Fans pick 100 books like The Russian Army in the Great War

I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.

I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.

I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.

I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.

I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.

I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.

Sara Wheeler is a prize-winning non-fiction author. Sara is a Fellow of the Royal Society of Literature, a Contributing Editor of The Literary Review, a Trustee of The London Library, and former chair of the Stanford Dolman Travel Book of the Year award. She contributes to a wide range of publications in the UK and US and broadcasts regularly on BBC Radio. Her five-part series, ‘To Strive, To Seek’,  went out on Radio 4, and her book Cherry was made into a television film. 

I’ve always loved history and historical stories, but like the majority of people, didn’t really know very much about WWI. That changed in early 2017 when I read The Zimmermann Telegram by Barbara W Tuchman. I immediately fell into a vortex of further reading, resulting in my writing The War in Our Hearts at the end of that year--because although there is a lot of great non-fiction out there about WWI, there aren’t nearly as many novels that quite scratched the itch I had for fiction…so I wrote the book I wanted to read!

After a relatively short career in research science, Helen Azar switched gears and returned to graduate school to fulfill a dream of becoming a reference librarian. She worked at the Free Library of Philadelphia for ten years, during which time she became a published author. While researching for her first book, The Diary of Olga Romanov, Helen visited Russia several times, and worked in the Rare Book Fund at the Museum at Tsarskoe Selo, which holds the imperial book collection. Today, Helen lives on the beautiful far south coast of New South Wales, Australia; she continues writing about Russia's last imperial family and leads Romanov history tours. She also administers The Romanov Family website and is the content creator for a YouTube channel In the Steps of the Romanovs.

Francine Hirsch is Vilas Distinguished Achievement Professor of History at the University of Wisconsin-Madison, where she teaches courses on Soviet History, Modern European History, and the History of Human Rights. She spent fifteen years researching and writing about the Soviet Union’s experience in World War II and the role that it played in the Nuremberg Trials. Her recently published Soviet Judgment at Nuremberg was awarded the 2021 Certificate of Merit for a Preeminent Contribution to Creative Scholarship from the American Society of International Law.