Here are 100 books that Then the Fish Swallowed Him fans have personally recommended if you like
Then the Fish Swallowed Him.
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I chose this list for two reasons—one, true crime has always held great fascination for me. I have a real hunger to understand the motivations behind the darkest sides of human nature, which I believe exists in us all. My own book, The Man from Milwaukee, dives deep into this obsession by sympathetically portraying a closeted young gay man in 1991 Chicago, who sees the cannibal killer as a victim himself of his own irresistible murderous impulses, likening them to our main character’s own self-loathing toward his same-sex desires.
Mailer’s opus dramatizes the cursed life of Gary Gilmore. In 1976, he robbed and killed two strangers. After being tried and sentenced to death, Gilmore insisted on being executed, to the disagreement of the justice system, who wanted him to remain alive. Written simply and with great compassion, the novel is disturbing, yet ultimately thought-provoking and redemptive.
In the summer of 1976 Gary Gilmore robbed two men. Then he shot them in cold blood. For those murders Gilmore was sent to languish on Death Row - and could confidently expect his sentence to be commuted to life imprisonment. In America, no one had been executed for ten years.
But Gary Gilmore wanted to die, and his ensuing battle with the authorities for the right to do so made him into a world-wide celebrity - and ensured that his execution turned into the most gruesome media event of the decade.
I have lived primarily in Vermont, but my relationship to a remote portion of Maine wilderness is the one geographical consistency in my 81 years. Trained as an academic, I did have literary influences, but my chief influences derived from my early decades among men and women whose arduous existences in the great North Woods preceded electricity, power tools, and modern household conveniences. These men and women had to make their own entertainment, and they did so by way of storytelling, and their stories became a kind of community property. Whatever the genres of my 24 books, I have sought to emulate the timing and precision that these masters commanded.
What I admire so deeply in Ms. Robinson’s work is her capacity to tackle immense themes (from abolitionism to free will) in prose that is deliberately understated and yet stirs me deep in my soul and elicits my deep concerns for her characters, in this case, the title figure.
When I first read Robinson, I thought of B.B. King’s comment on the guitarist Johnny Winter, famous for his prolific, note-opulent solos. When asked about these tours de force, Mr. King diplomatically said, “Sometimes it’s not what you put in but what you leave out.” I know that, as primarily a poet, I can become seduced by the “lyrical” capacities of style; Robinson serves as a good check on that yen for excess and shows how presentations that might seem artless can shake the very earth.
'Grace and intelligence . . . [her work] defines universal truths about what it means to be human' BARACK OBAMA
'Radiant and visionary' SARAH PERRY, GUARDIAN
A NEW YORK TIMES BESTSELLER
A BARACK OBAMA BOOK OF THE YEAR 2020
AN OPRAH'S BOOK CLUB PICK
Marilynne Robinson, winner of the Pulitzer Prize and the American National Humanities Medal, returns to the world of Gilead with Jack, the final in one of the great works of contemporary American fiction.
Jack tells the story of John Ames Boughton, the loved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard…
The idea for my first novel came from a 1946 study of Alabama parolees, linking individual characteristics to the likelihood of recidivism. The outcomes were surprising in many instances: “promising factors” such as education, profession, and intelligence didn’t correlate with good behavior. This got me thinking about the lasting effectsof imprisonment. Sentences don’t necessarily end when an inmate walks out the prison door. I see this again and again in the previously incarcerated students I teach at Helena College—they’ve been released from an institution, but mental and physical imprisonment lingers, and sometimes grows. The books on this list don’t shy away from that hard reality.
Szabó is another of my all-time favorite authors, and I return to her books again and again. Katalin Street explores the devastating effects of Germany’s occupation of Budapest upon three different, neighboring families. Characters are imprisoned in a variety of ways: Bálint serves time in a prison camp; the Elekes family serves time in the small apartment to which they’re moved during the occupation; everyone serves time in the prison of their memories, including the ghost of sweet Henriette, who haunts the narrative.
BY THE AUTHOR OF THE DOOR, ONE OF NYTBR'S TEN BEST BOOKS OF 2015
** WINNER OF THE 2018 PEN TRANSLATION PRIZE **
** SHORTLISTED FOR THE WARWICK WOMEN IN TRANSLATION PRIZE 2019 **
"Extraordinary" New York Times
"Quite unforgettable" Daily Telegraph
"Unusual, piercing . . . oddly percipient" Irish Times
"A gorgeous elegy" Publishers Weekly
"A brightly shining star in the Szabo universe" World Literature Today
In prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Balint, the promising son of the…
The idea for my first novel came from a 1946 study of Alabama parolees, linking individual characteristics to the likelihood of recidivism. The outcomes were surprising in many instances: “promising factors” such as education, profession, and intelligence didn’t correlate with good behavior. This got me thinking about the lasting effectsof imprisonment. Sentences don’t necessarily end when an inmate walks out the prison door. I see this again and again in the previously incarcerated students I teach at Helena College—they’ve been released from an institution, but mental and physical imprisonment lingers, and sometimes grows. The books on this list don’t shy away from that hard reality.
This is the only piece of nonfiction on this list, but the plot is as tortuous and epic as any good novel. This book helped me understand the vast inequities inherent in our prison industry—from mandatory sentencing to privatization to the abhorrent practice of convict leasing, aptly known as “slavery by another name.” If there’s any hope of rehabilitating the country’s prison system, we must learn its history—as ugly and unjust as it might be. This is a hard read, but an immensely important one.
In the prison business, all roads lead to Texas. A pioneer in criminal justice severity―from assembly-line executions to supermax isolation, from mandatory sentencing to prison privatization―Texas is the most locked-down state in the most incarcerated country in the world. Texas Tough, a sweeping history of American imprisonment from the days of slavery to the present, explains how a plantation-based penal system once dismissed as barbaric became a template for the nation.
Drawing on the individual stories as well as authoritative research, Texas Tough reveals the true origins of America's prison juggernaut and points toward a more just and humane future.
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
Almost three decades after its original French publication, this magnum opus continues to stand alone as the definitive narrative history of the first Persian empire under the Achaemenid dynasty. Briant’s sweeping account offers countless insights into Persian political history, demolishing dated views of the Persian-Greek wars as the beginning of the empire’s decline, and exploring the resilience of Persian elites and institutions even during the conquest by Alexander of Macedon. But the analysis is hardly limited tohistoire événementielle, and is at its most impressive in the exploration of social and economic conditions and interactions between Iranian officials and settlers and the empire’s diverse subject populations, from Egypt and the Aegean to Central Asia and the Indus valley.
Around 550 B.C.E. the Persian people-who were previously practically unknown in the annals of history-emerged from their base in southern Iran (Fars) and engaged in a monumental adventure that, under the leadership of Cyrus the Great and his successors, culminated in the creation of an immense Empire that stretched from central Asia to Upper Egypt, from the Indus to the Danube. The Persian (or Achaemenid, named for its reigning dynasty) Empire assimilated an astonishing diversity of lands, peoples, languages, and cultures. This conquest of Near Eastern lands completely altered the history of the world: for the first time, a monolithic…
I firmly believe we each have a unique story to tell, to record in order to help others and to record a history. I love the ordinary person who lives an extraordinary life. So many people don’t realize how wonderful they are. It is also cathartic to write your story, in doing so you forgive others as you forgive yourself for decisions poorly made.
This all-American woman loved an Iranian student 25 years her junior. Her story takes you on an adventure, sparing no details of the emotional roller coaster ride, even learning his language. They created a bridge between East and West. She immersed herself to see life and Iranian customs through his eyes, willing herself to understand, hoping to influence him with American ways. Reading her story you will witness an extraordinary marriage and wonder if you could ever possibly do the same.
Afshin, a captivating Iranian graduate student, rents a room in Miriam Valmont’s home. Landlady and tenant share an immediate and fast-growing attraction, despite the fact that Miriam is twice Afshin’s age. When Afshin proposes a temporary Islamic marriage, Miriam readily agrees, driven by desire and curiosity. What shocks her, though, is the role Afshin invites her to play at the end of the marriage so that he, as a Muslim, can continue to express affection. The Bird and the Fish is the story of two people with radically different lives who find a way to honor a passionate love.
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.
The shah of Iran, Mohammad Reza Pahlavi, would remain on the throne for the foreseeable future: This was the firm conclusion of a top-secret CIA analysis issued in October 1978. One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
Against the backdrop of an unlucky courtship between two young students in today’s Tehran, this entertaining novel uses humour to ridicule the myopic mentality of contemporary Iran’s religious leadership that wishes to see itself as cultured and intellectual.
Truly original, Censoring an Iranian Love Story is an incredibly imaginative yet always charming love story set in contemporary Iran that crackles with wit, verve and social comment: Sara falls in love with Dara through secret messages hidden in code in the pages of books that have been outlawed, but then something quite extraordinary and unexpected happens. Through adeptly handled asides to the reader, as well as anecdotes, codes and metaphors, and cheeky references to the wonderfully rich Iranian literary heritage, the novel builds to offer a revealing yet often playful and hopeful comment on the pressures of writing within…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
I have a life-long interest in the intersection of the real and the mythical when it comes to travel and adventuring in foreign lands. This has driven my own exploration of many parts of Asia and the Himalayan regions. One tiny nugget of information can take you on a wild journey that leads to great discoveries. Curiously, we keep losing precious knowledge through war and neglect—and then re-discover it. The finest example of lost and found cultural facets has to be hieroglyphics. The meaning of the writing was lost for over a thousand years until the discovery of the Rosetta Stone in 1799, which enabled us to decipher Egyptian temple art again. So hieroglyphics entered the realm of the mythical and then returned to reality once decoded.
The city of Alexandria was founded by Alexander the Great, or at least named in his honour. And Alexander the Great is responsible for wiping out other fabled cities. Most notably, the ancient Persian city of Persepolis, located in modern-day Iran. Finally, a place you can actually visit! But the massive palace lies in ruins, nowhere near its original splendour with all the statuary and furnishings, and the pomp and majesty of Persia’s kings and courtiers—at the time when Persia was a global superpower.
Around 2,000 years ago, Alexander the Great’s troops looted Persepolis and burned it to the ground. And there it lay in the sand, forgotten, until the site was revived in the 1930s and somewhat restored. The site lies in southwest Iran and was inscribed to the World Heritage List in 1979. Given that travel to Iran today is fraught with obstacles, this book about Persepolis could…
*Includes pictures *Includes ancient historians' descriptions of Persepolis and the Persians *Includes online resources and a bibliography for further reading “By the favor of Ahuramazda these are the countries which I got into my possession along with this Persian people, which felt fear of me and bore me tribute : Elam, Media, Babylonia, Arabia, Assyria, Egypt, Armenia, Cappadocia, Lydia, the Greeks who are of the mainland and those who are by the sea, and countries which are across the sea, Sagartia, Parthia, Drangiana, Aria, Bactria, Sogdia, Chorasmia, Sattagydia, Arachosia, Hinduš, Gandara, Sacae, Maka.” – An inscription on a terrace wall…
