Fans pick 100 books like Communities of Violence

If there’s only one that I could recommend, it’s this brilliant, beautiful, and vexing book by María Rosa Menocal, Sterling Professor at Yale University. In a compelling and artful manner, Menocal tells the story of medieval Spain from the arrival of the first Umayyad rulers to Cervantes. Beyond being a useful introduction to the fascinating history, Menocal makes the argument that a culture of tolerance existed in medieval Spain, one that transcended religious and ethnic differences. The principal engine of this culture, she suggests, was the Arabic language. Menocal’s book has received as much praise as criticism, a testament to its enduring power and the contentious quality of medieval Spain.

Among the wonders of medieval Spain is the appearance of the first Hebrew secular poetry since Biblical times. In this masterful and unparalleled set of translations by Peter Cole, we witness the profound, pious, chauvinistic, and indeed, sensual traditions of secular poetry over centuries. A fusion of Arabic and Hebrew traditions, in and of themselves, these poems stand as a metaphor for the Jewish community itself as well as its dynamism and endurance under Muslim and then, Christian rule. 

I have used this collection of translated primary sources for over a decade to teach students. It covers the whole period of medieval Spain, from the arrival of Muslim conquerors in 711 to the expulsion of the Jews in 1492, and allows one to confront for themselves the paradoxes of coexistence, collaboration, and violence that characterized this place and period. A thoughtful introduction precedes each document.

The paradoxes of medieval Spain have not only inspired scholars but also novelists. However different their methods, both share the desire to understand the present through the distant past. I read The Moor’s Last Sigh as an undergraduate, long before I had any idea that I wanted to become a historian. Rushdie’s novel is a family saga that traces a path backward from modern India to the Jews, Christians, and Muslims of medieval Spain. It’s a rambling and phantasmagorical tale that meditates on a lost world, in which Jews, Christians, and Muslims shared the same time and place.

When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.

Before there was romantasy, there was this book (and a handful of other immersive epics by Guy Gavriel Kay). To make sure it was as fabulous as I remembered, I started reading again. Bad idea—I’ve been neglecting everything else for days.

This book grabs me on so many levels. First, there’s Jehane, a doctor’s daughter who is pure magic with her herbal medicines (and unlike some authors, Kay knows his stuff). Then there’s the rich reflection of Medieval Europe and Islamic Spain, recognizable as the underpinnings of Kay’s fantastical realm.

But mostly, what I am stunned by is the complexity of the characters. They are all fully formed and uniquely themselves… which makes their tales relatable, deep, and irresistible.

I remember buying The Long Ships about twenty years ago on Potrero Hill in San Francisco. Generally speaking, 1950s Swedish novels about Vikings are not my thing, but there was an absolutely over-the-top introduction from Michael Chabon.…'best novel ever’ kind of stuff…so I bought it.

Since then, I have recommended it to dozens of people, almost all of whom have, often to their surprise, loved it and recommended it to others. My favorite recommendation was to a pal whose daughter absconded with it and was reading it on a parapet in southern Spain when a guy came by and asked her what she was reading. She showed him the book, he perused it gravely, and then tore out the frontispiece and used it to roll a joint. This is a very satisfying book in every way.

Don’t get it confused with the derivative Norwegian comedy series, Norsemen. The Long Ships… show more.

To really understand Galicia I feel one needs to read some of the evocative Galician poets. Galicia is a land of poets and of writers, and the Galician language has been associated with poetry since the middle ages. Rosalia de Castro was known as ‘Galicia’s nightingale’ by her biographer Failde, and she loved her homeland with a real passion. This passion shines through in her works, none more so than Cantares Gallegas. Her poems are simply told tales of love and loss, of her beloved country and of her people, which evoke all the senses. Rosalia de Castro died in 1885 but her words are still quoted with passion by Galegos today. I was unable to find an English translation of Cantares Gallegas but if you can read Castro’s works in the original language, then it will give a far greater understanding of this unique land in which I… show more.

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.

I love this classic study in which Huizinga vividly portrays the colorful era in which my heroin, Christine de Pizan, lived. Huizinga shows that late medieval society was full of striking contradictions, among them chivalry vs cruelty, courtly love vs vengeance, blissful visions of heaven vs horrific visions of Hell.