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The Executioner's Song.
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I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.
Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I first read the English translation of this book during my undergraduate studies. The first time I read it, I couldn’t stop thinking about it for days. Something about it disturbed me, made me feel sick, and made me question what it means to be human.
I felt myself called to read it again years later and, just recently, I picked it up a third time. Mersault’s indifference in relation to his experiences and to society forced me to question my own views concerning the meaning of life.
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.
Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of…
I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.
I was first drawn to Capote’s book because it’s an amazing hybrid—a page-turning, true crime story about the Clutter family murders in Kansas that reads like fiction. Capote and I are both products of the Deep South, so I knew to expect lyrical writing and rich details, two elements I treasure in a novel.
When I drive from my home to visit my son in Florida, I go through Monroeville, Alabama, where Capote grew up next door to Harper Lee (To Kill a Mockingbird), and I think of how she helped him interview friends of the victims and watched him almost lose his soul as he interviewed the killers.
Those interviews are the beating heart that sucked me into the story and ensured this novel would become a classic.
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
I’m deeply interested in the psychology and emotions behind human violence. I’ve been exploring this subject for the past 35 years in 13 non-fiction books about crime, many of them high-profile cases. I have a passion to understand more about this phenomenon.
A highly controversial 1983 book about Dr. Jeffrey MacDonald who was accused of murdering his wife and two children in their home in 1970. Initially, MacDonald hired McGuiniss to prove his innocence, but the author eventually changed his mind about the physician’s guilt. He was convicted and the book underscored the perils of writers getting too close to their subjects, especially when they're criminals.
The electrifying true crime story of Dr. Jeffrey MacDonald, the handsome, Princeton-educated physician convicted of savagely slaying his young pregnant wife and two small children—murders he vehemently denies committing...
Bestselling author Joe McGinniss chronicles every aspect of this horrifying and intricate crime and probes the life and psyche of the magnetic, all-American Jeffrey MacDonald—a golden boy who seemed destined to have it all. The result is a penetration to the heart of darkness that enshrouded one of the most complex criminal cases ever to capture the attention of the American public. It is a haunting, stunningly suspenseful work that no…
Working as a prosecutor, trial lawyer for defendants, and as a magistrate, I’m always bothered by the misconception most people have of our criminal justice system. Unfortunately, cops are crooked, judges are corrupt, and witnesses lie on the stand. Not everyone, not every day, but more often than you would ever imagine. I write true crime books about cases where the underlying focus is on officials who are incompetent, derelict in their duties, or simply downright corrupt. The cases are always suspenseful, but justice is rarely served, and both the defendant and the public are the ones who lose.
After you read the book, you need to see Once Upon a Time... In Hollywood.
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was the motivation behind such savagery?
The murders marked the end of the sixties and became an immediate symbol of the dark underside of that era. Vincent Bugliosi was the prosecuting attorney in the Manson trial, and this book is his riveting account of how he built his case from what a defense attorney dismissed as only “two fingerprints and Vince Bugliosi.”
The meticulous detective work with which the story begins, the prosecutor’s view of a complex murder trial, the reconstruction of…
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A famous actress (and her unborn child), an heiress to a coffee fortune, a supermarket owner and his wife were among the seven victims. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was his hold over them? And what was the motivation behind such savagery? In the public imagination, over time, the case assumed the…
As the mother of four children, I have observed over the last twenty years how women are viewed and often judged under a stifling patriarchal lens. Writing about motherhood in all its glorious colours has been one way for me to channel my frustrations. Stories that reach out to women and give them a voice when they feel unheard are vital. In a world where appearances and facades are taking over our social media feeds, where filters blur out the rough edges of our lives, I’m more determined than ever to write female characters who are raw and flawed but also valued as an integral part of an evolving society.
From the very first page, I was intrigued by Shriver's exploration of maternal complexities. It shone a light on motherhood that I’d never seen before. I found the raw emotion and psychological depth unparalleled and loved how the narrative really delved into nature versus nurture and went so far as to question: are people born evil?
Being a mother myself, I couldn’t imagine living through the horror of my child becoming withdrawn and that disengagement resulting in such devastation in a community. The dismissal of the mother’s concerns by the father was also an interesting social commentary.
Finally, Shriver’s writing is beyond beautiful yet so accessible for the readers.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
Most of this novel is narrated by Grace Marks, a servant girl who is supposed to have committed a murder but says she doesn’t remember doing it.
She is being interviewed by a psychiatrist who is trying to jog her memory. But is she telling him the truth? I love this use of a possibly unreliable narrator, based on a true story that remains unresolved to this day. It’s a disturbing and compelling read.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
I’m a Professor of English Emeritus at Southern New Hampshire University and author of ten books, including fiction, criticism, memoir, and collected journalism. I was also an inaugural faculty member in the writing workshops at the Norman Mailer Center in Provincetown, MA. I first got into Mailer in the 1970s after reading The Naked and the Dead and Cannibals and Christians. I ended up writing my doctoral dissertation on Mailer, which became my first book,Acts of Regeneration. My second book,Toward A New Synthesis, examined Mailer along with John Fowles and John Gardner as writers who adopted some of the techniques of post-modernism but kept their work firmly tethered to ethical issues.
One of the best sports books ever written? Judge for yourself, but I think it is certainly among the best. Even if you don’t like boxing or martial arts, you’ll enjoy this eminently readable book about “the rumble in the jungle” in Zaire between Muhammad Ali and George Foreman, two heroic athletes in conflict. Although there are moments of self-deprecating humor and Mailer’s usual philosophical concerns, Mailer focuses squarely on the two athletes, their training camps and trainers, the people around them, and the experience of being in Africa. And then of course there is the fight itself, described in vivid and inventive detail that I found is as riveting to other readers as it is to me. The philosophical/metaphysical concerns here are part and parcel of those Mailer developed through his sixty years as a writer, but they are introduced in an easily digestible style and seem to me…
From one of the major innovators of New Journalism, Norman Mailer's The Fight is the real-life story of a clash between two of the world's greatest boxers, both in and out of the ring, published in Penguin Modern Classics.
Norman Mailer's The Fight focuses on the 1974 World Heavyweight Boxing Championship in Kinshasa, Zaire. Muhammad Ali met George Foreman in the ring. Foreman's genius employed silence, serenity and cunning. He had never been defeated. His hands were his instrument, and 'he kept them in his pockets the way a hunter lays his rifle back into its velvet case'. Together the…
The idea for my first novel came from a 1946 study of Alabama parolees, linking individual characteristics to the likelihood of recidivism. The outcomes were surprising in many instances: “promising factors” such as education, profession, and intelligence didn’t correlate with good behavior. This got me thinking about the lasting effectsof imprisonment. Sentences don’t necessarily end when an inmate walks out the prison door. I see this again and again in the previously incarcerated students I teach at Helena College—they’ve been released from an institution, but mental and physical imprisonment lingers, and sometimes grows. The books on this list don’t shy away from that hard reality.
Set during the 2005 bus-driver strikes in Iran, this book explores imprisonment at nearly every level—from the confinement of a totalitarian regime to the physical and psychological torture of a political prisoner, to the locked doors of one’s own mind, to the escape sought (and sometimes found) in heroine. What sticks with me most, however, is the interior exploration of the main character, Yunus, and the way seemingly small decisions lead to enormous consequences.
An critically-acclaimed Iranian author makes his American literary debut with this powerful and harrowing psychological portrait of modern Iran-an unprecedented and urgent work of fiction with echoes of The Stranger, 1984, and The Orphan Master's Son-that exposes the oppressive and corrosive power of the state to bend individual lives.
Yunus Turabi, a bus driver in Tehran, leads an unremarkable life. A solitary man since the unexpected deaths of his father and mother years ago, he is decidedly apolitical-even during the driver's strike and its bloody end. But everyone has their breaking point, and Yunus has reached his.
The idea for my first novel came from a 1946 study of Alabama parolees, linking individual characteristics to the likelihood of recidivism. The outcomes were surprising in many instances: “promising factors” such as education, profession, and intelligence didn’t correlate with good behavior. This got me thinking about the lasting effectsof imprisonment. Sentences don’t necessarily end when an inmate walks out the prison door. I see this again and again in the previously incarcerated students I teach at Helena College—they’ve been released from an institution, but mental and physical imprisonment lingers, and sometimes grows. The books on this list don’t shy away from that hard reality.
I don’t think I’ve made a list of books that doesn’t include something by Marilynne Robinson. Though linked to her other Gilead books, Jackcan easily be read on its own, and it does an incredible job exploring the after-effects of prison time against the backdrop of racial (and societal) inequality. Both a love story and a rumination on regret, this novel takes an unflinching look at the prisons we build around ourselves and the difficulties we face when we try to escape.
'Grace and intelligence . . . [her work] defines universal truths about what it means to be human' BARACK OBAMA
'Radiant and visionary' SARAH PERRY, GUARDIAN
A NEW YORK TIMES BESTSELLER
A BARACK OBAMA BOOK OF THE YEAR 2020
AN OPRAH'S BOOK CLUB PICK
Marilynne Robinson, winner of the Pulitzer Prize and the American National Humanities Medal, returns to the world of Gilead with Jack, the final in one of the great works of contemporary American fiction.
Jack tells the story of John Ames Boughton, the loved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard…
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