I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
The nine stories in Morgan Thomas’s shimmering debut collection witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, whatever the cost. As Thomas’s subjects trace deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
In one of the stories from this exceptional anthology, “How to Survive the Apocalypse for Native Girls,” Kai Minosh Pyle writes “we are future ancestors.” As the title suggests, this is a forward-looking anthology which imagines Indigenous worlds after “the end.” But it is also a book grounded in Two Spirit and Indigiqueer histories, one whose stories remember the historic acceptance and affirmation of queer and genderqueer Indigenous people as they reach toward Indigiqueer liberation.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.
Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through…
I readThe Women’s House of Detention earlier this year and was introduced in its pages to a world of pre-Stonewall policing of queerness and transness. In our current moment, when state laws increasingly seek to restrict the lives of gender-expansive people, this book offers a window into both the origin of these laws and also, importantly, into the lives of queer and trans people who, in their resistance, created space for me to exist, and to name my own existence, today.
This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century.
The Women’s House of Detention, a landmark that ushered in the modern era of women’s imprisonment, is now largely forgotten. But when it stood in New York City’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin,…
I read this book early in my exploration of genderqueer identity, and I found Professor Voth’s defiant joy in uncovering and sharing the historical story of Jack Sheppard, and in his own trans identity, permission-giving. This playful book dramatizes the search for trans histories and ancestries, ultimately transforming this search into a celebration of chosen family.
Finalist for the Lambda Literary Award, 2019 Finalist for the Publishing Triangle Award, 2019
A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018
'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex Serpent
Jack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center…
In this poetic, ranging novel, C. Pam Zhang reimagines an American western through the eyes of two siblings—Lucy and her younger sibling Sam, who packs with a half-carrot. We follow the two of them as they navigate natural disasters and Sinophobia in the American West circa the 1860s. In a time when I was working to steady my own sibling relationship, I found Lucy and Sam’s complicated, distanced, but nonetheless durable and caring connection deeply comforting. The book reminds us that family is complex and that there’s a lot of blurry ground between outright rejection and acceptance.
An Unkindness of Ghosts opens with the dedication, “To my mother and her mother all the way back to Eve.” While the other four books on this list emphasize the queer and genderqueer people we might choose to recognize as ancestors, this book focuses on Aster’s relationship with her mother, revealing the way that biological family can, in certain instances, support and affirm genderqueer identity.
"Harrowing and beautiful, this is SF at its best: showing the possible future but warning of the danger of bringing old prejudices and cruelties to that new world. While a story about enslaved people in space could be a one-note polemic, the fully rounded characters bring nuance and genuine pathos to this amazing debut." --Library Journal, Starred Review
"Solomon debuts with a raw distillation of slavery, feudalism, prison, and religion that kicks like rotgut moonshine...Stunning." --Publishers Weekly, Starred Review
"Infused with the spirit of Octavia Butler and loaded with meaning for the present day, An Unkindness of Ghosts will appeal…
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time—a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
Then, the banker makes an alternative proposition—marry his unwanted daughter, Sara Beth, in exchange for a two-year extension. Out of options, money, and time, Layken agrees to the bargain.
Now, he has two years to make a living off the land while he shares his life with a stranger. If he fails at either, he’ll lose it all.
Desperate to honor his father's dying wish, Layken Martin vows to do whatever it takes to save the family farm.
Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time-a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?