100 books like Five Sisters

I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.

I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own. 

Victoria Talwar, PhD, is a professor and the chair of the Department of Educational & Counselling Psychology at McGill University. She is a recognized leading expert on children’s deception and has published numerous articles on children’s honesty and lie-telling behaviors. Dr. Talwar has given workshops to parents, teachers, social workers, and legal professionals. Among other distinctions, she was awarded the Society for Research on Child Development Outstanding Early Career Contributions to Child Development Research award. She is a Fellow of the American Psychological Association (Division 7), a Fellow of the Association for Psychological Science, and a member of the College of the Royal Society of Canada. 

I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own. 

I grew up in the 80s, the era of horror super-franchises. Most would be familiar with Friday the 13th, A Nightmare on Elm Street, and Halloween, but there were so many more. Oscar-winning films the decade prior like The Exorcist and Jaws ushered a new wave of new horror. Whether it was advancement in visual effects, or improvement in production, the genre was everywhere. And I couldn’t get enough. Those experiences have possessed my pen and continue to rule my reading choices. I hope you enjoy these recommendations as much as I did. There’s a lot we can learn about ourselves when we’re scared.  

I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found. 

As a former teacher, and grandmother of 13 now-grownup kids, I can’t begin to count the total number of children’s books I’ve read. A gazillion maybe? I have published 5 children’s books of my own and have read them to hundreds of classes all over the U.S. I have been an editor of children’s books for about 10 years and feel honored every time an author hands their precious manuscript over to me for assistance. I’ve read so, so many amazing books. It was difficult to name just a handful, but these books spoke to me, evoking emotions that stayed with me long after the last i was dotted and t was crossed. I hope you will feel that as well.

I’m a children’s book author and regularly read 2-3 middle grade books a week. I love books that respect kids enough to make them think, and I seek out good books constantly, whether they are intended for kids, youth, or adults. I’m the author of the early education books It’s OK Not to Share and It’s OK to Go Up the Slide, and the ghost adventure The Griffins of Castle Cary for kids ages 8-12. I’m a graduate of Swarthmore College and the University of Wisconsin-Madison, and besides writing, I host two podcasts: BookSmitten (children’s books), and Renegade Rules (early childhood). Enjoy the books!

I’ve written many types of book—fiction and non-fiction—for readers of all ages. But I keep returning to my first passion—the clever, crazy, over the top psychological thrillers I was addicted to reading or watching on TV when I was growing up. I’ve always loved trying to write page turners with plots readers have never seen before. Certainly, I want my audience to care about the book’s characters and laugh at the one-liners. But nothing beats making people think… there’s no way he can possibly pull all these plot strands together at the end. And then doing it. Besides, my nutty thrillers are the ones that get the best reviews.

It took me a long time to realize that the books I write have always (always) been about trauma. (I write fantasy, so the link wasn’t immediately apparent to me.) But now that I’ve seen it, I can’t unsee it. Likewise, it took me a long time to notice that all my favorite magical books were the ones that seemed to be trying to find a new language for the terrible things that can happen to and around us. Magic provides a powerful language for psychological pain. It can make it more real. It can make it more digestible. It can help us to see it more clearly. Fiction tells lies that make reality bearable and understandable—and magical fiction is no different. Which is why it will probably always be my favorite kind.