100 books like Long Live Latin

This book is a treasure-trove of wise and gorgeous sentences—like, “Knowledge of Rome must be physical, sweated into the system, worked up into the brain through the thinning shoe-leather. Substantiality comes through touch and smell, and taste, the tastes of different dusts.”

Like the Eternal City, A Time in Rome by the Irish-British novelist Elizabeth Bowen doesn’t fit into tidy categories.

Is it a guidebook to the city? Is it a memoir? Is it a history of Rome? Yes and no.

Though I can’t quite put my finger on what it is, I love it. It’s a perfect book for reveries over a mid-morning caffé.

All the easily-portable volumes in Princeton University Press’s “Ancient Wisdom for Modern Readers” can be read in the time it takes to drink two glasses of wine (along with this book, one of my other favorites is How to Drink by the Renaissance humanist Vincent Obsopoeus).

For all their quarrels, ancient philosophers agree that the art of life is the preparation for death. Nobody expresses that wisdom with more panache than Seneca, a philosopher, financier, tutor to Nero, and playwright.

This selection from his works teaches us how to face the death and destruction that we see everywhere in Rome—and everywhere else too.

I turn to Seneca’s essays and letters for a good reminder to live with a minimum of regret and resentment.

Even folks who aren’t into poetry are likely to know a line from the ancient poet Horace: carpe diem.

When one of my friends was dying of cancer, I saw the real meaning of that injunction in the beautiful way he lived out his last days.

What my friend came to understand is just what Horace shows us in this collection of his essay-like letters—minimize distractions, avoid what’s popular, cultivate relationships, be moderate but not uptight, do the work we’re meant to do, accept what we can’t control, and chase off the remainder of our worries with laughter.

One more piece of Horatian advice: read old books.

One of my favorite Italian figures of the twentieth century is the writer, painter, and anti-fascist Carlo Levi.

This collection of his essays, evoking the complexities of Rome and its people, sums up what it means to come to terms with the Eternal City:

“Here, everything has already existed: and existence has not vanished into memory, rather it has remained present... The virtues are not the moral and ideological values (which the passage of too long a time has gradually flattened out), but simpler and more visible values: health, physical strength, knowing how to eat and drink, knowing how to speak with a certain humor and brevity, knowing how to command respect, sincerity, friendship.”

May all roads lead to this understanding of the world. 

Here it is! Everything from a simple ‘I’ll have a bucket of fried chicken’ (‘Da mihi sis hamam carnis gallinaceae frictae’) to a crafted curse like ‘May conspirators assassinate you in the mall!’ (‘Utinam coniurati te in foro interficiant!’), via such gems as ‘Do you want to dance? I know the Funky Broadway’ (‘Visne saltare? Viam Latam Fungosam scio’) and ‘Eat my shorts!’ (‘Vescere bracis meis!’). Need to know how to impress your native-speaker co-diner in a pretentious restaurant? Try ‘Vinum bellum iucundumque est, sed animo corporeque caret’ (‘It’s a nice little wine, but it lacks character and depth.’). Or maybe you just need a few pejorative terms to hurl at the driver who has cut in on your hired chariot; if so then ‘Airhead!’ (‘Caput vanis!’), ‘Dork!’ (‘Caudex!’) or ‘Space cadet!’ (‘Tiro astromachus!’) might, inter alia, fit the bill. A constant source of delight; Cicero wouldn’t have approved, let… show more.

When we were first figuring out how to write our biography of Cato, Everitt's work on Cicero was our go-to guide. It doesn't simply cover in fascinating detail the key events from the end of the Roman Republic--it's a model of how to bring an ancient figure to life, situating Cicero in the midst of the all-too-modern political controversies that shaped his life.

Syme was wrote about the fall of the Roman Republic in the shadow of the rise of totalitarianism. 

But for me what is most interesting about this book is its use of collective biography and its argument that the rise of Caesar and Augustus is best understood as the rise of a party or a faction. Most books on the Late Republic focus on the larger-than-life personalities: Caesar, Pompey, Crassus, and Cicero. Syme focuses on structures and systematic factors.

He writes with an at times jarring cynicism. His treatment of Cicero is particularly critical for example. For Syme, all states are governed by coalitions of elites.

And the writing is unforgettable: "a monarchy rules through an oligarchy"; "at its worst, biography is flat and schematic: at its best, it is often baffled by the hidden discords of human nature... undue insistence on upon the character and exploits of a single… show more.

Named for the river that Julius Caesar crossed when he invaded Italy and began the civil war which brought the Roman Republic to its knees, this book offers a sweeping account of the Republic’s fall and has been rightly described as narrative history at its best. All the major characters are vividly presented, from Marius and Sulla to Pompey, Cicero and Caesar, in prose that manages to remain readable and fast-paced while spanning almost 400 pages. Tragedy is arguably more apparent than triumph, understandably in a book devoted to the collapse of the Republican order. But the glory of the Republic does also shine through, and the story is told on a larger scale than my book would have allowed.

Imperium, Lustrum, and Dictator chart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.

The fact that this trilogy was turned into a stage show is a measure of its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.

Apparently, he spent several years immersing himself in contemporary literature before putting pen to paper, and it really shows. I admired how his research paints vivid background colour without ever stepping upon the toes of the brilliantly drawn characters. I loved his Cicero (and Caesar and Pompey and Antony) and, despite some tough competition, cannot think of any historical figures so authentically portrayed in any other Roman historical fiction.

And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke… show more.