Here are 100 books that Eulalie and the Hopping Head fans have personally recommended if you like
Eulalie and the Hopping Head.
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I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found.
This feels like a fairy tale, of sorts. A curious feel to it. It is touching and evocative and strange - in that good and compelling way. Larky Mavis is somehow an endearing outcast in her small village. Is she a gypsy, is she homeless? The village sees her as socially unacceptable. Not “normal.” It would be interesting to hear the child reader’s take. I would guess a child would relate to Larky’s guilelessness - her open heart and her trust in others. Larky finds 3 peanuts. She does not eat the third one because she sees a baby inside. Perhaps a metaphor for seeing the potential in life if one’s heart is open enough. She shares her delightful discovery with others from town.
These individuals feel they are more the expert in knowing what is inside this peanut. One declares it a worm, another a mouse, another a deformed…
Larky Mavis, an eccentric soul, finds three peanuts in the middle of the road. The first tastes like liver and onions. The second, like bread pudding. And the third -- well, inside the third is a baby. Larky Mavis decides to name it Heart's Delight and to take care of it. She shows it to the teacher, and he says it looks like a worm. She asks the parson to christen it, but he thinks it's a mouse. And when she asks the doctor to help her teach the baby to say "Ma," he thinks…
I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found.
Leon and his mom are new to town. His dad is in the army. Leon shares his new room with his imaginary friend, Bob. Their friendship is as important as it is real, to Leon. A tender and loving relationship. A boy moves in next door. Read the book to see how sweet this deceivingly simple story is. The words are sparse and well-chosen. The artwork is loose and expressive ink linework. Beautiful watercolor washes. The imaginary friend theme is treated in a fresh way. I am always touched by the portrayal of little boys’ natural sweetness - as they really are when allowed to be.
A touching urban tale about a boy and his imaginary friend, from a multi-award-winning picture-book creator.
Bob is Leon's best friend. He shares Leon's room. Everywhere Leon goes, Bob goes too. Then one day a boy moves in next door. But when Leon goes to ask his new neighbour to go to the park with him, he discovers Bob has gone...
I’m the author of nearly thirty books for children, ranging from board books to young adult novels. This list combines two of my great loves: animals and early readers. I love animals because they are funny, amazing, and mysterious, and they have brought me so much joy throughout my life. I love early readers because they are small books about big feelings—big problems, big dramas, big adventures. The words may be simple, but there is nothing simple about the emotions in these stories. For beginning readers, these first, short chapter books are the gateway to a lifetime of literary pleasures. Below are a few of my favorites, old and new.
The Little Bear series is my all-time favorite of the early reader genre; Minarik’s wisdom about childhood worries and pleasures shines on every page, and Sendak’s rich, delicate drawings gorgeously render an entire world. In this gentle tale of friendship, Little Bear meets a human girl, Emily, who is lost in the woods. He helps her find her family, and soon they are fast friends, playing games, helping Duck baby-sit, and even attending a party at Owl’s house. When Emily’s doll Lucy breaks her arm, only Little Bear knows what to do. But when the summer ends, will Little Bear ever see Emily again?
Little Bear makes a new friend but misses her when summer ends.
One summer Little Bear makes friends with a girl named Emily and her doll Lucy. But when summer ends, Emily must leave. Little Bear is sad—until he finds a way to stay close to his new friend even when she is far away.
Little Bear's Friend is among the beloved classic Little Bear books from Else Holmelund Minarik and Maurice Sendak. The first, Little Bear, launched the I Can Read early reader series in 1957.
In the Little Bear stories, we meet Little Bear, whose adventures are filled…
I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found.
Ruby is new to school as she enters Miss Hart’s class. Ruby’s desk is right behind Angela’s. Angela seems to be a self-possessed, lovely young girl and, right away, Ruby is quite taken with Angela. She wants to be her friend. Perhaps Ruby wants to be noticed and equally admired by this potential new friend, and so she imitates Angela in every way. It gets old fast. Miss Hart handles the situation admirably well, with utmost respect and sensitivity. (I wish I had encountered more teachers like that as a kid.) Rathmann captures kids’ innocent foibles, well. The artwork is adorable and expressive and loose. Great humor. Full of humanity.
Let the Scholastic Bookshelf be your guide through the whole range of your child's experiences--laugh with them, learn with them, read with them!
It's the first day of school, and Ruby is new. When her classmate Angela wears a red bow in her hair, Ruby comes back from lunch wearing a red bow, too. When Angela wears a flowered dress, suddenly Ruby's wearing one, too. Fortunately, Ruby's teacher knows a better way to help Ruby fit in--by showing how much fun it is to be herself!
As a former teacher, and grandmother of 13 now-grownup kids, I can’t begin to count the total number of children’s books I’ve read. A gazillion maybe? I have published 5 children’s books of my own and have read them to hundreds of classes all over the U.S. I have been an editor of children’s books for about 10 years and feel honored every time an author hands their precious manuscript over to me for assistance. I’ve read so, so many amazing books. It was difficult to name just a handful, but these books spoke to me, evoking emotions that stayed with me long after the last i was dotted and t was crossed. I hope you will feel that as well.
I always appreciate children’s books that are diverse. Children everywhere should be given the opportunity to see themselves in the stories they read. It’s important for adults to understand that what a child takes away from a storybook character can become a life-altering emotion. I found that emotion in this book. Molly Morningstar is a little girl with a problem: She can’t find a doll that looks like her! Sure, the dolls all look like her classmates, but not one looks like Molly. In refusing to settle for just any other doll, Molly finds the perfect solution to the problem. What if she could make a doll? I love the emotion, fortitude, and creativity shown by our shining star, Molly Morningstar.
I grew up in the 80s, the era of horror super-franchises. Most would be familiar with Friday the 13th, A Nightmare on Elm Street, and Halloween, but there were so many more. Oscar-winning films the decade prior like The Exorcist and Jaws ushered a new wave of new horror. Whether it was advancement in visual effects, or improvement in production, the genre was everywhere. And I couldn’t get enough. Those experiences have possessed my pen and continue to rule my reading choices. I hope you enjoy these recommendations as much as I did. There’s a lot we can learn about ourselves when we’re scared.
Hadley was starting her new life, even if it was against her will. Moving to her new/old house bothered by a neighbor fascinated by bugs and a step-father she loathed, Hadley wished for things to be as they used to be: when she didn’t have to share her mother. But the more she resists her new life, the more she becomes immersed in the house’s mysterious past.
The Doll’s Eye is a creepy mystery that builds towards an unexpected outcome, reminding us that divorce is hard, but running away from our problems can be even more perilous.
All Hadley wants is for everything to go back to the way it used to be-back when she didn't have to share her mother with her stepfather and stepbrother. Back when she wasn't forced to live in a musty, decomposing house. Back when she had a life in the city with her friends.
As Hadley whiles away what's left of her summer, exploring the nearby woods and splitting her time between her strange, bug-obsessed neighbor Gabe and the nice old lady that lives above the garage, she begins to notice the house isn't just old and creaky. It's full of…
I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own.
This is a stunning, beautifully illustrated Russian folktale. I love that folktales come from all over the world and that I can share these beautiful stories with my students. It introduces them to customs and cultures they may otherwise not get to experience. In this one, a great white oak gifts an old man a branch imbued with magic. The old man takes the branch and carves five matryoshka dolls, “each smaller than the last.” The wooden dolls come to life bringing the old man and his wife (who are childless) endless joy. Who doesn’t love a tale about love and happiness?
When a great white oak gifts an old man a branch imbued with magic, he carves five wooden matryoshka dolls, “each smaller than the last.” The wooden dolls take on a life of their own as they frolic from one season to the next, bringing the old man and his wife a joy they had always longed for. Beautiful verse and stunning, traditional illustrations full of woodland creatures and playfully painted matryoshka dolls explore a tale of heartache, hope, and love.
I’ve written many types of book—fiction and non-fiction—for readers of all ages. But I keep returning to my first passion—the clever, crazy, over the top psychological thrillers I was addicted to reading or watching on TV when I was growing up. I’ve always loved trying to write page turners with plots readers have never seen before. Certainly, I want my audience to care about the book’s characters and laugh at the one-liners. But nothing beats making people think… there’s no way he can possibly pull all these plot strands together at the end. And then doing it. Besides, my nutty thrillers are the ones that get the best reviews.
Written in the 80s, the characters are unbelievable, the dialogue stilted and the plot is totally over the top. Plus Campbell reveals the killer’s identity halfway through. Yet, when I first read it, I couldn’t get it out of my head. Thirty years later, I still can’t. The whole thing is simply too weird and creepy. The first chapter is a great indicator of how the rest of the book will go. It’s just dumb. And then, suddenly… “Where has his ARM gone!” And you’re utterly hooked.
This is Ramsey Campbell's first novel, originally published in 1976 in the UK. It is stated in Wikipedia that revisions were made in 1985. This is the 2nd UK edition, published in 1987. There is not indication of revisions in this edition, so I'm not certain.
I’m a children’s book author and regularly read 2-3 middle grade books a week. I love books that respect kids enough to make them think, and I seek out good books constantly, whether they are intended for kids, youth, or adults. I’m the author of the early education books It’s OK Not to Share andIt’s OK to Go Up the Slide, and the ghost adventure The Griffins of Castle Caryfor kids ages 8-12. I’m a graduate of Swarthmore College and the University of Wisconsin-Madison, and besides writing, I host two podcasts: BookSmitten (children’s books), and Renegade Rules (early childhood). Enjoy the books!
I love all books by Ruth M. Arthur, and this one is particularly special. It starts with three sisters and an evil doll named Dido. I love multi-generational stories, and this one starts in the late 1800s and ends up in a post-WW II orphanage. I have read this book about seven times and never tire of its compelling power. Arthur weaves the supernatural into real life and loss, exploring how trauma can persist and damage generations, while giving young readers a gripping read.
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I have never encountered a story that depicts the dread and heartbreak of growing up more authentically than Black has done in the pages of this Newberry-awarded novel for children.
It is both as brutal and as delicate as the creepy antique doll (which may or may not be haunted) at the center of the story. Three kids head out on their own, determined to lay the spirit trapped within the doll to rest while the all-to-real fears and quiet dangers of their regular lives snap at their heels.
It is a book of loss, acceptance, and courage that will remain nestled in my heart for life. I am literally tearing up right now as I think of it.
My name is Eleanor Kerchner. You can call me the Queen. I died in 1895. Now it's time to play.
A chilling ghost story by the bestselling author of The Spiderwick Chronicles, Holly Black.
Recipient of a Newbery Honor Award. An ALA Notable Book. A Kirkus Reviews Best Book. A School Library Journal Best Book. A Booklist Editor's Choice Books for Youth. A Publishers Weekly Best Children's Book. A 2013 Goodreads Choice award nominee. A People Magazine 'Best New Kids Book'.
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