83 books like The Atrocity Exhibition

I saw the film Once Upon A Time In Hollywood before reading the book. And I loved the film, one of Tarantino’s best, where – as in Inglourious Basterds – he uses fictional characters to create a world in which factual characters might exist, to the extent that the reality of the script and the reality of real life become inevitably intertwined, in ways in which reality can be distorted to a better end. This playing of fantasy and reality and the myths (the Once Upon A Time…) that storytelling can distort, is ably rendered by this book which I understand Tarantino wrote after the film was finished. There’s greater expansion on the back stories of the stuntman and his double, and less around the Manson murders, but for a film buff the book is a delight in which Tarantino’s fascination for cinema shines through, and therefore is well worth… show more.

Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did. 

This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).

It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want… show more.

This is a great novella based on a specific incident in the young Alfred Hitchcock's life which subsequently forms the backbone for his demeanor, interests, films, and philosophy. Fictionalised biography can come under criticism for not being accurate and it's true that some factual accuracy is put aside here but that's not to the detriment of story. Volk doesn't put a foot wrong in tone, characterisation, or prose. This is an engaging, compelling work that illuminates Hitchcock in the same way that Joyce Carol Oates' Blonde illuminates Monroe or John Connolly's He does the same for Stan Laurel. Thoroughly enjoyed it. This version is no longer available, but it forms part of The Dark Masters trilogy featuring similar characterisations of the actor Peter Cushing and writer Aleister Crowley which is also highly recommended.

He is a fictionalized account of the comedian Stan Laurel's life. Being a massive fan of Laurel & Hardy, whose films remain irrepressibly funny to this day, and having read several factual books about Stan and his sidekick, it was a no-brainer to pick this up and I thoroughly enjoyed it. Whilst at times it feels like a ‘tick box’ situation regarding some of the events that an aficionado of Laurel would expect to be covered, at other times it provides an acute insight into the man behind the films. The similarity of the process on show here is so close to Blonde that a comparison is inevitable, and whilst he doesn’t provide the same emotional impact and is quite clinical in the telling, it nevertheless remains an important work in its own right and therefore is highly recommended.

Published on the 50th anniversary of the publication of The Naked and the Dead, the book is an overview of Mailer’s entire writing career up to 1998, by way of introductions to and excepts from his decades of fiction and nonfiction. I make this recommendation as a risk because the book is a nearly 1300-page-long anthology. No one is going to sit down and read cover to cover, however, so I offer it as a way of seeing the sweep of a major author’s career; here you can dip in and out as you wish to see what’s up with a given work or topic at any point in Mailer’s publishing life, up to 1998. You can decide then what you want to read in the offered excerpt or in full, either from an included short work of magazine journalism or a short story, or from a whole… show more.

There have been many books written about Marilyn Monroe, and I have paid tribute to her in my own celebrity book but I feel that The Secret Life of Marilyn Monroe best explains the complex life of the ultimate sex symbol. Author J. Randy Taraborrelli's biography reveals that Marilyn, whose grandmother and mother were both committed to mental asylums, lived with the fear of possible impending madness.

I was also interested in details of Marilyn's relationship with the Kennedys—Bobby, Jack, and Pat Lawford Kennedy. These could have played a big part in her death.

This novel is hilarious. When I first read it, I was jealous that I hadn't written it—which is a silly feeling to have about a book that came out in the 1920s, I admit. It's a diary written by a blonde showgirl named Lorelei Lee, who uses her feminine wiles to get wealth from the gentlemen callers who want to "educate" her. Loralei isn't very smart—the diary is riddled with misspellings and confused assumptions—but she has a kind of innocence and practicality that keeps you rooting for her throughout. With her friend Dorothy, a brunette, she arranges it so that everything always works out in her favor, which usually includes lots and lots of diamond jewelry. 

This is the oldest book on the list, from 1979, but it is such a worthwhile read.

Garson Kanin wrote Born Yesterday, and was married to Ruth Gordon, of Harold and Maude fame. His story of BJ Farber, a Forrest Gump type of character in early Hollywood, is chock full of juicy details. 

The dialog is wonderful and addresses the Scarlett O’Hara War, Gilbert and Garbo, and Marilyn Monroe (although I personally think Monroe has been covered to death at this point).

My favorite scene is the catfight between southern actresses Tallulah Bankhead and Miriam Hopkins during a dinner party scene as the search for Scarlett continues: “I declare your little brother is cute as paint.”

We call them 'movies' as a nickname for 'moving pictures,' and the immense importance of the 'pictures' part of that phrase is underscored by this lavish and gorgeous book celebrating the work of Hollywood's classic glamour photographers. In brief lives and portfolios of the likes of George Hurrell, Peter Stackpole, Phil Stern, Sid Avery, and Ruth Orkin, we see hundreds of photos of such icons as Marilyn Monroe, John Wayne, James Dean, Judy Garland, Marlon Brando, and Shirley MacLaine on the set and off, posed for sumptuous portraits or grabbing coffee and a smoke between takes, in iconic images and remarkable candids. David Fahey and Linda Rich, important photographers themselves, are ideal guides to this gallery, pointing out aspects of the photographers' technique and craft without losing sight of the remarkable subjects of these memorable shots.

Both for sheer inspiration and for studying the craft of biography, I read this book at least five times while researching and writing Spitter. Absorbing, controversial, and courageous, this book offers a deeply disturbing look into the rise and fall of the most famous baseball icon of the twentieth century—and ‘the loneliest hero we ever had.” DiMaggio is rendered so vividly you almost want to look away. The book taught me the supreme importance of building the character, starting on page one, and of sustaining and expanding central and supplementary themes, chapter by chapter. It is also, simply put, a romping good read. If Spitter lives up to even one-tenth of this book’s brilliance, I would die a happy biographer.