Fans pick 100 books like A Time in Rome

As someone who spent part of the pandemic trying to keep sane by translating ancient Roman poems, I’m definitely part of this book’s target audience.

But Long Live Latin is much more than a spirited ode to the pricelessness of a useless language. In swift and insightful chapters, the Italian writer Nicola Gardini takes us—regardless of how much or little we know about Latin—on a tour of the greatest ancient Roman poets and philosophers—Catullus, Cicero, Lucretius, Virgil, and Seneca, among others.

Like la bella figura, so characteristic of Romans throughout history, these essays are a celebration of how style is inseparable from the good life. 

All the easily-portable volumes in Princeton University Press’s “Ancient Wisdom for Modern Readers” can be read in the time it takes to drink two glasses of wine (along with this book, one of my other favorites is How to Drink by the Renaissance humanist Vincent Obsopoeus).

For all their quarrels, ancient philosophers agree that the art of life is the preparation for death. Nobody expresses that wisdom with more panache than Seneca, a philosopher, financier, tutor to Nero, and playwright.

This selection from his works teaches us how to face the death and destruction that we see everywhere in Rome—and everywhere else too.

I turn to Seneca’s essays and letters for a good reminder to live with a minimum of regret and resentment.

Even folks who aren’t into poetry are likely to know a line from the ancient poet Horace: carpe diem.

When one of my friends was dying of cancer, I saw the real meaning of that injunction in the beautiful way he lived out his last days.

What my friend came to understand is just what Horace shows us in this collection of his essay-like letters—minimize distractions, avoid what’s popular, cultivate relationships, be moderate but not uptight, do the work we’re meant to do, accept what we can’t control, and chase off the remainder of our worries with laughter.

One more piece of Horatian advice: read old books.

One of my favorite Italian figures of the twentieth century is the writer, painter, and anti-fascist Carlo Levi.

This collection of his essays, evoking the complexities of Rome and its people, sums up what it means to come to terms with the Eternal City:

“Here, everything has already existed: and existence has not vanished into memory, rather it has remained present... The virtues are not the moral and ideological values (which the passage of too long a time has gradually flattened out), but simpler and more visible values: health, physical strength, knowing how to eat and drink, knowing how to speak with a certain humor and brevity, knowing how to command respect, sincerity, friendship.”

May all roads lead to this understanding of the world. 

Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.

Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.

The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer as Rome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S. 

When I wrote, Vestal Virgin—suspense in ancient Rome, this was the only book I found specifically about the Vestals. Written in 1934, it covers topics including: religious duties, civil duties, dress, and discipline. The Virgins were sworn to chastity on penalty of death, understanding their duties and how they were disciplined was essential to my story. I couldn’t have written my historical novel without help from this book.

In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.

This is a lavishly illustrated work showing the major pieces of Roman art, an important component of their ideology and self image. It explains how the Romans built on the Greek tradition of art and architecture and created their own artistic world, much of which is still with us today.

Richards’ book broadens the perspective advanced here with a concise overview of American and British films and some American-European co-productions about ancient Greek, Roman, biblical, and other cultures.

Its main focus is on the 1950s and 1960s, when epic filmmaking reached its height with color and widescreen cinematography, giant sets, huge casts, stereophonic sound, extreme lengths, and ruinous costs.

Richards rides to the rescue of several less-than-stellar films but can be severe as well, e.g. about 300: “probably the most Fascistic film to come out in cinemas since the fall of the Third Reich.” (No argument here.)

A few inaccuracies concerning antiquity and cinematic details detract from the book’s value, but they are instructive, since errors can create new fictions from the fictions that films invariably create from history.