Fans pick 100 books like The Classical World

This book has the best illustrations of the two main cities of antiquity that l have ever seen. Besides superb photographs (all in colour) of the ruins today, they include Peter Connolly’s brilliant reconstructions of buildings of all sorts: houses, palaces, baths, temples, forums, hippodromes, theatres, amphitheaters, insulae (blocks of flats), bars and aqueducts, plus styles in furniture, clothing, and hair. All are shown in colourful detail, many with cutaway illustrations that recreate city life of 2000 years ago with wonderful vividness. They are complemented by Dr. Hazel Dodge’s lucid, informative text. The first part covers Athens at its democratic peak under Pericles around 434BC, the second Rome at its imperial zenith some 500 years later, when it was the greatest city on earth.

Named for the river that Julius Caesar crossed when he invaded Italy and began the civil war which brought the Roman Republic to its knees, this book offers a sweeping account of the Republic’s fall and has been rightly described as narrative history at its best. All the major characters are vividly presented, from Marius and Sulla to Pompey, Cicero and Caesar, in prose that manages to remain readable and fast-paced while spanning almost 400 pages. Tragedy is arguably more apparent than triumph, understandably in a book devoted to the collapse of the Republican order. But the glory of the Republic does also shine through, and the story is told on a larger scale than my book would have allowed.

Dictionaries are not usually meant to be fun but this fact-packed book is so well-written that it is a joy to read. Wonder who on earth was Cicero? What the Punic wars were all about? How the Greeks defeated the Persians at the Battle of Salamis? What was so special about Greek theatre? And why  Rome conquered Britain? You will find all the answers here. Besides military and political events, it covers literature, philosophy, art, religion, sport, and society, all the way from 776BC and the first Olympic Games to the end of the Roman Empire in the west in AD476.

Simon Goldhill powerfully demonstrates why we remain indebted to the ancient world in so many ways. It is not just that classical columns often decorate our buildings or that classical legends inspire our films and books, our whole life still bears the cultural and psychological imprint of ancient Greece and Rome. Our current obsession with gyms, for example, stems from the Greek passion for exercising in public (and they did so naked). Gymnasium is in origin a Greek word. While Greeks and Romans took different views from us on numerous things, from romantic love to slavery, the issues they first confronted and debated still matter. Unsurprisingly for the ancient world, far from being peopled with dead white marble statues gathering dust in museums, throbbed with impassioned life. The echoes of their tumultuous lives haunt us still.

Contemporary historians usually have a vast amount of material at their disposal and institutional support (libraries, archives, universities) that makes accessing and evaluating this material relatively straightforward. Not so in antiquity. The challenges then were enormous.

I think there is no better introduction to the challenges faced by writers of history in the ancient world than Luke Pitcher’s book. He writes in a lively and accessible style, with lots of examples from the ancient historians themselves but also with many contemporary examples. I like that he encourages the reader to come to his or her own conclusions about various matters.

Rather than lecture, he encourages those interested in ancient historians to become part of a conversation that has been going on since antiquity.

Historians of Greece and Rome have been arguing about how to describe ancient cities on and off since the eighteenth century and some of their debates have got stuck deep in the mud. This little book offers the best way out of these impasses. It is super clear, really up to date and incorporates the very latest research. Especially good on economy and society.

The later period of Greek history, after the conquests of Alexander the Great, is considerably less well known that the history of Classical Greece, but it was a fascinating period that radically changed the society and culture of the eastern Mediterranean and the Middle East. This book covers the period of Alexander's conquests, the fragmentation of his empire into multiple kingdoms after his death, and the Roman conquest and domination of the Greek world.

It outlines the rise and fall of dynasties and kingdoms, the Roman conquest, and the transformation of the region, firstly by the Greek culture promoted by Alexander and his successors, and then by Roman rule. It provides an accessible and informative narrative of a period in which the Middle East and Greek world underwent transformational changes.

Sarah B. Pomeroy’s book on women in antiquity was a landmark study when it was first published some fifty-odd years ago in 1975.

It remains important both for its discussion but also because of its place in the history of the study of women in the ancient world. Pomeroy works from literary and archaeological evidence to explore the lives of Greek and Roman women from the Bronze Age to women of the early Roman empire, with a particular focus on classical Athens and Rome.

It is erudite and readable, and, despite its age, deserves a place on any ancient history buff’s bookshelf. It was the first book on the subject that I bought when I was an undergraduate student and has been a great foundation for further study.

Classicist Andrew Wallace-Hadrill, a professor at Sidney Sussex College, was for fourteen years director of the British School in Rome. Among his highly recommended books are Rome's Cultural Revolution and Herculaneum: Past and Future. Prof. Wallace-Hadrill, OBE, who directed the Herculaneum Conservation Project for fifteen years, currently specializes in studying the impact the ancient city has had upon the world.

Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.

Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratops and Psitticasaurus.

She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.