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Journey into Russia.
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Sara Wheeler is a prize-winning non-fiction author. Sara is a Fellow of the Royal Society of Literature, a Contributing Editor of The Literary Review, a Trustee of The London Library, and former chair of the Stanford Dolman Travel Book of the Year award. She contributes to a wide range of publications in the UK and US and broadcasts regularly on BBC Radio. Her five-part series, ‘To Strive, To Seek’, went out on Radio 4, and her book Cherry was made into a television film.
The writer’s account of a journey across Siberia and into the Russian Far East to investigate prison conditions on an island in the Sea of Okhotsk north of Japan. A book of investigative journalism and a finely worked travel narrative conjuring spongy mud, ‘smoky, dreamy mountains’ and ‘lithe’ rivers while the author dreams of turbot, asparagus and kasha.
In 1890, the thirty-year-old Chekhov, already knowing that he was ill with tuberculosis, undertook an arduous eleven-week journey from Moscow across Siberia to the penal colony on the island of Sakhalin. Now collected here in one volume are the fully annotated translations of his impressions of his trip through Siberia and the account of his three-month sojourn on Sakhalin Island, together with his notes and extracts from his letters to relatives and associates.
Highly valuable both as a detailed depiction of the Tsarist system of penal servitude and as an insight into Chekhov's motivations and objectives for visiting the colony…
Sara Wheeler is a prize-winning non-fiction author. Sara is a Fellow of the Royal Society of Literature, a Contributing Editor of The Literary Review, a Trustee of The London Library, and former chair of the Stanford Dolman Travel Book of the Year award. She contributes to a wide range of publications in the UK and US and broadcasts regularly on BBC Radio. Her five-part series, ‘To Strive, To Seek’, went out on Radio 4, and her book Cherry was made into a television film.
Also published in 1893, the same year as Chekhov’s Sakhalin Island. Marsden, a London-born nurse, found her vocation tending to sick and abandoned Russians. The book offers a remarkable portrait of the remotest reaches of the Russian Empire, as well as the author’s indomitable spirit.
Kate Marsden (1859-1931), the youngest of eight children from a poor family, was a highly committed nurse. She cared for soldiers in the Russo-Turkish War in 1877-8, and undertook missionary travels to various countries, but she was especially concerned about the plight of those suffering from leprosy. This volume, published in 1893, describes her remarkable journey to Siberian leper colonies. At first she travelled by sledge with a friend, but continued alone on horseback, facing appalling weather conditions with her customary courage. Her commitment to leprosy sufferers led her to found the St Francis Leprosy Guild in London in 1895,…
After reading travel books that voyaged beyond mere tourism into the life of the land, its people, and its histories, I found myself longing to launch my own journeys. I took a thousand-mile canoe trip with my son following the 1673 route of the French explorers Marquette and Joliet; I crossed the Rockies with two sons by foot, mountain bike, and canoe following Lewis and Clark and their Nez Perce guides; I took to sea kayak and pontoon boat with a son and daughter, 400 miles along the Gulf Coast in pursuit of the 1528 Spanish Narvaez Expedition. Writing of these journeys gave me the chance to live twice.
Colin Thubron showed me real travel writing: a journey in words that leads the reader through detailed landscapes, personal encounters with local people, and a depth of understanding that can only come through the human history of these landscapes.
I took this trip with Thubron when Russia was still the Soviet Union. Thubron met dissidents living in Moscow, drank vodka with them late into the night, traveled north to the remnants of Soviet concentration camps, took the rails through that vast continent across the steppes, over the mountains, around huge lakes, all the way to the Pacific coast. The book is beautifully written and introduced me to a travel writer I have read many times since.
Thubron learnt Russian and entered the then Soviet Union in an old Morris Marina in which he camped and drove for almost 10,000 miles between the Baltic and Caucasus. This book provides a revealing picture of the many races who inhabit the country and the human side behind state socialism.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Sara Wheeler is a prize-winning non-fiction author. Sara is a Fellow of the Royal Society of Literature, a Contributing Editor of The Literary Review, a Trustee of The London Library, and former chair of the Stanford Dolman Travel Book of the Year award. She contributes to a wide range of publications in the UK and US and broadcasts regularly on BBC Radio. Her five-part series, ‘To Strive, To Seek’, went out on Radio 4, and her book Cherry was made into a television film.
A wonderful account of a young Englishwoman’s year as a student in Voronezh in the potato belt. Crucially, that year was 1991, and Hobson saw it all. At once lyrical, funny and grim, this is a book that stands the test of time despite it all.
The story of a young woman's heady encounter with Russia - and a society in collapse. In 1991, Charlotte Hobson went to study for a year in the provincial town of Voronezh. She captures the lives of her young contemporaries as the Soviet Union breaks up around them: Viktor, and his brutal memories of military service; Lola who sleeps with her fellow students for a share of their dinner; Yakov, blowing a million roubles of the Salvation Army's money on a taxi to Minsk to see a girl. Here too is the author's story and Mitya's. Their love affair begins…
I am a Russian academic living in the West and a contributor to both Western and Russian academia. I move between the two and try to build bridges by explaining the two sides’ differences and areas of potential cooperation. I do it in my teaching and research on international politics, which I understand through the lens of culture and politics. Most of my books analyze Russian and Western patterns of thinking formed through history and interaction with each other. I love reading good books about these topics and hope you enjoy my selected list!
Russia has historically connected to Europe as its significant other. This book describes the nature of the country’s identity development through the love-hate relations with European nations and search for recognition by Western other. Sometimes, Russia has sought to borrow Europe’s institutions and values. Other times, it has positioned itself as a great power and a superior system of internal values relative to “corrupt” Europe.
The end of the Soviet system and the transition to the market in Russia, coupled with the inexorable rise of nationalism, brought to the fore the centuries-old debate about Russia's relationship with Europe. In this revised and updated second edition of Russia and the Idea of Europe, Iver Neumann discusses whether the tensions between self-referencing nationalist views and Europe-orientated liberal views can ever be resolved.
Drawing on a wide range of Russian sources, this book retains the broad historical focus of the previous edition and picks up from where the it off in the early 1990s, bringing the discussion fully…
I’m a professional explainer of Russia. For over 20 years I’ve been studying the country and trying to understand what makes it (and its leaders and people) so intent on attacking those around it and perceived adversaries further afield. That’s never been more important to understand than today when Ukraine and its soldiers are the only thing preventing Russia from once again rampaging across Europe. These books are ones that have helped me understand one part or several parts of the Russia problem, and I think they’ll be helpful for anybody else who wants to, too.
I found it hard to choose between several of Edward Crankshaw’s books explaining Russia. Each, in its own way, uncovers a particular aspect of history or society that makes the country what it is. In the end, I settled on this, his first: published in 1947, not long after Crankshaw had been posted to Moscow during WWII, and while he was still reeling from the vast gulf between what he experienced there and the image of the USSR that was being sold abroad.
Crankshaw was sometimes accused of being too sympathetic to Russia, but while he does his best to explain why the country behaves as it does, he doesn’t seek to excuse it. For that reason I find this one of the most clear-headed appraisals of Russia. And given the continuities that run through all of Russian history, his rationalising of how Russia works and what it does is…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
Since adolescence, I have been fascinated by Slavonic languages, literature, cultures, and history, and by what can be retrieved from archives all over Eastern Europe. And because so much has been suppressed or distorted in everything from biographies of writers to atrocities by totalitarian governments, there has been much to expose and write about. Studying at Cambridge in the 1960s gave me an opportunity to learn everything from Lithuanian to Slovak: I have been able to write histories of Stalin and of Georgia, biographies of Russians such as Chekhov, Suvorin, and Przhevalsky, and the field is still fresh and open for future work.
The most compelling aspect of Mirror of the Soul is its analysis of the great poet Tyutchev’s bi-polar temperament and compulsive philandering. He was a forgivable Don Juan, in that he deeply empathized with his victims, although his misbehaviour shortened the lives of his first wife and of his most infatuated mistress. Morbidly irresponsible, he impregnated at least two mistresses and both his wives before marriage. Joy was for Tyutchev a thin veneer of light over misery and darkness; deaths of those close to him and contrition (if not guilt) finally reconciled him, in a death-bed poem, with a “punitive God” who removes everything — “breath, willpower, sleep” — leaving just an aggrieved, loving wife as his intermediary. Mirror of the Soul is beautifully written and edited. It will be, for a long time, the standard work on Tyutchev, doubtless in Russia, too.
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.
At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.
Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.
October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis--one interim government replaced another in the vacuum…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There is a shortage of good books on the military aspect of the war on the Eastern Front, with some of the most prominent books in English (and for that matter in Russian) dating back nearly fifty years. Stone’s volume is a prominent exception in this regard. Stone is thoughtful, concise, and judicious throughout. Readers will emerge with a comprehensive view of combat operations – and more.
A full century later, our picture of World War I remains one of wholesale, pointless slaughter in the trenches of the Western front. Expanding our focus to the Eastern front, as David R. Stone does in this masterly work, fundamentally alters-and clarifies-that picture. A thorough, and thoroughly readable, history of the Russian front during the First World War, this book corrects widespread misperceptions of the Russian Army and the war in the east even as it deepens and extends our understanding of the broader conflict.
Of the four empires at war by the end of 1914-the Austro-Hungarian, Ottoman, German, and…
When two brothers discover a 300-year-old sausage-curing cabin on the side of a Slovenian mountain, it's love at first sight. But 300-year-old cabins come with 300 problems.
Dormice & Moonshine is the true story of an Englishman seduced by Slovenia. In the wake of a breakup, he seeks temporary refuge…
I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I…