100 books like The Dream of the Poem

If there’s only one that I could recommend, it’s this brilliant, beautiful, and vexing book by María Rosa Menocal, Sterling Professor at Yale University. In a compelling and artful manner, Menocal tells the story of medieval Spain from the arrival of the first Umayyad rulers to Cervantes. Beyond being a useful introduction to the fascinating history, Menocal makes the argument that a culture of tolerance existed in medieval Spain, one that transcended religious and ethnic differences. The principal engine of this culture, she suggests, was the Arabic language. Menocal’s book has received as much praise as criticism, a testament to its enduring power and the contentious quality of medieval Spain.

This is a scholarly book, beautifully written but challenging both in its exposition and argument. Grounded in deep archival research, Nirenberg examines violence against religious minorities—Jews and Muslims—in the lands of the Christian Crown of Aragon in northeastern Spain and southern France. Navigating between rose-tinted and bleak accounts of this past, he makes the surprising argument that the long coexistence between Jews, Christians, and Muslims depended on regular and almost ritualistic violence between them. Violence, he proposes, enabled peace.

I have used this collection of translated primary sources for over a decade to teach students. It covers the whole period of medieval Spain, from the arrival of Muslim conquerors in 711 to the expulsion of the Jews in 1492, and allows one to confront for themselves the paradoxes of coexistence, collaboration, and violence that characterized this place and period. A thoughtful introduction precedes each document.

The paradoxes of medieval Spain have not only inspired scholars but also novelists. However different their methods, both share the desire to understand the present through the distant past. I read The Moor’s Last Sigh as an undergraduate, long before I had any idea that I wanted to become a historian. Rushdie’s novel is a family saga that traces a path backward from modern India to the Jews, Christians, and Muslims of medieval Spain. It’s a rambling and phantasmagorical tale that meditates on a lost world, in which Jews, Christians, and Muslims shared the same time and place.

When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.

I remember buying The Long Ships about twenty years ago on Potrero Hill in San Francisco. Generally speaking, 1950s Swedish novels about Vikings are not my thing, but there was an absolutely over-the-top introduction from Michael Chabon.…'best novel ever’ kind of stuff…so I bought it.

Since then, I have recommended it to dozens of people, almost all of whom have, often to their surprise, loved it and recommended it to others. My favorite recommendation was to a pal whose daughter absconded with it and was reading it on a parapet in southern Spain when a guy came by and asked her what she was reading. She showed him the book, he perused it gravely, and then tore out the frontispiece and used it to roll a joint. This is a very satisfying book in every way.

Don’t get it confused with the derivative Norwegian comedy series, Norsemen. The Long Ships… show more.

To really understand Galicia I feel one needs to read some of the evocative Galician poets. Galicia is a land of poets and of writers, and the Galician language has been associated with poetry since the middle ages. Rosalia de Castro was known as ‘Galicia’s nightingale’ by her biographer Failde, and she loved her homeland with a real passion. This passion shines through in her works, none more so than Cantares Gallegas. Her poems are simply told tales of love and loss, of her beloved country and of her people, which evoke all the senses. Rosalia de Castro died in 1885 but her words are still quoted with passion by Galegos today. I was unable to find an English translation of Cantares Gallegas but if you can read Castro’s works in the original language, then it will give a far greater understanding of this unique land in which I… show more.

This deeply moving tale in Coelho’s well-known philosophical style was my first-ever conscious encounter with key principles of transformation. I’d read some of his other books but although they were uplifting, this one resonated so powerfully I realised it contained keys to unlocking my own self-exploration. It touched me so deeply I created a list of quotes that resonated with me and kept them close, even learning some by heart.

This is a book that made me think again about the ‘Moorishness’ of Spain.

How to square the repression and ultimate expulsion of people of Muslim origin in the early sixteen hundreds with the obvious delight taken in aspects of their material culture such as architecture, fashion, and horsemanship, not to mention the sympathetic portrayal of Moorish characters in sixteenth-century Spanish literature?

It’s a well-argued book full of fascinating examples which examine and enlighten this paradox. 

Incomparable. In the long effort by scholars to establish the facts about the brilliant period of Al-Andalus—711-1492—this book is a breakthrough and a marvel. Salma Khadra Jayyusi assembled the leading scholars in the field on a whole host of subjects, and the two volumes have everything from meditations on broad historical themes to detailed accounts of book-making, ceramics, and techniques of dyeing and weaving silk. No serious reader of the history of Spain should have to live without these two extraordinary volumes.