100 books like Cicero

An oldie (first published in 1932) but a goodie. Hamilton's short essays on the classic Latin writers--from the first writers of Latin comedy through to the epic poets and historians who did so much to shape the language--aren't just a crash course on the Roman literary canon. They're an accessible introduction to Roman culture from the ground up.

Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.

Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.

Named for the river that Julius Caesar crossed when he invaded Italy and began the civil war which brought the Roman Republic to its knees, this book offers a sweeping account of the Republic’s fall and has been rightly described as narrative history at its best. All the major characters are vividly presented, from Marius and Sulla to Pompey, Cicero and Caesar, in prose that manages to remain readable and fast-paced while spanning almost 400 pages. Tragedy is arguably more apparent than triumph, understandably in a book devoted to the collapse of the Republican order. But the glory of the Republic does also shine through, and the story is told on a larger scale than my book would have allowed.

This book showed me how important it was for women to write ancient history and how different their interpretations of that history could be. Stacy Schiff’s biography of Cleopatra does full justice to her complicated subject and the fraught historical era she had to negotiate.

I appreciate how richly Schiff evokes Cleopatra’s world, from the palace in Alexandria she lived in as a child to the fleet she commanded in her last, fateful battle. Even more, I love how skeptically Schiff reads the ancient sources on Cleopatra and how thoughtfully she constructs her own more nuanced portrait of the powerful Egyptian queen.  

Syme was wrote about the fall of the Roman Republic in the shadow of the rise of totalitarianism. 

But for me what is most interesting about this book is its use of collective biography and its argument that the rise of Caesar and Augustus is best understood as the rise of a party or a faction. Most books on the Late Republic focus on the larger-than-life personalities: Caesar, Pompey, Crassus, and Cicero. Syme focuses on structures and systematic factors.

He writes with an at times jarring cynicism. His treatment of Cicero is particularly critical for example. For Syme, all states are governed by coalitions of elites.

And the writing is unforgettable: "a monarchy rules through an oligarchy"; "at its worst, biography is flat and schematic: at its best, it is often baffled by the hidden discords of human nature... undue insistence on upon the character and exploits of a single… show more.

Here it is! Everything from a simple ‘I’ll have a bucket of fried chicken’ (‘Da mihi sis hamam carnis gallinaceae frictae’) to a crafted curse like ‘May conspirators assassinate you in the mall!’ (‘Utinam coniurati te in foro interficiant!’), via such gems as ‘Do you want to dance? I know the Funky Broadway’ (‘Visne saltare? Viam Latam Fungosam scio’) and ‘Eat my shorts!’ (‘Vescere bracis meis!’). Need to know how to impress your native-speaker co-diner in a pretentious restaurant? Try ‘Vinum bellum iucundumque est, sed animo corporeque caret’ (‘It’s a nice little wine, but it lacks character and depth.’). Or maybe you just need a few pejorative terms to hurl at the driver who has cut in on your hired chariot; if so then ‘Airhead!’ (‘Caput vanis!’), ‘Dork!’ (‘Caudex!’) or ‘Space cadet!’ (‘Tiro astromachus!’) might, inter alia, fit the bill. A constant source of delight; Cicero wouldn’t have approved, let… show more.

Imperium, Lustrum, and Dictator chart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.

The fact that this trilogy was turned into a stage show is a measure of its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.

Apparently, he spent several years immersing himself in contemporary literature before putting pen to paper, and it really shows. I admired how his research paints vivid background colour without ever stepping upon the toes of the brilliantly drawn characters. I loved his Cicero (and Caesar and Pompey and Antony) and, despite some tough competition, cannot think of any historical figures so authentically portrayed in any other Roman historical fiction.

And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke… show more.

And speak Caesar Augustus does with a number of prominent figures, including Cleopatra, Mark Anthony, Tiberius, Cicero, and even Virgil. His comments and asides let us know what he really thinks of them. He lets you know that the war with Pompey is a distraction and a bore. His comments are blunt and reveal a strong, wily individual completely in control of the Latin empire, and written in a way that, at times, you forget you’re not reading a history book but fiction.

It was comments like this regarding his meeting with Cleopatra that make the book rewarding: 

“I felt her power, her quite remarkable seductiveness. It was like listening to the deepest, most desirable temptation; it held promises of bliss and power. I understood how Anthony had found himself caught like a beast in a net. I looked away…”

As someone who spent part of the pandemic trying to keep sane by translating ancient Roman poems, I’m definitely part of this book’s target audience.

But Long Live Latin is much more than a spirited ode to the pricelessness of a useless language. In swift and insightful chapters, the Italian writer Nicola Gardini takes us—regardless of how much or little we know about Latin—on a tour of the greatest ancient Roman poets and philosophers—Catullus, Cicero, Lucretius, Virgil, and Seneca, among others.

Like la bella figura, so characteristic of Romans throughout history, these essays are a celebration of how style is inseparable from the good life.