100 books like The Birds and Other Stories

I’m fond of the subtle, psychologically complex writing of Henry James, and this is his best ghost story.

I like the 19th-century convention of a framing story to add verisimilitude instead of the modern presumption of willing suspension of disbelief. The consequent delay in getting into the story and the old-fashioned literary style and pacing might be challenging to some modern readers, but for me they enhanced the atmosphere and foreshadowing and gave another “turn of the screw” to the suspense, which continues until the last word.

Of the many ghost stories in my collection, this must be my favorite and the one I recommend most to both newcomers and veterans of Gothic literature. (With nary a ghost in sight!) Once again, none of the adaptations can fully capture the dark magic at the novel’s heart.

Building on the emotional and psychological elements first touched on in Henry James’s, The Turn of the Screw, Jackson reinvented the haunted house genre and gave us an instant classic to which all other such tales must inevitably be compared. Cherished by horror writers and readers everywhere, this book captivates from its celebrated first paragraph to its very last line. Hill House, not sane, is waiting for you.

Montague Rhodes James, dean and provost of King’s College Cambridge, read this tale at the College Christmas gathering in 1903. James’ ghost stories often involved traditional scholars – confirmed bachelors, rather like himself. The bleak East Anglian landscape plays a significant role and here a Professor takes time off to play golf and get on with some writing at a seaside resort. He finds a strange bronze whistle in a ruined round church site. There is a second bed in the rented room at his boarding house. 

I love the thrill that M.R. James describes as "pleasant terror," but his tales are often much darker. He unveils an uncanny sexual horror in the images that haunt this terrifying story. I still see them when I close my eyes. 

I read the novel when I saw that Jane Campion had chosen to adapt the book for her latest film. I have nerves of cast iron. But I found this book truly terrifying. The subject is human evil – the sadistic, twisted cruelty of which men are capable, both to animals, and other human beings. The descriptive writing is extraordinary: the ranch, the mountains, and the wild lands of Montana appear before your eyes. The family is almost destroyed by the predatory, violent brother Phil. He is like a Shakespearean villain: magnetic, charismatic, spellbinding, brilliant, and vicious.

Campion softens the edges of the story at every step in her wonderful film. And I can understand why. Had she filmed the book the movie would be banned. Read the book. 

Not only is this book stunning – sculpted paper illustrations that appear 3D – it offers a flock-full of information about birds and the many types of beaks one may find on them. A beak isn’t just a beak, after all. With over 10,000 bird species in the world, it’s not surprising to learn that bird beaks come in many shapes and sizes, each with a specific purpose to a bird’s habitat necessary for survival in this big, wide world. Although geared for young readers, this book will inspire readers of all ages to take notice of bird beaks. Anytime we can encourage young readers to engage with nature and the world around them, that’s a good thing, don’t you think?

This book is about taking the physical path to spiritual freedom, without the need for any religion. It inspired me to cross oceans under sail, to complete ultra-distance multi-disciplinary sports events, and to build my own faith in the divineness of the natural world. Would you believe it helped me win bike races?

And I love that it does all this through the lens of a beautiful feathered sea being. This non-human viewpoint released the author from the prison of human arrogance. Glorious. And it inspired some wonderful music. 

We often fail to appreciate the most common birds among us. In contrast, Nobel Laureate Niko Tinbergen celebrates the life of a common beach denizen in this classic book. Tinbergen wrote this book in the 1950s based on his detailed observations of the gulls in their natural habitats. As I read, I am taken to the dunes of the Netherlands where Niko spent his life. I can hear the cries of the gulls as they greet their mates, defend their turf, and raise their young. Tinbergen’s life of observing and experimenting is laid before me as he describes the postures and calls that form the gulls’ communication system. I come away from my read knowing a lot about gulls and even more about a brilliant scientist’s mind.

Everyone needs a good friend and often when we make a new friend it invites others into our lives as well. This sweet rhyming book teaches a great lesson about what makes a good friend—and it’s not because they look just like you and like doing all the things you like doing—but revels in the differences that make each friend unique and celebrates the things friends do share in common. 

This memoir was written in 1955 but its wisdom is evergreen because, nearly seventy years later, it’s still very difficult to be a woman.

We are many things to many people and it’s easy to lose ourselves in that swirl of activity and to-dos, which is precisely what happened to me. Depression and anxiety had reading off limits to me for a time, and this was the kind, gentle book that brought me back to the page, the one that said, Yes, yes.

That’s how it is, to love. It’s hard, not because you’re doing it wrong, but because you’re doing it right.

The fascinating thing about this book is the overall lack of a plot.

It pairs McCloskey’s crisp pen-and-ink drawings with simple prose to evoke the bucolic feeling of life on the coast of Maine. Although not as universally known as McCloskey’s Make Way for Ducklings or Blueberries for Sal, this entry can bring one to a calm place and let them breathe for a while.