100 books like The Time of Our Time

Mailer’s opus dramatizes the cursed life of Gary Gilmore. In 1976, he robbed and killed two strangers. After being tried and sentenced to death, Gilmore insisted on being executed, to the disagreement of the justice system, who wanted him to remain alive. Written simply and with great compassion, the novel is disturbing, yet ultimately thought-provoking and redemptive.

One of the best sports books ever written? Judge for yourself, but I think it is certainly among the best. Even if you don’t like boxing or martial arts, you’ll enjoy this eminently readable book about “the rumble in the jungle” in Zaire between Muhammad Ali and George Foreman, two heroic athletes in conflict. Although there are moments of self-deprecating humor and Mailer’s usual philosophical concerns, Mailer focuses squarely on the two athletes, their training camps and trainers, the people around them, and the experience of being in Africa. And then of course there is the fight itself, described in vivid and inventive detail that I found is as riveting to other readers as it is to me. The philosophical/metaphysical concerns here are part and parcel of those Mailer developed through his sixty years as a writer, but they are introduced in an easily digestible style and seem to me… show more.

I first read The Naked and the Dead in a college course covering modern American fiction after World War II.

It was Mailer’s first novel and is recognized as one of the best novels to come out of a writer’s own war experiences (amazingly, Red Badge of Courage, was written by Stephen Crane, without benefit of ever experiencing war first-hand).

You’d think it would have little influence for a crime writer but it does. If you haven’t read the book and intend to, it’s time for a spoiler alert.

One of the main characters is Lt. Hearn, but halfway through the novel, Mailer does the unthinkable. He kills off one of his main characters.

Why in the world would Mailer do something like this? The answer, of course, is that he was mimicking the war experience.

War is unpredictable, especially in terms of who lives and who dies. The lesson… show more.

Mailer published three nonfiction books near the end of his life to lay out his final take on issues he’d been pursuing his entire writing life and as a highly visible, often notorious, public intellectual: On God, Why Are We at War?—echoing his 1967 novel Why Are We in Vietnam?—and The Big Empty. I chose The Big Empty because the reader comes to understand where Mailer lands finally on so many issues he covered during his decades of political and societal journalism, with a special focus on democracy in America, its potential and its abiding threats.

The book is structured as a series of dialogues with his youngest son, John Buffalo Mailer, who in his introduction argues that such a dialogue with his father represents a necessary conversation among generations. Their topics include, among other pressing intergenerational concerns, the American presidency, endless war, American 21st-century politics,… show more.

The Atrocity Exhibition is an experimental novel that reads more like a collection of loosely-linked short stories split into a series of vignettes. Written in 1969 it alludes to many celebrities of the period, focusing in particular on those who met violent or tragic ends. So the (not literal) ghosts of J. F. Kennedy, Marilyn Monroe, Jayne Mansfield, and Albert Camus are represented as springboards for themes that are mostly sexual, fetishistic, centred around art and celebrity and the personification of desire and status represented by the automobile. It’s not an easy read – and for some, it might be considered obscene – however, the cumulative effect is to shine an unrelenting arc light on the nature of celebrity and how it bleeds into the everyday lives of consumers, who feel they know their stars inside out but who probably don’t know them at all.

There have been many books written about Marilyn Monroe, and I have paid tribute to her in my own celebrity book but I feel that The Secret Life of Marilyn Monroe best explains the complex life of the ultimate sex symbol. Author J. Randy Taraborrelli's biography reveals that Marilyn, whose grandmother and mother were both committed to mental asylums, lived with the fear of possible impending madness.

I was also interested in details of Marilyn's relationship with the Kennedys—Bobby, Jack, and Pat Lawford Kennedy. These could have played a big part in her death.

Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did. 

This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).

It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want… show more.

This novel is hilarious. When I first read it, I was jealous that I hadn't written it—which is a silly feeling to have about a book that came out in the 1920s, I admit. It's a diary written by a blonde showgirl named Lorelei Lee, who uses her feminine wiles to get wealth from the gentlemen callers who want to "educate" her. Loralei isn't very smart—the diary is riddled with misspellings and confused assumptions—but she has a kind of innocence and practicality that keeps you rooting for her throughout. With her friend Dorothy, a brunette, she arranges it so that everything always works out in her favor, which usually includes lots and lots of diamond jewelry. 

We call them 'movies' as a nickname for 'moving pictures,' and the immense importance of the 'pictures' part of that phrase is underscored by this lavish and gorgeous book celebrating the work of Hollywood's classic glamour photographers. In brief lives and portfolios of the likes of George Hurrell, Peter Stackpole, Phil Stern, Sid Avery, and Ruth Orkin, we see hundreds of photos of such icons as Marilyn Monroe, John Wayne, James Dean, Judy Garland, Marlon Brando, and Shirley MacLaine on the set and off, posed for sumptuous portraits or grabbing coffee and a smoke between takes, in iconic images and remarkable candids. David Fahey and Linda Rich, important photographers themselves, are ideal guides to this gallery, pointing out aspects of the photographers' technique and craft without losing sight of the remarkable subjects of these memorable shots.

Both for sheer inspiration and for studying the craft of biography, I read this book at least five times while researching and writing Spitter. Absorbing, controversial, and courageous, this book offers a deeply disturbing look into the rise and fall of the most famous baseball icon of the twentieth century—and ‘the loneliest hero we ever had.” DiMaggio is rendered so vividly you almost want to look away. The book taught me the supreme importance of building the character, starting on page one, and of sustaining and expanding central and supplementary themes, chapter by chapter. It is also, simply put, a romping good read. If Spitter lives up to even one-tenth of this book’s brilliance, I would die a happy biographer.