100 books like The Fight

Mailer’s opus dramatizes the cursed life of Gary Gilmore. In 1976, he robbed and killed two strangers. After being tried and sentenced to death, Gilmore insisted on being executed, to the disagreement of the justice system, who wanted him to remain alive. Written simply and with great compassion, the novel is disturbing, yet ultimately thought-provoking and redemptive.

A masterful debut novel, post-WWII, and dealing with characters in the heat of battle, internally and externally.

I was forced to read it in eleventh grade Honors English (what they called AP pre-AP. Like I said, I’m old). I reread it for edification as a young writer and was awed by the craftsmanship. The writing is dense and requires patience. War is never pretty.

Mailer published three nonfiction books near the end of his life to lay out his final take on issues he’d been pursuing his entire writing life and as a highly visible, often notorious, public intellectual: On God, Why Are We at War?—echoing his 1967 novel Why Are We in Vietnam?—and The Big Empty. I chose The Big Empty because the reader comes to understand where Mailer lands finally on so many issues he covered during his decades of political and societal journalism, with a special focus on democracy in America, its potential and its abiding threats.

The book is structured as a series of dialogues with his youngest son, John Buffalo Mailer, who in his introduction argues that such a dialogue with his father represents a necessary conversation among generations. Their topics include, among other pressing intergenerational concerns, the American presidency, endless war, American 21st-century politics,… show more.

Published on the 50th anniversary of the publication of The Naked and the Dead, the book is an overview of Mailer’s entire writing career up to 1998, by way of introductions to and excepts from his decades of fiction and nonfiction. I make this recommendation as a risk because the book is a nearly 1300-page-long anthology. No one is going to sit down and read cover to cover, however, so I offer it as a way of seeing the sweep of a major author’s career; here you can dip in and out as you wish to see what’s up with a given work or topic at any point in Mailer’s publishing life, up to 1998. You can decide then what you want to read in the offered excerpt or in full, either from an included short work of magazine journalism or a short story, or from a whole… show more.

In this dual biography about the nexus of Muhammad Ali and Howard Cosell’s cultural significance and friendship, the backdrop of their seemingly omnipresent place on the American and global media landscape in the 1960s and ‘70s is explored with great detail in the paths they forged, individually and collectively. Kindred does his homework in finding rich anecdotes from the boxer and broadcaster’s upbringings in Louisville and New York City, respectively. What’s more, there are recurring details about their interactions before, during, and after many of Ali’s biggest fights. It’s a fascinating character study of larger-than-life personalities with massive egos, as well as Cosell’s support of Ali’s right to oppose the Vietnam War. The alternating focus on Ali and Cosell gives Kindred a flexible format to deliver a literary knockout.

It is a rare gift to have the ability to tell the life stories of two iconic figures in the same… show more.

Taking stock of my selections, I realise that they are all to some degree autobiographical or semi-autobiographical. Just why I am attracted to this genre I don’t know: perhaps I am fascinated by the technical challenge of finding a narrative voice that is both personal and detached, of impersonalising emotions that could easily just be self-indulgent. Humour is often useful here, and Vladislavics’s novel is richly humorous, in its (lightly fictionalised) account of a culturally challenging boyhood in Pretoria, at the time the whitest and most conservative city in South Africa (interestingly, also the setting for Galgut’s The Promise). Young Joe, the stand-in for the author has, apart from an addiction to reading, a consuming interest in Muhammed Ali, and has kept a scrapbook of every newspaper item he could find relating to the great boxer. The bookworm-boxing addict is entirely engaging, as brought to life by a master… show more.

The thing I love about Tyson's story is he makes it so relatable to ask questions that others are too afraid to answer. He talks about his triumphs but especially his tribulations. He single handily put mental health on the horizon up for discussion and this man being a giant and talented boxer showed men in particular that it was alright to hurt at times to get lost and to fall apart. Up to then, most celebrities were too proud to go deep and talk about their struggles. Not Tyson, this is the greatest gift you can give.

Honesty and integrity. Not being afraid of being shamed or judged but allowing the world to know that it's ok to talk about this. Not only OK but necessary. I admired the man and his family even more from that very read. It was fabulous looking into the mind of the best… show more.

“A ghost story, a haunting unto itself”—thus, music journalist Nick Tosches opens his tough tale of the boxer Sonny Liston, two-time heavyweight champion of the world. Born in 1932 into a family of tenant farmers that lived on the border of Arkansas and Mississippi, Liston grew up with violence, reinforced by an early stint in prison. Deftly, Tosches conjures the grim, ruthless culture of professional boxing during the 1950s and 60s. Most poignantly, he shows that Liston never possessed his own life—not in the fields from which he fled as a youth and not as a winner in the ring. He was always owned by white men who operated a fundamentally racist business. For readers interested in Black cultural history, this is a timely book. 

In a very British list, there has got to be something from the great American tradition. Liebling wrote for the elite New Yorker but as a New Yorker in every sense he liked to think of himself as a sort of Pierce Egan of the Bronx. So, in the heyday of American fighting, take a ringside seat at The Garden to see the fighter with a face like a worn penny, and see Jersey Joe Walcott take a fall like flour out of a chute.

This volume presents fifteen chapters of biography of African American and black champions and challengers of the early prize ring. They range from Tom Molineaux, a slave who won freedom and fame in the ring in the early 1800s; to Joe Gans, the first African American world champion; to the flamboyant Jack Johnson, deemed such a threat to white society that the film of his defeat of former champion and "Great White Hope" Jim Jeffries was banned across much of the country. Aycock and Scott construct a vivid and unambiguous view of the sport which is often forgotten. A gifted and prolific author, Aycock has also produced masterful works on Max Baer, Joe Gans, and Tex Rickard.