100 books like The Fort

Harold is one of my heroes. I have many books about him, texts and novels, but this novel I feel captures him best. King Harold was a very complex man and a very competent man. Most remember him for losing at the Battle of Hastings and do not know just what a good organiser and general he actually was and how his previous actions prove this. Harold was a political man who knew when to push and when to stand back, when to compromise and when not to.

I can point you to textbooks and academic papers on Harold, as a man, an Earl, and as King, but Helen Hollick’s book is very well researched, and I am someone who has also done his homework on this period, and indeed produced an educational DD-ROM on the period. But why not let Hollick take all that research and information and weave… show more.

Elizabeth Chadwick is one of those authors who is capable of taking the reader behind the obvious of the characters she writes about. The Winter Mantel is about the tragic English hero, and some say saint, Earl Waltheof, who was the only English Earl to continue to rule during the Norman takeover of England, and his complicated, and tragic, relationship with his new Norman masters and, indeed, his Norman wife, Judith.

Waltheof chaffed under the Norman yoke and revolted many times to help English claimants to the throne, but did it just once too often. Chadwick excellently exposes the political and family dynamics driving and even holding back this gifted but flawed hero.

This, again, is from a period I am very familiar with.

Just who was the Germanic God who carried many variations of the name, Wodin, Odin, Oðin, Votan, Wodan, Photan? What is the actual story behind the Germanic/Norse mythology he features in? This novel is an extremely amusing explanation that in fact he was a rather dodgy trader who, partly because of his earlier occupation as a doctor, ends up as a god in all of Germania, as do his also dodgy mates and promiscuous wife. 

A previous knowledge of the mythology helps, but is not essential. I found it very funny and it was one of the inspirations for my own tales.

A Greek bureaucrat is accompanied by two old members of the Varangian Guard escorting money from one part of the Byzantium Empire to another. Each night he has to put up with one or the other Norsemen telling him about the discovery of America: one thinks the other is his best mate when in fact the man hates him and spends most of the adventure trying to get away from him. Accompanying them is a young put-on squadie who, in later years, became known as Harald Hardrada, Christendom’s greatest warrior who spread war and fear throughout the north sea lands.

I found it all so funny and it encouraged me to stick quite a bit of humour in my all own writings, not that I needed much encouragement.

This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner. 

Roberts wrote many better-known novels—e.g. Northwest Passage and Rabble in Arms. Few people remember this wonderful adventure, which takes young Steven Nason on Benedict Arnold’s doomed expedition up the Kennebec River to assault Quebec. (Arundel is a town in southern Maine.) Exuberant writing, great historical detail, and a wonderful depiction of New England Indian life. A classic.

This book is one of the reasons why I became a historian.

Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?

And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.

Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it. 

Set in Boston at the beginning of the Revolutionary War, Johnny Tremain tells of a young silver-smith apprentice whose pride leads to disaster. His hand is crippled and he can no longer pursue his dream. His courage and desire to improve his life make him memorable; I still recall Johnny’s passion years after reading the novel. Eventually Johnny’s hand is healed by a surgeon and he joins the patriots. 

Johnny Tremain presents a brave character living in challenging and divisive times. Johnny Tremain brings to life conflicts with British rule and the determination of those on both sides of the struggle.

This is a classic and provocative set of essays by an eminent historian who asked whether and in what ways the War for Independence resembled modern revolutionary wars. It led every serious historian of the Revolution to realize that the war was not simply a conflict between armies but a political struggle to secure the loyalty of the civilian population.

There have been a lot of comprehensive histories of the American Revolution published since, but Christopher Ward’s The War of the Revolution is still the gold standard.

Want me to prove it? Pick up a Ferling or Philbrick or any other historian writing about the American Revolution today and see how many times they use it in their work.

Expertly documented, with clean, concise writing that can be read end-to-end or used as a reference for specific campaigns and battles, this is my go-to source for everything American Revolution.