Here are 100 books that The Disinherited fans have personally recommended if you like
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A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
As the Guardian correspondent in Madrid, Giles Tremlett’s book is a no-holds-barred deep investigation into the Spanish psyche and recent history and its uncomfortable relationship to the trauma of the Spanish Civil War. It is brave, provocative, deeply-researched but above all immensely readable.
Spaniards are reputed to be amongst Europe's most forthright people. So why have they kept silent about the terrors of their Civil War and the rule of General Franco? This apparent 'pact of forgetting' inspired writer Giles Tremlett to embark on a journey around Spain and its history. He found the ghosts of Spain everywhere, almost always arguing. Who caused the Civil War? Why do Basque terrorists kill? Why do Catalans hate Madrid? Did the Islamist bombers who killed 190 people in 2004 dream of a return to Spain's Moorish past? Tremlett's curiosity led him down some strange and colourful…
A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
Most books on cookery in Spain are little more than a mish-mash cobbled-together collection of other people’s recipes. Vicky Hayward’s visit to the 18thc via this Spanish Friar’s collection of recipes is an astonishing work of anthropology whose modernity and relevance to Spanish cooking today is extraordinarily prophetic. If you want to see the future of Spanish cooking – the world’s most celebrated cuisine – go back to the past. To its roots.
Winner of the Jane Grigson Trust Award 2017 and the Aragonese Academy of Gastronomy's 2017 Prize for Research
New Art of Cookery, Drawn from the School of Economic Experience, was an influential recipe book published in 1745 by Spanish friary cook Juan Altamiras. In it, he wrote up over 200 recipes for meat, poultry, game, salted and fresh fish, vegetables and sweet things in a chatty style aimed at readers who cooked on a modest budget. He showed that economic cookery could be delicious if flavors and aromas were blended with an appreciation for all sorts of ingredients, however humble,…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
The whole of Spanish history is contentious, with hardly a fact not subject to challenge or attack. But slowly, clarity and understanding have come forth, and finally, in this volume, the extraordinary scholar Paul Preston gives us the facts about the campaigns of extermination in the Spanish Civil War. Anyone who wants a solid, grounded, informed understanding of this miserable time of slaughter needs this book. Painful reading, and all the more necessary for that.
Evoking such classics as Anne Applebaum's Gulag and Robert Conquest's The Great Terror, The Spanish Holocaust sheds light on one of the darkest and most unexamined eras of modern European history. As Spain finally reclaims its historical memory, a full picture can now be drawn of the atrocities of Franco's Spain-from torture and judicial murders to the abuse of women and children. Paul Preston provides an unforgettable account of the systematic terror carried out by Spain's fascist government.
A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
The world of Picasso's biography is a deeply contentious and well ploughed field. I should know as I worked for 5 years on the yet-to-be-published Volume 4 of John Richardson’s epic sex fest. Hiding in the glare of the Picasso craze is Pierre Cabanne’s revelatory masterpiece. Cabanne knew him, knew his circle, and was not frightened to enter Picasso’s Spanish world in exile. This is the first step to a genuine understanding of Picasso’s genius.
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
This is a book that made me think again about the ‘Moorishness’ of Spain.
How to square the repression and ultimate expulsion of people of Muslim origin in the early sixteen hundreds with the obvious delight taken in aspects of their material culture such as architecture, fashion, and horsemanship, not to mention the sympathetic portrayal of Moorish characters in sixteenth-century Spanish literature?
It’s a well-argued book full of fascinating examples which examine and enlighten this paradox.
In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus.
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
Among the wonders of medieval Spain is the appearance of the first Hebrew secular poetry since Biblical times. In this masterful and unparalleled set of translations by Peter Cole, we witness the profound, pious, chauvinistic, and indeed, sensual traditions of secular poetry over centuries. A fusion of Arabic and Hebrew traditions, in and of themselves, these poems stand as a metaphor for the Jewish community itself as well as its dynamism and endurance under Muslim and then, Christian rule.
Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
Incomparable. In the long effort by scholars to establish the facts about the brilliant period of Al-Andalus—711-1492—this book is a breakthrough and a marvel. Salma Khadra Jayyusi assembled the leading scholars in the field on a whole host of subjects, and the two volumes have everything from meditations on broad historical themes to detailed accounts of book-making, ceramics, and techniques of dyeing and weaving silk. No serious reader of the history of Spain should have to live without these two extraordinary volumes.
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
If there’s only one that I could recommend, it’s this brilliant, beautiful, and vexing book by María Rosa Menocal, Sterling Professor at Yale University. In a compelling and artful manner, Menocal tells the story of medieval Spain from the arrival of the first Umayyad rulers to Cervantes. Beyond being a useful introduction to the fascinating history, Menocal makes the argument that a culture of tolerance existed in medieval Spain, one that transcended religious and ethnic differences. The principal engine of this culture, she suggests, was the Arabic language. Menocal’s book has received as much praise as criticism, a testament to its enduring power and the contentious quality of medieval Spain.
A rich and thriving culture where literature, science and religious tolerance flourished for 700 years is the subject of this enthralling history of medieval Spain.
Living side by side in the Andalusian kingdoms, the 'peoples of the book' produced statesmen, poets and philosophers who influenced the rest of Europe in dramatic ways, giving it the first translations of Plato and Aristotle, love songs and secular poetry plus remarkable feats of architecture and technology. This evocative account explores the lost history whose legacy and lessons have a powerful resonance in today's world.
I was born in London, but growing up in a Polish family ensured that I was well aware of the history of the Teutonic Order. As a post-doctoral researcher in Cambridge, I was fortunate enough to gain access to archaeological material from the magnificent castle at Malbork in north Poland, the Order’s medieval headquarters. That moment really spurred my interest in the Northern Crusades, after which I spent a decade working across the eastern Baltic. I’ve also had the opportunity to excavate medieval frontier sites at both ends of the Mediterranean. As an archaeologist, I always found the lived experiences of these societies far more interesting than the traditional military histories written about them.
When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.
This analysis of early Spanish history draws on a wide range of sources, archaeological as well as written. Thomas F. Glick explores the history of Spain from the Roman province, through the Visigothic and Arab Conquests, to the Christian Reconquest and reorganization of society in the 13th century. The author argues that three key transitions took place in culture and landscape: the development of castles which marked the move from the Spanish "dark" to "middle" age, the transition to feudalism, and finally the transition from Islamic to Christian Spain as a result of the Reconquest. He shows how these transitions…
I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023).
I love to read books about women travelers whose lives take an unusual path. Lucia Graves is the daughter of poet Robert Graves and his second wife. Her parents moved to Majorca after World War II, and their daughter—like many ex-pats—had to bridge the cultures between the land of her birth, England, and the land of her heart, Spain.
She was raised in a Bohemian household but educated in the strict Catholic schools of Franco’s Spain. Her book A Woman Unknown explores the sense of dislocation and disorientation of her bifurcated life. “I found myself creating an imaginary land where I spent much of my time.”
Lucia Graves, daughter of the poet Robert Graves and his wife Beryl, grew up in the beautiful village of Deia on the island of Majorca. Neither Spanish nor Catholic by birth, she nevertheless absorbed the different traditions of Spain and felt the full impact of Franco's dictatorship through the experience of her education. Lucia found herself continually bridging the gaps between Catalan, Spanish and English, as she picked up the patterns and nuances that contain the essence of each culture.
Portraying her life as a child watching the hills lit up by bonfires on Good Friday, or, years later, walking…
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