Here are 100 books that Pablo Picasso fans have personally recommended if you like
Pablo Picasso.
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A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
As the Guardian correspondent in Madrid, Giles Tremlett’s book is a no-holds-barred deep investigation into the Spanish psyche and recent history and its uncomfortable relationship to the trauma of the Spanish Civil War. It is brave, provocative, deeply-researched but above all immensely readable.
Spaniards are reputed to be amongst Europe's most forthright people. So why have they kept silent about the terrors of their Civil War and the rule of General Franco? This apparent 'pact of forgetting' inspired writer Giles Tremlett to embark on a journey around Spain and its history. He found the ghosts of Spain everywhere, almost always arguing. Who caused the Civil War? Why do Basque terrorists kill? Why do Catalans hate Madrid? Did the Islamist bombers who killed 190 people in 2004 dream of a return to Spain's Moorish past? Tremlett's curiosity led him down some strange and colourful…
A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
Most books on cookery in Spain are little more than a mish-mash cobbled-together collection of other people’s recipes. Vicky Hayward’s visit to the 18thc via this Spanish Friar’s collection of recipes is an astonishing work of anthropology whose modernity and relevance to Spanish cooking today is extraordinarily prophetic. If you want to see the future of Spanish cooking – the world’s most celebrated cuisine – go back to the past. To its roots.
Winner of the Jane Grigson Trust Award 2017 and the Aragonese Academy of Gastronomy's 2017 Prize for Research
New Art of Cookery, Drawn from the School of Economic Experience, was an influential recipe book published in 1745 by Spanish friary cook Juan Altamiras. In it, he wrote up over 200 recipes for meat, poultry, game, salted and fresh fish, vegetables and sweet things in a chatty style aimed at readers who cooked on a modest budget. He showed that economic cookery could be delicious if flavors and aromas were blended with an appreciation for all sorts of ingredients, however humble,…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
The whole of Spanish history is contentious, with hardly a fact not subject to challenge or attack. But slowly, clarity and understanding have come forth, and finally, in this volume, the extraordinary scholar Paul Preston gives us the facts about the campaigns of extermination in the Spanish Civil War. Anyone who wants a solid, grounded, informed understanding of this miserable time of slaughter needs this book. Painful reading, and all the more necessary for that.
Evoking such classics as Anne Applebaum's Gulag and Robert Conquest's The Great Terror, The Spanish Holocaust sheds light on one of the darkest and most unexamined eras of modern European history. As Spain finally reclaims its historical memory, a full picture can now be drawn of the atrocities of Franco's Spain-from torture and judicial murders to the abuse of women and children. Paul Preston provides an unforgettable account of the systematic terror carried out by Spain's fascist government.
A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
With intellectual life almost completely closed down and censored by the Franco regime, the shaping of Spanish cultural life was led by its guardians in exile. From an exterior focus Kamen’s light is shone back on the brilliance and resilience of Spanish intellectual life.
A provocative, brilliant, and groundbreaking historical reconsideration of the roots of Spanish culture.
We all carry in our heads a seductive picture of what Spain stands for: its music, painting, buildings, and history. But much of what we think of as Spanish culture is, in fact, the invention of a very specific group: the Spanish in exile.
Historian Henry Kamen creates a vivid portrait of a dysfunctional, violent country that, since the destruction of the last Muslim territories in Granada in 1492, has expelled wave after wave of its citizens in a brutal attempt to create religious and social conformity.…
I have spent an exciting half-century in the New York art world as a dealer and an author and while my passion is to encourage people to enjoy art for art’s sake (rather than money or prestige) my many close friendships with artists demonstrate how much their life informs their art. The authors of these five books bring the art as well as the artists to life.
She was 21, he was 61. Thousands of books have been written about Picasso, this one is unique. Gilot is an artist (whose work he admired) who became the mother of two of his children and the only woman to have left him. All Picasso’s work is about his life and this book illuminates the passions of his later years.
Women were Picasso’s most enduring subject and his relationships with them vitally inform all the decades of his work. His greatness as an artist is matched only by his failure as a partner and his poor treatment of the real women in his life is well documented. He met his match in Françoise Gilot, the only woman to have left him voluntarily. As an artist in her own right, she is in a unique position to inform us about the man and his work.
Francoise Gilot was a young painter in Pasis when she first met Picasso - he was sixty-two and she was twenty-one. During the following ten years they were lovers, worked closely together and she became mother to two of his children, Claude and Paloma.
Life with Picasso, her account of those extraordinary years, is filled with intimate and astonishing revelations about the man, his work, his thoughts and his friends - Matisse, Braque, Gertrude Stein and Giacometti among others. Francois Gilot paints a compelling portrait of her turbulent life with the temperamental genius that was Picasso.
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is a terrific coffee table-sized book with wonderful photographs of the sundry characters and vivid reproductions of paintings and other images. Here you’ll find a young, muscular Pablo Picasso with hair—on the beach in his bathing suit in front of Gerald & Sara Murphy’s villa on the Côte d’Azur. This privileged couple—he a fine avant-garde artist in his own right, and she, who became Picasso’s muse, a refined and elegant hostess—were patrons of the arts who surrounded themselves at their home with the young luminaries of the Jazz Age. Chapter headings in this stunning volume tell the tale.
At 174 large pages, this is a beautifully rendered and specific encapsulation of les années folles, from start to finish.
A panorama of the arts scene in Jazz Age France draws on letters, diaries, journals, photo albums, and private archives, in a visual exploration that includes unpublished paintings by Picasso and Leger, previously unknown works by e. e. cummings and John Dos Passos, and more. 15,000 first printing.
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
Having read well over two dozen books on the subject of French history, with a general focus on the especially vibrant period in Paris from the end of World War I to the beginning of World War II, and a laser focus on the 1920s, I find it nearly impossible to rank these five books in the order of their importance. That said, I am choosing this book as my 1st recommendation because at 416 pages, and richly illustrated by hundreds of stunning photographs and images, it casts the broadest, most comprehensive net over this extraordinary era. I proclaim the two decades in Paris that readers will discover in this book, to represent the most important international convergence of painters, sculptors, intellectuals, novelists, poets, playwrights, journalists, dancers, actors, choreographers, musicians, composers, photographers, designers, and fashionistas, in the history of the world. Do I exaggerate? Here is a very incomplete list,…
During the années folles following World War I, Paris underwent a creative fever that brought artists and intellectuals from around the world to the City of Light. The bohemian charms of Montparnasse attracted artists such as Picasso, Chagall, and Giacometti, while a vibrant café culture provided a forum for disputes between Dadaists and Surrealists and gave rise to a group of expatriate writers. The creative energy was all-encompassing, establishing Paris as the epicenter of new trends in the arts, a position it would occupy until World War II. This newest title in a celebrated series addresses such diverse topics as…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
I started drawing in my twenties when I was lucky to meet and be inspired by tutors who passed on their passion for it. I have drawn and kept sketchbooks ever since: they trace the everyday things, my travels and important life events, but they are also places for thoughts and experiments, notes, and phone numbers. I don’t dare leave home without a sketchbook and pen in case I miss some unmissable thing. I went to art college, trained as a journalist, worked at a variety of art publications, have written three books about drawing, and exhibit and sell my drawings and prints.
I can’t help being inspired by an artist for whom drawing was such a natural, intuitive, lifelong act. Picasso is known to have kept 175 sketchbooks during his lifetime, some linked to his best-known works, such as Les Demoiselles d’Avignon. This book (“I Am the Sketchbook”) not only catalogues all 175, but it reproduces six of them in full, revealing a process of trial and discovery. The looseness, the simplicity, the richness, and the joy of enquiring lines and marks in these pages are, to me, an irresistible stimulant to draw. (There’s the occasional dud too, as any sketchbook should have.)
The Sketchbooks of Picasso is the only collection available of the private sketchbooks of Pablo Picasso, which he began in Barcelona in 1894. For more than seventy years, as the young painter blossomed and matured into the greatest artist of the twentieth century, he kept a record of his ideas and thoughts, so that by 1964 there were 175 sketchbooks, a unique and startling picture of the mind of a genius at work. Accompanying the major sections are essays by six of the greatest American art historians: E.A. Carmean, Sam Hunter, Rosalind Krauss, Theodore Reff, Robert Rosenblum, and Gert Schiff.…
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I read this play before I saw it, and it was great as a read. Steve Martin is obviously known as a comedic actor. But if you like the few movies he’s written, think Roxanne and LA Story, then you might want to give this one a try. It’s the fictional meeting between Pablo Picasso and Albert Einstein circa 1904. Picasso has started gaining fame for his breaking of artistic boundaries, and Einstein is a year away from releasing his theory of relativity. The two men have a chance meeting in a bar and drunkenly philosophize about art, science, society, meaning, and sex. And because it’s Steve Martin, don’t be surprised if Elvis comes along.
