95 books like Oh, Whistle, and I'll Come to You, My Lad

James’s novella is the closest thing I know to a literary version of the “Rabbit or Duck?” illusion— either a ghost story or a case study in psychopathology, depending on your perspective.

Miles and Flora, 10 and 8, are Victorian orphans left in the charge of an uncaring uncle. Their governess is far more attentive, but her own cloistered religious upbringing hasn’t prepared her for a world of anything other than Purity versus Corruption.

When she learns that the previous governess at Bly House was seduced by the uncle’s valet, she’s driven at any cost to purge the children of their vile influences—which she thinks they continue to exert as ghosts. But is she the only dangerous adult presence?

A chilling look at the power of puritanical ideology and the total dependence of children on their educators and caregivers, this book is well worth whacking through the thicket of James’s… show more.

In the real estate market of haunted houses, Hill House remains a hot property decades after the book’s publication in 1959.

Shirley Jackson is queen of slow-burn Gothic suspense, and her premise is incredible: a group of strangers arrive at an eerie mansion as part of a scientific project to find evidence of the paranormal.

Jackson doesn’t use flashy jump scares, but rather spins a subtle dread that makes even quiet scenes feel unbearably tense.

Haunting of Hill House remains my top recommendation for scary novels. It’s rare for a book to have me leaving the lights on at night, but after one key scene, I had trouble sleeping for weeks. I don’t hide the fact that I’m a Jackson superfan, and this is one of her best works.

The Birds is a tale of invasion. The rural West country setting appears safe, predictable. But Nat, an ordinary farm labourer, notices at once when the birds begin to mingle "in strange partnership." The description of the mass of gulls, riding the waves, waiting for the tide to turn, is unforgettable, superb. The birds are united against a single enemy, and they have a plan. They don’t care how many of their numbers die as long as they annihilate humanity. 

I love apocalypse tales and this is one of the greatest stories about what happens when nature turns against us.

I read the novel when I saw that Jane Campion had chosen to adapt the book for her latest film. I have nerves of cast iron. But I found this book truly terrifying. The subject is human evil – the sadistic, twisted cruelty of which men are capable, both to animals, and other human beings. The descriptive writing is extraordinary: the ranch, the mountains, and the wild lands of Montana appear before your eyes. The family is almost destroyed by the predatory, violent brother Phil. He is like a Shakespearean villain: magnetic, charismatic, spellbinding, brilliant, and vicious.

Campion softens the edges of the story at every step in her wonderful film. And I can understand why. Had she filmed the book the movie would be banned. Read the book. 

This wonderful novel begins with the inheritance of an ancestral pile in rural England and slowly, by twists and turns, reveals the story of the once ornate house and gardens down the centuries. Ladies and lords of the manor, gardeners and servants, painters, photographers, and WWII land girls all flit fleetingly through its pages, but the novel’s heart is the mysterious walled garden whose secrets only a very few get to witness.

What I love about the ghost story genre is how it can lend itself to comedy as well as spookiness. Here the plight of poor James, moving to a new house only to find himself seized on as Apprentice to ghostly 17th century apothecary Thomas Kempe, is irresistibly funny. No one will believe it’s not him scrawling advertisements for ‘Sorcerie, Astrologie, Geomancie, Alchemie, Recoverie of Goodes Loste and Physicke’ on notice boards outside his house and all over the village. Lively’s accurate use of 17th century English heightens both the humour and historical realism in this beautifully written book. 

Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.

First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.

This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly. 

The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.

So good! A ghost story rich in texture, set in Britain during the seventies. Twins Tim and Abi live in an insular world, obsessed with the paranormal. After they prank a school friend with a fake ghost photograph events start to spiral out of control. Nostalgic without being syrupy, this book felt like stepping back into my own ghost-obsessed childhood. It’s that familiarity, as well as the slow burn of the strange and unnerving events, that kept me absolutely hooked.

More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr.