96 books like The Odyssey

I was drawn to Sappho as a teenager, and in many ways, her poems are classic poems of teen angst, love, jealousy, and rejection. Over the years, I’ve also come to admire her poetic craft and skill at composing beautiful verse, as well as the music of her poetry.

If only more of her poems had survived! Even many of the surviving poems are marked by gaps and omissions. The fragmentariness of the poems is part of their mystique. An accomplished poet, Anne Carson captures the force and charm of these ancient love songs superbly in her version.

If Sappho and Byron somehow had a love child, Catullus would be that person. Read his poems in any good translation (Peter Whigham’s translation is evocative and accomplished, as is Peter Green’s later version), and I think you’ll know what I mean. Obsessive relationships, beautiful poetry, lovers of all stripes, disregard for the powerful, and dislike of pomposity are the subjects of his verses. He also offers a stunning glimpse of Rome during Julius Caesar's time.

Ovid is an expert on all kinds of love and doesn’t hesitate to tell you regularly about his expertise. His seduction tips are hopelessly absurd and often offensive. But what a talented poet he is! 

I find the poems riveting even as I accept that his sensibilities are not mine. The poet tells us that he was exiled from Rome during the reign of the emperor Augustus, and I wonder what mischief lies behind this unfortunate experience.  

This book gives us the tragic love story of Dido and Aeneas. Their story is recounted in the first four books of this poem, and it is simply unforgettable. Few works surpass this poem in its evocation of mood and place. Its ideological stance is difficult to fathom, and the poem will unsettle you whenever you think you understand its politics. 

Like the Odyssey and the Ramayana, the poem is about war, conquest, migration, and a thousand other things.  The love story will stay with you forever. The classic English translation is by Dryden, but there are a number of excellent modern versions, too, and this one is in that class.

This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!

Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.

Isn’t this your journey? Home receding farther away the harder you reach after it? I can read this book repeatedly and never feel tired, like I’m covering well-worn ground. How is that? I start the book, and before I know it, I am on the waters, in the cave, longing for home. Aren’t we all? I love it for its language (translated, alas).

Robert Fitzgerald was a great start! But I recently fell in love with Robert Fagle's more American-style version: “The sun sank, the roads of the world grew dark.” At the end of the world, it’s good to remember that the journey never ends. Even when you do get home, a poet is waiting to glorify your boredom and remind you that it’s far more delicious “to shine in use!”

This epic by Homer has a great impact on epic culture.

Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.

Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.

This is my favorite novel in Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey. 

For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.

I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.