Here are 100 books that The Dream of the Poem fans have personally recommended if you like
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Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
If there’s only one that I could recommend, it’s this brilliant, beautiful, and vexing book by María Rosa Menocal, Sterling Professor at Yale University. In a compelling and artful manner, Menocal tells the story of medieval Spain from the arrival of the first Umayyad rulers to Cervantes. Beyond being a useful introduction to the fascinating history, Menocal makes the argument that a culture of tolerance existed in medieval Spain, one that transcended religious and ethnic differences. The principal engine of this culture, she suggests, was the Arabic language. Menocal’s book has received as much praise as criticism, a testament to its enduring power and the contentious quality of medieval Spain.
A rich and thriving culture where literature, science and religious tolerance flourished for 700 years is the subject of this enthralling history of medieval Spain.
Living side by side in the Andalusian kingdoms, the 'peoples of the book' produced statesmen, poets and philosophers who influenced the rest of Europe in dramatic ways, giving it the first translations of Plato and Aristotle, love songs and secular poetry plus remarkable feats of architecture and technology. This evocative account explores the lost history whose legacy and lessons have a powerful resonance in today's world.
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
This is a scholarly book, beautifully written but challenging both in its exposition and argument. Grounded in deep archival research, Nirenberg examines violence against religious minorities—Jews and Muslims—in the lands of the Christian Crown of Aragon in northeastern Spain and southern France. Navigating between rose-tinted and bleak accounts of this past, he makes the surprising argument that the long coexistence between Jews, Christians, and Muslims depended on regular and almost ritualistic violence between them. Violence, he proposes, enabled peace.
In the wake of modern genocide, we tend to think of violence against minorities as a sign of intolerance, or, even worse, a prelude to extermination. Violence in the Middle Ages, however, functioned differently, according to David Nirenberg. In this provocative book, he focuses on specific attacks against minorities in fourteenth-century France and the Crown of Aragon (Aragon, Catalonia, and Valencia). He argues that these attacks--ranging from massacres to verbal assaults against Jews, Muslims, lepers, and prostitutes--were often perpetrated not by irrational masses laboring under inherited ideologies and prejudices, but by groups that manipulated and reshaped the available discourses on…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
I have used this collection of translated primary sources for over a decade to teach students. It covers the whole period of medieval Spain, from the arrival of Muslim conquerors in 711 to the expulsion of the Jews in 1492, and allows one to confront for themselves the paradoxes of coexistence, collaboration, and violence that characterized this place and period. A thoughtful introduction precedes each document.
For some historians, medieval Iberian society was one marked by peaceful coexistence and cross-cultural fertilization; others have sketched a harsher picture of Muslims and Christians engaged in an ongoing contest for political, religious, and economic advantage culminating in the fall of Muslim Granada and the expulsion of the Jews in the late fifteenth century. The reality that emerges in Medieval Iberia is more nuanced than either of these scenarios can comprehend. Now in an expanded, second edition, this monumental collection offers unparalleled access to the multicultural complexity of the lands that would become modern Portugal and Spain.
The documents collected…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
The paradoxes of medieval Spain have not only inspired scholars but also novelists. However different their methods, both share the desire to understand the present through the distant past. I read The Moor’s Last Sigh as an undergraduate, long before I had any idea that I wanted to become a historian. Rushdie’s novel is a family saga that traces a path backward from modern India to the Jews, Christians, and Muslims of medieval Spain. It’s a rambling and phantasmagorical tale that meditates on a lost world, in which Jews, Christians, and Muslims shared the same time and place.
NATIONAL BESTSELLER • The Booker Prize-winning, bestselling author of Midnight's Children and The Satanic Verses combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love.
“Fierce, phantasmagorical … a huge, sprawling, exuberant novel.” —The New York Times
Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he…
I was born in London, but growing up in a Polish family ensured that I was well aware of the history of the Teutonic Order. As a post-doctoral researcher in Cambridge, I was fortunate enough to gain access to archaeological material from the magnificent castle at Malbork in north Poland, the Order’s medieval headquarters. That moment really spurred my interest in the Northern Crusades, after which I spent a decade working across the eastern Baltic. I’ve also had the opportunity to excavate medieval frontier sites at both ends of the Mediterranean. As an archaeologist, I always found the lived experiences of these societies far more interesting than the traditional military histories written about them.
When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.
This analysis of early Spanish history draws on a wide range of sources, archaeological as well as written. Thomas F. Glick explores the history of Spain from the Roman province, through the Visigothic and Arab Conquests, to the Christian Reconquest and reorganization of society in the 13th century. The author argues that three key transitions took place in culture and landscape: the development of castles which marked the move from the Spanish "dark" to "middle" age, the transition to feudalism, and finally the transition from Islamic to Christian Spain as a result of the Reconquest. He shows how these transitions…
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
Before there was romantasy, there was this book (and a handful of other immersive epics by Guy Gavriel Kay). To make sure it was as fabulous as I remembered, I started reading again. Bad idea—I’ve been neglecting everything else for days.
This book grabs me on so many levels. First, there’s Jehane, a doctor’s daughter who is pure magic with her herbal medicines (and unlike some authors, Kay knows his stuff). Then there’s the rich reflection of Medieval Europe and Islamic Spain, recognizable as the underpinnings of Kay’s fantastical realm.
But mostly, what I am stunned by is the complexity of the characters. They are all fully formed and uniquely themselves… which makes their tales relatable, deep, and irresistible.
Hauntingly evocative of medieval Spain, a deeply compelling story of love, adventure, divided loyalties, and what happens when beliefs begin to remake - or destroy - a world.
The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan - poet, diplomat, soldier - until a summer afternoon of savage…
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
I remember buying The Long Ships about twenty years ago on Potrero Hill in San Francisco. Generally speaking, 1950s Swedish novels about Vikings are not my thing, but there was an absolutely over-the-top introduction from Michael Chabon.…'best novel ever’ kind of stuff…so I bought it.
Since then, I have recommended it to dozens of people, almost all of whom have, often to their surprise, loved it and recommended it to others. My favorite recommendation was to a pal whose daughter absconded with it and was reading it on a parapet in southern Spain when a guy came by and asked her what she was reading. She showed him the book, he perused it gravely, and then tore out the frontispiece and used it to roll a joint. This is a very satisfying book in every way.
Don’t get it confused with the derivative Norwegian comedy series, Norsemen. The Long Ships…
This saga brings alive the world of the 10th century AD when the Vikings raided the coasts of England.
Acclaimed as one of the best historical novels ever written, this engaging saga of Viking adventure in 10th century northern Europe has a very appealing young hero, Orm Tostesson, whose story we follow from inexperienced youth to adventurous old age, through slavery and adventure to a royal marriage and the search for great treasure. Viking expeditions take him to lands as far apart as England, Moorish Spain, Gaardarike (the country that was to become Russia), and the long road to Miklagard.…
I have lived in beautiful green Galicia for 14 years and am passionately in love with this undiscovered area of Spain. Whilst writing my own travelogue memoirs, I have avidly researched my adopted country and love nothing more than to travel the area, discovering new delights round each corner. I have discovered that Galicia is not just ‘that wet bit of Spain’ and is in fact a whole world away from the Mediterranean costas of the south with its own language – the language of poets, its own identity, and its very own being. Here I have tried to choose books I feel demonstrate that uniqueness, that special quality which makes Galicia extraordinary.
To really understand Galicia I feel one needs to read some of the evocative Galician poets. Galicia is a land of poets and of writers, and the Galician language has been associated with poetry since the middle ages. Rosalia de Castro was known as ‘Galicia’s nightingale’ by her biographer Failde, and she loved her homeland with a real passion. This passion shines through in her works, none more so than Cantares Gallegas. Her poems are simply told tales of love and loss, of her beloved country and of her people, which evoke all the senses. Rosalia de Castro died in 1885 but her words are still quoted with passion by Galegos today. I was unable to find an English translation of Cantares Gallegas but if you can read Castro’s works in the original language, then it will give a far greater understanding of this unique land in which I…
Escrito en gallego, este libro marca con paso fuerte la literatura de un pueblo. Los Cantares gallegos arrancan de la imitación y de la glosa, entroncando con los viejos poemas de lírica galaico-portuguesa medieval, para cumplir un objetivo concreto: cantar a Galicia, sus paisajes y tierras, sus rías y romerías, sus foliadas y costumbres, sus antiguas tradiciones y sus mitos campesinos.
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
This is a book that made me think again about the ‘Moorishness’ of Spain.
How to square the repression and ultimate expulsion of people of Muslim origin in the early sixteen hundreds with the obvious delight taken in aspects of their material culture such as architecture, fashion, and horsemanship, not to mention the sympathetic portrayal of Moorish characters in sixteenth-century Spanish literature?
It’s a well-argued book full of fascinating examples which examine and enlighten this paradox.
In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus.
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
Incomparable. In the long effort by scholars to establish the facts about the brilliant period of Al-Andalus—711-1492—this book is a breakthrough and a marvel. Salma Khadra Jayyusi assembled the leading scholars in the field on a whole host of subjects, and the two volumes have everything from meditations on broad historical themes to detailed accounts of book-making, ceramics, and techniques of dyeing and weaving silk. No serious reader of the history of Spain should have to live without these two extraordinary volumes.
