The most recommended books about seagulls

I’m the author of more than 25 award-winning books for children, including Mama Built a Little Nest, illustrated by Steve Jenkins, and I Love Birds! 52 Ways to Wonder, Wander and Explore Birds with Kids, illustrated by Alexander Vidal. When not writing, I help rehabilitate injured and orphaned songbirds, I study bird behavior, and I further my knowledge about birds through books and scholarly journals. Birds offer a constant source of discovery and wonder. I hope the books I’ve recommended offer a source of discovery and wonder for your young readers, too!

My first memory of storytelling was as a kid reading Jules Verne’s, The Mysterious Island in the basement of my house in The Bronx where I grew up. It transported me to a  world of magic and mystery. The effect of that experience wouldn’t seriously take hold for decades when I realized the acting career I’d pursued for twenty years wasn’t where I was meant to be. Fascinated with mysteries and metaphysics and studying the world of past lives and reincarnation led me to incorporate this vast realm into what I write. The Occurrence, my first novel, took these ideas and thread them through a story of politics and spirituality. 

I am an ornithologist who studies the myriad ways in which we affect birds and they, in turn, affect us. I’ve conducted field research for over four decades, focusing mainly on the behavior, ecology, and evolution of corvids—crows, ravens, jays, and their relatives. Through these birds I’ve discovered how our settlements, agriculture, and recreation play into their hands, often to the detriment of less adaptable species. As a professor of wildlife science for 25 years, I’ve mentored many graduate and undergraduate students and written hundreds of technical articles. In my writing for popular audiences I aim to celebrate the successful birds that share our world and raise awareness of those we are driving toward extinction.

Thirteen years ago I adopted a homeless dog from Puerto Rico. I also met his rescuers, and they told me the story of this little yellow dog who lived by the food trucks on the road between San Juan and El Yunque National Forest. He had been hit by a car once, maybe twice. His leg was broken, and he was close to death. But they scooped him up, took him to the vet for surgery, nursed him to health, and sent him north. I named him Winston, and now I read every dog book with him in mind – the way he trusts me, believes in me, understands me, and understands everything I say. How did we get so lucky to have dogs? 

Though I live in the foothills of the Ozarks, I’m an Anglophile at heart, loving all things Jane Eyre and Jane Austen. I spent much of my angsty adolescence tucked away in Regency and Victorian England with my nose stuck in a book. As a result, I now jump at every chance I get to skip across the pond and roam the English countryside, listening hard to hear all the voices from the past—which is why my stories are always tied to British history. So whether you love ballrooms or shadowy tales set in gothic manors, here’s a great list for you.

I never stopped reading children’s books and started writing my own when I hit the age of 40. I gravitate toward crisp drawing styles and illustrations that bring out the magic in the everyday. These books are a few of my favorites.

The collection Little Musings, available on Amazon, covers several decades of Joy's work as poet and painter. It touches on many aspects of her life, including the loss of her mother, in Do Not Mourn Her and Loss - Double Rainbow. Her childhood was spent in Plymouth, and in A Plymouth Girl Reflects, she recalls the aftermath of the air raids. Being in close proximity to Cornwall, that area also a major theme here, especially in Newquay, Cornwall, and On Air, By Melancholy. Four of the poems, "Absent Friends," "Isle of Thanet," "At Jim's Cafe," and "Captain Ahab of Thanet" are focused on the Thanet area of East Kent, where Joy now lives.

I am a novelist and an academic. My own writing often evokes both the Gothic and the supernatural, and I enjoy the pleasures of plot: mystery, intrigue, and suspense. The popular literature of a particular culture will often tell you more about what that culture fears than the complex high art written at the same time. But where the project becomes really interesting is the moment when a writer exploits the literature of terror to investigate the human psyche and the dark side of the mind. All these tales are also award-winning films. In every case the book is more frightening.

I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise. 

We tell stories for many reasons, but one of the best reasons is to teach our kids (or remind ourselves!) how to navigate in the world. We’ve all read Aesop’s Fables and at the end, the moral lesson is spelled out. This ruins the conversations you can have with someone else about what the story was about. Instead of feeling entertained, we feel like we were being told what to think and how to feel. As a writer, I love to include multiple themes in a book so that, depending on the age of the reader, or how many times the story is read, new ideas jump out of the book and into your brain.

As a picture book creator, I am always seeking to use as few words as possible – for me, the best picture books are those where the images do most of the storytelling. Wordless books take things a step further and totally engage the child in interpreting the story - the child becomes the story's voice. Wordless books have a special place in my heart and I’m always on the lookout for new silent treasures as they emerge into the wonderful world of picture books. I want everyone to experience the special magic of ‘reading’ wordless books. 

I’m a teacher, sailor, kayaker, and environmental-vegan animal lover. I live by the sea among marine wildlife. I grew up sailing, then sailed the Pacific on the tiny wooden boat that was my first marital home. We had no engine, no modern technology. Like the sea beings, we had a wing in the wind and a fin in the sea so we lived in their world, on their terms. Alone, helming under the stars, I dreamed of dolphin culture and mentally made lists of possible dolphin vocations. This helped me create fiction from the dolphin viewpoint. Input from scientists brought authenticity to my marine environmental fantasies and messages.