Here are 100 books that Writing Ancient History fans have personally recommended if you like
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For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Paul Cartledge is one of the best Greek historians alive today. Though profoundly knowledgeable about Greece and its history, he writes in a way that non-specialists can follow and appreciate.
I particularly like this book because, through a series of antitheses (Greek/barbarian, free/enslaved, male/female, myth/history), Cartledge gives the reader a splendid picture of the intellectual background against which Herodotus was writing his history.
I also like that, by comparing several contemporary authors with Herodotus, Cartledge can show (explicitly or implicitly) what is distinctive about Herodotus and his worldview.
This book provides an original and challenging answer to the question: 'Who were the Classical Greeks?' Paul Cartledge - 'one of the most theoretically alert, widely read and prolific of contemporary ancient historians' (TLS) - here examines the Greeks and their achievements in terms of their own self-image, mainly as it was presented by the supposedly objective historians: Herodotus, Thucydides, and Xenophon.
Many of our modern concepts as we understand them were invented by the Greeks: for example, democracy, theatre, philosophy, and history. Yet despite being our cultural ancestors in many ways, their legacy remains rooted in myth and the…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Michael Ondaatje’s novel is one of the most beautiful books I have ever read. It is not a study or analysis of Herodotus’ history, and yet Herodotus’ spirit infuses virtually every page. Taking place during World War II, it explores the intertwined lives of four characters, including the unnamed English patient, who has survived the shooting-down of his plane, although he is severely burned.
He has nothing with him but his annotated copy of Herodotus’ Histories. I loved Anthony Minghella’s 1996 film adaptation of the novel, and it is no criticism of the film to say that it treats only one of the many strands one finds in the book. Meditating on space, time, identity, and truth, The English Patient is a book that I think Herodotus would have loved.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.
I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.
This is Homer's epic chronicle of the Greek hero Odysseus' triumph over Troy and arduous journey home: Odysseus survives a storm and shipwreck, the cave of the Cyclops and the isle of Circe, the lure of the Sirens' song and a trip to the Underworld, only to find his most difficult challenge at home, where treacherous suitors seek to steal his kingdom and his loyal wife, Penelope.
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
There are many books about Herodotus, but John Gould’s book remains the best introduction even after thirty years. It appeared in the series Historians on Historians, and Gould approaches history with an eye for what is distinct and unique in Herodotus’s work.
There are excellent chapters on how Herodotus narrates his history, his views on religion and causation, and many other important aspects of the work. I like that, in contrast to earlier treatments of Herodotus (which often had a condescending attitude), Gould is sympathetic to what Herodotus was trying to accomplish, though, at the same time, he maintains a critical distance towards the author and his work.
This text brings new approaches to Herodotus' sources and to his methods of collecting information, to the logic of his narrative and to his understanding of human behaviour. Drawing on recent advances in the understanding or oral tradition, the author takes issue with a number of theories about Herodotus' historical thinking. Herodotus as a story teller, he argues, does not preclude Herodotus as a historian; reciprocity is central to his method; Herodotos' declared subject, the Persian Wars, is itself Herodotus' own construct, embodied in the form of continuous narrative derived from a mass of local and family traditions that reach…
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned AD117-138). He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.
The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics-these are the foundations of Western civilization. In The Classical World , eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Hadrian. From the Peloponnesian War through the creation of Athenian democracy, from the turbulent empire of Alexander the Great to the creation of the Roman Empire and the emergence of Christianity, Fox serves as our witty and trenchant guide. He introduces us…
I learned to dig as a teenager in the school holidays and studied the ancient world at Oxford and Cambridge before beginning my career as a university teacher. I have been lucky enough to travel all over the world for my work, and have spent time living in some amazing cities including Paris, London, Madrid, and Rome. I love exploring new urban landscapes from Moscow to Lusaka, Såo Paulo to Toronto and I am looking forward this summer to moving to another great metropolis, Los Angeles.
Historians of Greece and Rome have been arguing about how to describe ancient cities on and off since the eighteenth century and some of their debates have got stuck deep in the mud. This little book offers the best way out of these impasses. It is super clear, really up to date and incorporates the very latest research. Especially good on economy and society.
Greece and Rome were quintessentially urban societies. Ancient culture, politics and society arose and developed in the context of the polis and the civitas. In modern scholarship, the ancient city has been the subject of intense debates due to the strong association in Western thought between urbanism, capitalism and modernity. In this book, Arjan Zuiderhoek provides a survey of the main issues at stake in these debates, as well as a sketch of the chief characteristics of Greek and Roman cities. He argues that the ancient Greco-Roman city was indeed a highly specific form of urbanism, but that this does…
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.
Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratopsand Psitticasaurus.
She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.
Griffins, Cyclopes, Monsters, and Giants--these fabulous creatures of classical mythology continue to live in the modern imagination through the vivid accounts that have come down to us from the ancient Greeks and Romans. But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in…
I’m a British scholar – a former university lecturer, many moons ago – now living in rural southern Greece. In fact, I have Greek as well as UK citizenship, which really pleases me because I’ve loved Greece and things Greek since boyhood. I started to learn ancient Greek at the age of ten! I’ve written over fifty books, mostly on ancient Greek history and philosophy, including many volumes of translations from ancient Greek. But I’ve also written children’s fiction in the form of gamebooks, a biography, a book on hypnosis, a retelling of the Greek myths (with my wife Kathryn) ... I’ll stop there!
A team of experts got together to create this wonderful book. It is well illustrated, clearly written throughout, and firmly based on textual and other evidence. That is, the authors typically start with a general statement such as “There were increased opportunities for women to be educated in the Hellenistic world,” and then go on for a few pages to show how this came about by translating and commenting on the relevant texts, and showing the relevant vase paintings. Ancient Greek history tends to be very male-oriented – almost all ancient Greek writing was done by men, for instance – so this book is a much-needed antidote.
BL The only study to integrate such a wide range of materials on the women of ancient Greece and Rome into one accessible volume BL Written by a team of distinguished classical scholars and art historians Women in the Classical World gathers the most important primary written and visual sources on the lives of ancient women and presents them in a chronological sequence, within their historical and cultural contexts.
I've been fascinated by the commanders, campaigns, and capabilities of the Roman Army since I studied Latin at school and watched the Hollywood epic Spartacus.At that time, my parents bought me a copy of Peter Connolly’s Roman Army for Christmas, but I discovered where they had hidden it and I secretly read it before Christmas Day. I have retained that passion with a library of books collected over a lifetime to prove it. Now, as a historian and the author of eight books of my own, and as the news editor of Ancient History and Ancient Warfare magazines, I eagerly share the latest discoveries and insights with my readers.
It was this book that sparked my interest in the Roman Army—and I know from talking with others that it has created a host of other Roman military history buffs since its original publication.
The second and third parts of the book detail the evolution of the Roman army from its origins as a city-state militia, transforming from a legion based on maniples into one based on cohorts, and finally becoming the professional army and navy of the Caesars.
Peter Connolly both wrote and illustrated the text. Using archaeological and epigraphic evidence he produced exquisite, painstakingly detailed paintings of arms and armour of infantry and cavalry, siege weapons, and warships. As an introduction to the subject, it has never been bettered.
Connolly was the honourary patron of The Ermine Street Guard reenactment society in which I served honourably for ten years.
In this sumptuous guide to twelve centuries of military development, Peter Connolly combines a detailed account of the arms and armies of Greece and Rome with his superb full-colour artwork. Making use of fresh archaeological evidence and new material on the manufacture and use of the weapons of the period, the author presents an attractive and impressive volume that is both scholarly and beautifully presented with illustrations that are, quite rightly, recognised as being the best and most accurate representation of how the soldiers from these formidable military empires appeared. Greece and Rome at War lucidly demonstrates the face of…
I have been fortunate to be able to turn my childhood birdwatching into a career in ornithology. Scientists are sometimes accused of being cold and heartless, but most of the ornithologists I know are driven by a passion to protect and understand birds. At school, I only really liked biology and art. I hated history, but later in life I discovered the vast riches embedded in the history of ornithology and I am fascinated by how we know what we know about birds. This in turn has sparked ideas that have allowed me to discover and explore new areas of bird study. Above all, I love telling people about birds.
The history of ornithology is an extraordinarily rich topic and one full of interest and rewards. This book is a celebration of the beginnings of our ornithological knowledge. A classics scholar and ornithologist, Jeremy Mynott has translated all the numerous texts here himself, and in so doing providing a consistent, knowledgeable, highly readable text. One of the things that comes across so vividly in this book is how much of our knowledge about birds — including, for example, the fact that young birds, like the nightingale, acquire their song by listening to their father — were so well established so long ago!
Birds pervaded the ancient world. They impressed their physical presence on the daily experience and imaginations of ordinary people in town and country alike, and figured prominently in literature and art. They also provided a fertile source of symbols and stories in their myths and folklore, and were central to the ancient rituals of augury and divination. Jeremy Mynott's Birds in the Ancient World: Winged Words brings together all this rich and fascinating material for the modern reader.
Using quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, and nearly a…