I’ve written many types of book—fiction and non-fiction—for readers of all ages. But I keep returning to my first passion—the clever, crazy, over the top psychological thrillers I was addicted to reading or watching on TV when I was growing up. I’ve always loved trying to write page turners with plots readers have never seen before. Certainly, I want my audience to care about the book’s characters and laugh at the one-liners. But nothing beats making people think… there’s no way he can possibly pull all these plot strands together at the end. And then doing it. Besides, my nutty thrillers are the ones that get the best reviews.
Seems, at first, to be a rehash of Frankensteincrossed with Rashomon. But that doesn’t even scratch the surface of a deep, deep novel with a stunning twist that negates everything you think you know about all the main characters. As a Scot, I love the fact that it perfectly encapsulates the idea of Caledonian Antisyzygy (you’ll have to look it up!) Read it before the Hollywood movie comes out next year.
What strange secret made rich, beautiful, tempestuous Bella Baxter irresistible to the poor Scottish medical student Archie McCandless? Was it her mysterious origin in the home of his monstrous friend Godwin Baxter, the genius whose voice could perforate eardrums? This story of true love and scientific daring whirls the reader from the private operating-theatres of late-Victorian Glasgow through aristocratic casinos, low-life Alexandria and a Parisian bordello, reaching an interrupted climax in a Scottish church.
Written in the 80s, the characters are unbelievable, the dialogue stilted and the plot is totally over the top. Plus Campbell reveals the killer’s identity halfway through. Yet, when I first read it, I couldn’t get it out of my head. Thirty years later, I still can’t. The whole thing is simply too weird and creepy. The first chapter is a great indicator of how the rest of the book will go. It’s just dumb. And then, suddenly… “Where has his ARM gone!” And you’re utterly hooked.
This is Ramsey Campbell's first novel, originally published in 1976 in the UK. It is stated in Wikipedia that revisions were made in 1985. This is the 2nd UK edition, published in 1987. There is not indication of revisions in this edition, so I'm not certain.
I love an intricate plot. But sometimes you want some real literary heft to go along with it. In which case, you can’t do better than anything by Dan Chaon.
A lot of books witter on about the nature of self and identity. This one actually nails it. The characterizations and descriptions are superb. Best of all, it’s a sublimely written triple mystery, whose disparate strands finally lock in a devastating fashion.
BONUS: This edition contains an Await Your Reply discussion guide.
The lives of three strangers interconnect in unforeseen ways–and with unexpected consequences–in acclaimed author Dan Chaon’s gripping, brilliantly written new novel.
Longing to get on with his life, Miles Cheshire nevertheless can’t stop searching for his troubled twin brother, Hayden, who has been missing for ten years. Hayden has covered his tracks skillfully, moving stealthily from place to place, managing along the way to hold down various jobs and seem, to the people he meets, entirely normal. But some version of the truth is always concealed.
This hard-boiled noir is another odd choice because it certainly has its flaws. Written in the 1940s, it has stilted dialogue, dubious motivation, and prose that shows its age. Yet, none of that can stop it from being a classic, in my opinion. Why? Because it has a ‘What The Actual F**ck?’ plot of stunning originality. And one of the coolest titles around. A deadly Percheron? I was sold from page one.
Between 1946 and 1948 john franklin bardin produced 3 quite extraordinary novels, all distinguished by a hallucinatory intensity of feeling and an absorption in morbid psychology remarkable for the period. "the deadly percheron", "the last of philip banter" and "devil take the blue-tail fly" are unlike anything else in modern crime literature. 10/6/87 UK PRIORITY REISSUE
The central idea of his book is a beauty.A kid writing to an incarcerated serial killer to try persuading him to reveal where he murdered and buried the boy’s brother. Bauer makes you really care about the crap existence of a nondescript sad sack child you wouldn’t give the time of day to in real life. I love it because the writing is superb and there’s a genuine sense of tension. All right, you know the outcome is going to be grimly inevitable. Until the story starts to take some very unexpected turns.
'Extraordinarily powerful and evocative . . . will leave you breathless.' Daily Mirror
VOTED CRIME NOVEL OF THE YEAR when it was first released, and still the most gripping, powerful thriller debut you will read this year.
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Steven Lamb is 12 when he writes his first letter . . . to a serial killer
Every day after school, whilst his classmates swap football stickers, twelve-year-old Steven digs holes on Exmoor, hoping to find a body. His uncle disappeared aged eleven and is assumed to have fallen victim to the notorious serial…
A mass killer hunting his own daughter. A double murder in an idyllic community. A research facility overrun by ants. They’re all part of the biggest con trick in history.
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will they destroy each other? And more importantly, how will humans tolerate their own creations, the robots, on this planet?
In this, his latest speculative fiction novel, Shane Joseph, returns to the “what if” questions facing humanity that he raised in After the Flood, a book that won him the…
With Chatbots and Large Language Models changing the world of writing and publishing dramatically, what happens when we introduce a sentient robot capable of feelings into the mix?
Phil Kruger, inventor, and serial womanizer, believes he has the answer in his creation, Victoria, the first sentient robot in the world, imbued with beauty, knowledge, and strength and on a crash course to acquire human feelings through massive infusions of data. Arrayed against him are independent trade publisher Artemius (Art) Jones and his rebellious and sexually starved daughter, Paula, an editor herself, who is determined to take her father's failing press,…
