among entrepreneurial and landowning elites, the campaign against…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
Stoff’s work on women’s history during the war has been consistently excellent, starting with her book on women soldiers and continuing with this book. One of the most significant developments of the war was the need to dramatically expand medical care, especially for sick and wounded soldiers. Women rushed in to fill this need, with significant consequences not only for the health of the army but also the nature of gender and sexual relations throughout the whole country.
They are war stories, filled with danger and deprivation, excitement and opportunity, sorrow and trauma, scandal and controversy-and because they are the war stories of nurses, they remain largely untold. Laurie Stoff's pioneering work brings the wartime experiences of Russia's "Sisters of Mercy" out of the shadows to show how these nurses of the Great War, far from merely binding wounds, provided vital services that put them squarely in traditionally "masculine" territory, both literally and figuratively.
While Russian nursing shared many features of women's medical service in other nations, it was in some ways profoundly different. Like soldiers and doctors,…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There is a shortage of good books on the military aspect of the war on the Eastern Front, with some of the most prominent books in English (and for that matter in Russian) dating back nearly fifty years. Stone’s volume is a prominent exception in this regard. Stone is thoughtful, concise, and judicious throughout. Readers will emerge with a comprehensive view of combat operations – and more.
A full century later, our picture of World War I remains one of wholesale, pointless slaughter in the trenches of the Western front. Expanding our focus to the Eastern front, as David R. Stone does in this masterly work, fundamentally alters-and clarifies-that picture. A thorough, and thoroughly readable, history of the Russian front during the First World War, this book corrects widespread misperceptions of the Russian Army and the war in the east even as it deepens and extends our understanding of the broader conflict.
Of the four empires at war by the end of 1914-the Austro-Hungarian, Ottoman, German, and…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
One of the most pernicious myths surrounding the Russian population in the years of the war is that the subjects of the tsar were too provincial and ignorant to really have a sense of what was going on or why. This myth was perpetuated above all by political and military elites after the war as a way of explaining the reasons they had lost the war. Stockdale’s work makes this myth almost impossible to maintain. In chapters on the effectiveness of mass media, on the role of the church, on the heartfelt hatred of the enemy, and more, she shows how regular Russians were mobilized for the war. If some were unpatriotic, this was not the result of ignorance but of knowing too well how the regime was failing the people it was supposed to protect.
The First World War had a devastating impact on the Russian state, yet relatively little is known about the ways in which ordinary Russians experienced and viewed this conflict. Melissa Kirschke Stockdale presents the first comprehensive study of the Great War's influence on Russian notions of national identity and citizenship. Drawing on a vast array of sources, the book examines the patriotic and nationalist organizations which emerged during the war, the role of the Russian Orthodox Church, the press and the intelligentsia in mobilizing Russian society, the war's impact on the rights of citizens, and the new, democratized ideas of…
Emrah Sahin is a specialist in the history of religious interactions and international operations in Islam and Muslim-Christian relations. He received a Ph.D. from McGill University, a Social Science and Humanities Research Award from Canada, the Sabancı International Research Award from Turkey, and the Teacher of the Year Award from the University of Florida. He is currently with the University of Florida as a board member in Global Islamic Studies, an affiliate in History, a lecturer in European Studies, a college-wide advisor, and the coordinator of the federal Global Officer program.
Connecting nation, migration, and narration, Stacy’s debut is a corrective to what we know about Arabs in the Americas at a time when their homeland transitioned from the Ottoman regime to the European mandate. It strikes with global strokes and fine details whether it is about women at a Brooklyn factory, a French consulate spy chasing an anti-German diplomat-turned-traitor, or some mysteriously disappearing witnesses on sight.
Since 2011 over 5.6 million Syrians have fled to Turkey, Lebanon, Jordan, and beyond, and another 6.6 million are internally displaced. The contemporary flight of Syrian refugees comes one century after the region's formative experience with massive upheaval, displacement, and geopolitical intervention: the First World War.
In this book, Stacy Fahrenthold examines the politics of Syrian and Lebanese migration around the period of the First World War. Some half million Arab migrants, nearly all still subjects of the Ottoman Empire, lived in a diaspora concentrated in Brazil, Argentina, and the United States. They faced new demands for their political loyalty…
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
Although this picture book is a bit dark and bleak for very young readers, Stepping Stones is a uniquely beautiful depiction of the refugee’s journey. The illustrations were inspired by the stone artwork of Syrian artist Nizar Ali Badr. Stones, like trees, appear to have an ancient power to tell difficult stories like no other. I love that this book focuses not only on the hardships and horrors, but also on the beauties and rituals of the life and culture left behind. So many children will have known only conflict in their short lives, and it is important that they – and the rest of us, too – learn that there was so much more, before. The story is poetically told in both English and Arabic.
Rama and her family, are forced to flee their once-peaceful village to escape the ravages of the civil war raging ever closer to their home
With only what they can carry on their backs, Rama and her mother, father, grandfather and brother, Sami, set out to walk to freedom in Europe. This unique picture book was inspired by the stone artwork of Syrian artist Nizar Ali Badr, discovered by chance by Canadian children’s writer Margriet Ruurs. The author was immediately impressed by the strong narrative quality of Mr. Badr’s work, and, using many of Mr. Badr’s already-created pieces, she set…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
The Crossing really moved me. It’s an unforgettable story of two young people who suffer extreme trauma and struggle to find their way to a better future. Nat is in England, her mother has died, and in her honour Nat sets herself the task of raising money for refugees by swimming the Channel. Sammy, in Eritrea, has witnessed the political murder of his father and is soon to be drafted into the army, where he knows he will be tortured. I love the way the author weaves their first-person stories together, till we feel the two must meet. Sammy’s desperate journey, with its horrors, hunger, despair, and unimaginable hardship, is particularly graphically told.
I found this story of bravery shocking and frightening, but not without hope.
Powerful, compassionate and ultimately hopeful. Observer
WINNER OF THE COSTA CHILDREN'S BOOK AWARD 2021 and the Sunday Times Children's Book of the Week - a trailblazing novel about two teenagers from opposite worlds; The Crossing is a profound story of hope, grief, and the very real tragedies of the refugee crisis.
The sea carries our pain. The stars carry our future.
Natalie's world is falling apart. She's just lost her mum and her brother marches the streets of Dover full of hate and anger. Swimming is her only refuge.
Sammy has fled his home and family in Eritrea for the…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Thompson was a photographer from Kansas who went to Europe to cover the First World War and found himself in Russia as 1917 dawned. His book is drawn from letters he wrote home to his wife Dot, and his eyewitness reporting is better than his analysis. His account of the day police opened fire on protesters in Petrograd with machine guns is chilling. Thompson believed that the Germans were behind the revolution, which wasn’t the case, but his photos of soldiers and barricades and protesters amount to a great visual document of the moment. Read this in conjunction with Runaway Russia, by Florence MacLeod Harper, a magazine reporter with whom he teamed up to cover the revolution.
A few years before I had been husking corn in Kansas. For a few seconds I could not speak a word. The first thing that came into my mind was this King Albert, I said, I have never met a king before in my life. (it was hard enough for me to hold a pair of jacks in a poker game.) I do not know what to say except to tell you that I am here and what I want to do. I then ex plained that the world at large would believe the…
In 2010, I met a Somali refugee in Cape Town. His name was Asad Abdullahi. He told the tale of his life with a richness bordering on genius and I was hooked. I spent the next two years tracing his childhood footsteps through the Horn of Africa, looking for anyone and everyone he had encountered. In the course of writing a book about him, I read countless other books about exile, migration, and human beings on the move. My five recommendations are among the books that helped me imagine the experience of exile best.
My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.
This is the story of a young boy's journey through Europe after escaping from the camp where he has lived all his life. Faced with a host of new experiences, David gradually begins to understand the world around him.
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
A beautifully written and meticulously researched family memoir that made me question what I would have done to survive the turbulence and brutality of the Nazi era. Themes of antisemitism and identity continue to haunt four siblings - Jehuda, Jacob, Sender, and Sala - as they leave Poland behind to establish new lives as Alex, Jacques, Henri, and Sara in Paris.
An irresistible and complex personal story that I would happily reread because I devoured this page turner too quickly! At the heart of it all is Sara, the author’s mysterious, glamorous, melancholy grandmother and a shoebox of her treasured possessions. The author, a skilled journalist, adds power to the narrative with examples of populist divisive politics and the rise of nationalism in current times.
'A near-perfect study of Jewish identity in the 20th century ... I don't hesitate to call it a masterpiece' Telegraph
After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she'd never really known. Sala Glass was a European expat in America - defiantly clinging to her French influences, famously reserved, fashionable to the end - yet to Hadley much of her life remained a mystery. Sala's experience of surviving one of the most tumultuous periods…
