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Await Your Reply: A Novel Kindle Edition
The lives of three strangers interconnect in unforeseen ways–and with unexpected consequences–in acclaimed author Dan Chaon’s gripping, brilliantly written new novel.
Longing to get on with his life, Miles Cheshire nevertheless can’t stop searching for his troubled twin brother, Hayden, who has been missing for ten years. Hayden has covered his tracks skillfully, moving stealthily from place to place, managing along the way to hold down various jobs and seem, to the people he meets, entirely normal. But some version of the truth is always concealed.
A few days after graduating from high school, Lucy Lattimore sneaks away from the small town of Pompey, Ohio, with her charismatic former history teacher. They arrive in Nebraska, in the middle of nowhere, at a long-deserted motel next to a dried-up reservoir, to figure out the next move on their path to a new life. But soon Lucy begins to feel quietly uneasy.
My whole life is a lie, thinks Ryan Schuyler, who has recently learned some shocking news. In response, he walks off the Northwestern University campus, hops on a bus, and breaks loose from his existence, which suddenly seems abstract and tenuous. Presumed dead, Ryan decides to remake himself–through unconventional and precarious means.
Await Your Reply is a literary masterwork with the momentum of a thriller, an unforgettable novel in which pasts are invented and reinvented and the future is both seductively uncharted and perilously unmoored.
- LanguageEnglish
- PublisherBallantine Books
- Publication dateAugust 15, 2009
- File size2882 KB
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Editorial Reviews
Amazon.com Review
The lives of three strangers interconnect in unforeseen ways--and with unexpected consequences--in acclaimed author Dan Chaon’s gripping, brilliantly written new novel.
Longing to get on with his life, Miles Cheshire nevertheless can’t stop searching for his troubled twin brother, Hayden, who has been missing for ten years. Hayden has covered his tracks skillfully, moving stealthily from place to place, managing along the way to hold down various jobs and seem, to the people he meets, entirely normal. But some version of the truth is always concealed.
A few days after graduating from high school, Lucy Lattimore sneaks away from the small town of Pompey, Ohio, with her charismatic former history teacher. They arrive in Nebraska, in the middle of nowhere, at a long-deserted motel next to a dried-up reservoir, to figure out the next move on their path to a new life. But soon Lucy begins to feel quietly uneasy.
My whole life is a lie, thinks Ryan Schuyler, who has recently learned some shocking news. In response, he walks off the Northwestern University campus, hops on a bus, and breaks loose from his existence, which suddenly seems abstract and tenuous. Presumed dead, Ryan decides to remake himself--through unconventional and precarious means.
Await Your Reply is a literary masterwork with the momentum of a thriller, an unforgettable novel in which pasts are invented and reinvented and the future is both seductively uncharted and perilously unmoored.
Amazon Exclusive: Dan Chaon on Await Your ReplyPeople sometimes ask me, "What was your inspiration for this book?" Which is a harder question to answer than you would think.
I always wish that a novel would just pop into my head, fully formed, laid out like a blueprint of a house, and all I had to do was follow the instruction manual. But it never seems to work out this way. Instead, it feels as if you got dropped off in some wilderness area with the vague knowledge of what a house looks like, and so you began to gather materials... rocks and acorns and pieces of wood and so forth. Will it all hold together? Keep your fingers crossed.
In the case of Await Your Reply, the building materials came from random and unpredictable places. I gathered inspiration from songs; from weird, sketchy images that I’d write down in a notebook. ("Possible plot: severed hand in ice cooler?"); from spam e-mails (one of which gave the book its title); from odd news items I came across (the drying-up of a lake in Nebraska where I spent many childhood vacations.)
And of course I got inspiration from books. Maybe more than from anything else, this book can trace its roots back to my childhood, to the stories and novels that I loved when I was a child. I grew up in a very tiny town in Western Nebraska, one of those villages of the great plains that grew up alongside the Union Pacific railroad line, with a tower of a grain elevator at the center and a little smatter of houses around it. Population, approximately 50. I was the only kid my age in town, and so I spent a lot of time by myself, "sitting around with my nose in a book," as my grandmother said.
My grandmother imagined that a healthy childhood involved a lot of running around coltishly and hearty eating and cheerful chore-doing. Maybe hunting rabbits in my spare time or building a treehouse.
Instead, I skulked about. I found a shady corner out by the lilac bushes, or in one of the abandoned sheds on our neighbor’s property, or in the high weeds and hills that lay out beyond town, and I stuck my nose in one unsavory book after another.
My grandmother wasn’t completely opposed to reading, but when she looked at the titles and covers of the books I liked, she frowned. Here was We Have Always Lived in the Castle by Shirley Jackson, about a lonely girl whose entire family was murdered; here was The Other by Thomas Tryon, about a boy and his evil twin. Here were stories by H.P. Lovecraft and Daphne Du Maurier, and anthologies that were ostensibly edited by Alfred Hitchcock: Alfred Hitchcock’s Haunted Houseful. Alfred Hitchcock’s Ghostly Gallery. Alfred Hitchcock’s Stories to Read with the Lights On. I can’t say why, exactly, I was drawn to such creepy, sinister stories, but I do remember how much I loved the sense of dread and anticipation they evoked, the way I myself longed for the urgency of hidden secrets, how much I liked the idea that the ordinary world was not really ordinary once you peeked below the surface.
As I got older, I read such books less and less. In college, I developed a taste for the short fiction of Raymond Carver and Tobias Wolff and Alice Munro, and I gravitated toward the novels of Nabokov and Henry James and Julio Cortazar.
Still, I found myself turning back to those childhood favorites in recent years--not least because I had kids of my own, boys who were going through the same intense love of the creepy and sinister and fantastic. But I also felt as if I was reconnecting with old friends. If you’re an avid reader, and a book gets under your skin, it can affect you as intensely as a real human relationship, it lingers with you for your whole life, and there is always this desire to re-experience that amazing sense of connection you get from those authors you loved in the past.
Thinking back, I can see how Await Your Reply really started back in childhood--with that longing for mystery and suspense and secrets and surprises. In many ways, this novel is a love letter to those books that I couldn’t get enough of as a kid, and maybe a love letter to the kid that I once was. Here’s the book that I was vaguely dreaming about, though it’s also maybe a warning. Be careful what you wish for.--Don Chaon
(Photo © Philip Chaon)
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Review
“I’ve been waiting for somebody to write the essential identity-theft novel, and I’m very glad Dan Chaon’s the one to have done it, because he believes in real story and is faithful to the reader.”—Jonathan Franzen, author of The Corrections
“This is a stunning and beautiful book. I must have read its final pages half a dozen times, just letting what lay packed and coiled within them settle into me. Out of pure loss, Chaon has created real magnificence. Await Your Reply attains a kind of blurry, bloodstained perfection.”—Peter Straub, author of A Dark Matter
“I haven’t had as much sheer fun reading a novel in years. Chaon’s characters are always so beautifully drawn that they hold your attention even when they’re just sitting and thinking. In this breathtaking book, they do that and a whole lot more.”—Ann Packer, author of The Dive from Clausen's Pier
“Stunning…. Mr. Chaon succeeds in both creating suspense and making it pay off, but ‘Await Your Reply’ also does something even better. Like the finest of his storytelling heroes, Mr. Chaon manages to bridge the gap between literary and pulp fiction with a clever, insinuating book equally satisfying to fans of either genre. He does travel two roads, even though that guy David Frost said it wasn’t possible."—New York Times
“I was completely hooked—a credit both to Chaon's intricate and suspenseful plotting and to some of the most paranoid material to hit American literature since Don Delillo's White Noise......
About the Author
From The Washington Post
Copyright 2009, The Washington Post. All Rights Reserved.
Excerpt. © Reprinted by permission. All rights reserved.
We are on our way to the hospital, Ryan’s father says.
Listen to me, Son:
You are not going to bleed to death.
Ryan is still aware enough that his father’s words come in through the edges, like sunlight on the borders of a window shade. His eyes are shut tight and his body is shaking and he is trying to hold up his left arm, to keep it elevated. We are on our way to the hospital, his father says, and Ryan’s teeth are chattering, he clenches and unclenches them, and a series of wavering colored lights—greens, indigos—plays along the surface of his closed eyelids.
On the seat beside him, in between him and his father, Ryan’s severed hand is resting on a bed of ice in an eight-quart Styrofoam cooler.
The hand weighs less than a pound. The nails are trimmed and there are calluses on the tips of the fingers from guitar playing. The skin is now bluish in color.
This is about three a.m. on a Thursday morning in May in rural Michigan. Ryan doesn’t have any idea how far away the hospital might be but he repeats with his father we are on the way to the hospital we are on the way to the hospital and he wants to believe so badly that it’s true, that it’s not just one of those things that you tell people to keep them calm. But he’s not sure. Gazing out all he can see is the night trees leaning over the road, the car pursuing its pool of headlight, and darkness, no towns, no buildings ahead, darkness, road, moon.
2
A few days after Lucy graduated from high school, she and
George Orson left town in the middle of the night. They were not
fugitives–not exactly–but it was true that no one knew that they
were leaving, and it was also true that no one would know where
they had gone.
They had agreed that a degree of discretion, a degree of secrecy,
was necessary. Just until they got things figured out. George Orson
was not only her boyfriend, but also her former high school history
teacher, which had complicated things back in Pompey, Ohio.
This wasn’t actually as bad as it might sound. Lucy was eighteen,
almost nineteen–a legal adult–and her parents were dead, and
she had no real friends to speak of. She had been living in their parents’
house with her older sister, Patricia, but the two of them had
never been close. Also, she had various aunts and uncles and
cousins she hardly talked to. As for George Orson, he had no connections
at all that she knew of.
And so: why not? They would make a clean break. A new life.
Still, she might have preferred to run away together to somewhere
different.
They arrived in Nebraska after a few days of driving, and she was
sleeping, so she didn’t notice when they got off the interstate.
When she opened her eyes, they were driving along a length of
empty highway, and George Orson’s hand was resting demurely on
her thigh: a sweet habit he had, resting his palm on her leg. She
could see herself in the side mirror, her hair rippling, her sunglasses
reflecting the motionless stretches of lichen- green prairie
grass. She sat up.
“Where are we?” she said, and George Orson looked over at her.
His eyes distant and melancholy. It made her think of being a child,
a child in that old small- town family car, her father’s thick, calloused
plumber’s hands gripping the wheel and her mother in the
passenger seat with a cigarette even though she was a nurse, the
window open a crack for the smoke to trail out of, and her sister
asleep in the backseat mouth- breathing behind their father, and
Lucy also in the backseat, opening her eyes a crack, the shadows of
trees running across her face, and thinking: Where are we?
She sat up straighter, shaking this memory away.
“Almost there,” George Orson murmured, as if he were remembering
a sad thing.
And when she opened her eyes again, there was the motel. They
had parked in front of it: a tower rising up in silhouette over them.
It had taken Lucy a moment to realize that the place was supposed
to be a lighthouse. Or rather–the front of the place, the
façade, was in the shape of a lighthouse. It was a large tube- shaped
structure made of cement blocks, perhaps sixty feet high, wide at
the base and narrowing as it went upward, and painted in red and
white barber- pole stripes.
THE LIGHTHOUSE MOTEL, said a large unlit neon sign–fancy
nautical lettering, as if made of knotted ropes–and Lucy sat there
in the car, in George Orson’s Maserati, gaping.
To the right of this lighthouse structure was an L- shaped courtyard
of perhaps fifteen motel units; and to the left of it, at the very
crest of the hill, was the old house, the house where George
Orson’s parents once lived. Not exactly a mansion but formidable
out here on the open prairie, a big old Victorian two- story home
with all the trappings of a haunted house: a turret and wraparound
porch, dormers and corbeled chimneys, a gable roof and scalloped
shingles. No other houses in sight, barely any other sign of civilization,
barely anything but the enormous Nebraska sky bending over
them.
For a moment Lucy had the notion that this was a joke, a corny
roadside attraction or amusement park. They had pulled up in the
summer twilight, and there was the forlorn lighthouse tower of the
motel with the old house silhouetted behind it, ridiculously creepy.
Lucy thought that there may as well have been a full moon and a
hoot owl in a bare tree, and George Orson let out a breath.
“So here we are,” George Orson said. He must have known how
it would look to her.
“This is it?” Lucy said, and she couldn’t keep the incredulousness
out of her voice. “Wait,” she said. “George? This is where we’re
going to live?”
“For the time being,” George Orson said. He glanced at her ruefully,
as if she disappointed him a little. “Only for the time being,
honey,” he said, and she noticed that there were some tumbleweeds
stuck in the dead hedges on one side of the motel courtyard. Tumbleweeds!
She had never seen such a thing before, except in movies
about ghost towns of the Old West, and it was hard not to be a little
freaked out.
“How long has it been closed?” she said. “I hope it’s not full of
mice or–”
“No, no,” George Orson said. “There’s a cleaning woman com-
ing out fairly regularly, so I’m sure it’s not too bad. It’s not abandoned
or anything.”
She could feel his eyes following her as she got out and walked
around the front of the car and up toward the red door of the
Lighthouse. Above the door it said: office. And there was another
unlit tube of neon, which said: NO VACANCY.
It had once been a fairly popular motel. That’s what George
Orson had told her as they were driving through Indiana or Iowa or
one of those states. It wasn’t exactly a resort, he’d said, but a pretty
fancy place–“Back when there was a lake,” he’d said, and she
hadn’t quite understood what he meant.
She’d said: “It sounds romantic.” This was before she’d seen it.
She’d had an image of one of those seaside sort of places that you
read about in novels, where shy British people went and fell in love
and had epiphanies.
“No, no,” George Orson said. “Not exactly.” He had been trying
to warn her. “I wouldn’t call it romantic. Not at this point,” he said.
He explained that the lake–it was a reservoir, actually–had started
to dry up because of the drought, all the greedy farmers, he said,
they just keep watering and watering their government- subsidized
crops, and before anyone knew it, the lake was a tenth of what it
had once been. “Then all of the tourist stuff began to dry up as well,
naturally,” George Orson said. “It’s hard to do any fishing or waterskiing
or swimming on a dry lake bed.”
He had explained it well enough, but it wasn’t until she looked
down from the top of the hill that she understood.
He was serious. There wasn’t a lake anymore. There was nothing
but a bare valley–a crater that had once held water. A path led
down to the “beach,” and there was a wooden dock extending out
into an expanse of sand and high yellow prairie grass, various
scrubby plants that she imagined would eventually turn into tumbleweeds.
The remains of an old buoy lay on its side in the windblown
dirt. She could see what had once been the other side of the
lake, the opposite shore rising up about five miles or so away across
the empty basin.
Lucy turned back to watch as George Orson opened the trunk of
the car and extracted the largest of their suitcases.
“Lucy?” he said, trying to make his voice cheerful and solicitous.
“Shall we?”
She watched as he walked past the tower of the Lighthouse office
and up the cement stairs that led to the old house.
3
By the time the first rush of recklessness had begun to burn off,
Miles was already nearing the arctic circle. He had been driving
across Canada for days and days by that point, sleeping for a while
in the car and then waking to go on again, heading northward
along what highways he could find, a cluster of maps origamied on
the passenger seat beside him. The names of the places he passed
had become more and more fantastical–Destruction Bay, the
Great Slave Lake, Ddhaw Ghro, Tombstone Mountain–and when
he came at last upon Tsiigehtchic, he sa...
From AudioFile
Product details
- ASIN : B002LLRDXS
- Publisher : Ballantine Books; 1st edition (August 15, 2009)
- Publication date : August 15, 2009
- Language : English
- File size : 2882 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 337 pages
- Best Sellers Rank: #632,770 in Kindle Store (See Top 100 in Kindle Store)
- #2,819 in Mystery, Thriller & Suspense Literary Fiction
- #3,560 in Coming of Age Fiction (Kindle Store)
- #5,012 in Contemporary Literary Fiction
- Customer Reviews:
About the author
Dan Chaon’s most recent book is the short story collection Stay Awake (2012), a finalist for the Story Prize. Other works include the national bestseller Await Your Reply and Among the Missing, a finalist for the National Book Award. Chaon's fiction has appeared in Best American Short Stories, The Pushcart Prize Anthologies, and The O. Henry Prize Stories. He has been a finalist for the National Magazine Award in Fiction, the Shirley Jackson Award, and he was the recipient of an Academy Award in Literature from the American Academy of Arts and Letters. Chaon lives in Ohio and teaches at Oberlin College. A new novel, Ill Will, is due out in March 2017.
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Top reviews from the United States
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I was deeply impressed by the skill used to make each character in this book distinct and yet similar when you scratched the surface. The ambiguities that were left in some cases had me confused before I finished the book - when all of the pieces of the puzzle finally clicked into place. In fact the only reason why I am not giving Await Your Reply a five-star rating is because while I enjoyed reading it thoroughly, I had those strong suspicions of what the ending would entail before I had finished the first portion. That isn't a bad thing, it was satisfying and gave me the feeling of having figured out a mystery/detective novel nearly out of the starting gate.
The loose ends of the book were gathered well by the conclusion, but there was so much that wasn't fleshed out about the auxiliary cast that I felt a little disappointed. I understand that they weren't the main focal point of the story and in some ways am happy that there were questions left (like Miles' queries in his journal "unknown") but it would have been pleasant to delve at least a little deeper into Aviva, Rachel, or Jay's roommates other than what we were given.
Those minor points aside this is a fantastic read and well worth purchasing. I'm glad that I bought the book in hardback as I plan to lend it out and keep it in my personal library for quite some time. I am looking forward to exploring more of Dan Chaon's work, as this was my first introduction to his writing.
Chaon's writing doesn't exactly place a great deal of emphasis on narrative drive, tending to move things along at a relaxed pace marked by frequent digressions to develop his protagonists' backstories while examining the inner workings of their minds. At the same time, his psychological insights are always interesting, and while the overall worldview of the book is generally bleak and unsentimental it never comes at the expense of plausibility. "Await Your Reply" is certainly one of the most naturalistic novels I've come across in a long time, with straightforward prose complemented by a near-total absence of histrionic dialogue and contrived plot twists. There is a mystery to be developed here, but it's done more through subtle cues that fit neatly in the narrative than through stunning, out-of-left-field revelations.
The book splits its time evenly between three seemingly unrelated plots centering around decidedly ordinary characters--a working-class high-school valedictorian from Ohio who's skipped town with her former history teacher; a college student who takes up residence with his long-lost ID-thief father; and a magic-store employee caught up in an endless, wide-ranging search for his disturbed twin brother. None of the characters seem to live life according to any sort of well-defined goal or plan, instead just sort of floating rootless through a world on the fringes of proper society, where the connections that typically sustain us--family, friends, community--have less meaning than the realities of getting by from one day to the next. While the paths of the principal characters never cross, the connection between the three storylines isn't exactly kept a secret, so the revelations that tie all the threads together can't really be called twists in the vein of something you'd see in a Chuck Palahniuk novel. Reading this book occasionally gave me the feeling of trying to solve a puzzle, but the depth of the characterizations and the emphasis on subtlety and realism elevates it way above the level of a simple whodunit or intellectual exercise.
For a book where not a great deal happens, "Await Your Reply" does manage to generate a great deal of suspense as the situations of its characters become increasingly desperate, which only adds to its overall mood of alienation and deception. It's incredibly easy to get drawn into Chaon's world, to the extent that this book became (for me at least) a bit of an obsession by the time I was finished. "Await Your Reply" may not be a conventional mystery, but it still manages to be a first-class page-turner.
The writing is quite good. There were only two spots in the book where I lost the eagerness to keep reading on. These parts were during the travels of George Orson and Lucy. This was pretty boring stuff except for the description of the motel/house they holed up in in Nebraska (?) which was a pretty interesting place; also the part of the book where Lucy works up the courage to call it quits with George, which is reminiscent of a scene from "Leaving Las Vegas."
There are three different stories going on, and I wondered how the author was going to tie them all together as the book wound down towards its end. Chaon does manage to accomplish this; but it's more like we've solved a difficult crosswords puzzle than as if we've climbed Mt. Everest or found the golden fleece.
Top reviews from other countries
Au début on est un peu déboussolé car trois récits dans des lieux différents et avec des personnages apparemment sans lien se succèdent à chaque nouveau chapitre et le rapport entre ces êtres n'apparaît qu'assez tard.
Quête d'un frère jumeau d'une trentaine d'années, au mental sophistiqué, disparu depuis dix ans et que Miles, son jumeau enquêteur improvisé mais obstiné, recherche avec passion, selon des indices obscurs semés par Hayden, le grand absent, à la fois sombre et facétieux, qui est le personnage pivot de ce roman déroutant et captivant.
Ambiance à la fois oppressante et addictive, on cherche à savoir qui est qui et on accompagne les différents protagonistes, Miles, Lucy et Ryan, dans leurs errances et leurs questionnements sur la véritable identité de celui qui les a séduits et entraînés vers l'inconnu.
Bonne surprise, donc, qui me conduit à me plonger dans les autres oeuvres de Dan Chaon.
The story starts, with Jay trying to find a hospital for Ryan, whose has left hand has been cut off. From then on, step by step the lives of the characters are revealed and there are some surprises in store. Truly recommendable, very interesting plot and very good to read.
As well as working as a mystery/thriller, it is also an interesting commentary on the nature of identity. Lots of food for thought.