Here are 61 books that The Language of Thorns fans have personally recommended if you like
The Language of Thorns.
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When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
This novella has some of my favorite descriptions of the natural world and I love how it plays with its protagonist’s sense of time.
The lead character and his relationship to the forest draw from the mythology of the Green Man, and it’s a fantastic example of how much the narration style can be affected by the viewpoint character.
Tesh’s pose is dreamlike and slow, and all of its elements—the plot, the characters, the relationships—unfold slowly, like winter melting into spring.
Stories rife with forest magic and characters who learn to let go of past hurts are two of my favorite things, and Silver in the Wood executes both beautifully.
From Astounding Award winner and Crawford Award finalist Emily Tesh
An ALA RUSA Reading List Selection
"A true story of the woods, of the fae, and of the heart. Deep and green and wonderful.”—New York Times bestselling author Naomi Novik
There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.
When Greenhollow Hall acquires a handsome, intensely…
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
Anna-Marie McLemore’s prose is so poetic and elegant that I sometimes reread sentences just because they have such a beautiful cadence to them.
This book is a reimagining of “Snow White and Rose-Red” with elements ofSwan Lakeand Latinx folklore.
Everything McLemore writes is magic, but this story weaves together everything I love about their work: magical realism, velvety descriptions, and fairy tales cracked open in new ways to shed light on racial and gender politics.
I love the complicated, loving relationship between the two sisters, and I love that the boy Blanca falls in love with has a complicated relationship with gender that is in part inspired by McLemore’s transgender and non-binary husband.
Award-winning author Anna-Marie McLemore retells Swan Lake in this spellbinding YA story of sisters who are each other's best friends―and worst enemies.
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca is as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them…
I love books that take you to another world, stories that show you bits of our reality while exploring another. It’s thrilling to step into a world where anything can happen, where dragons exist, where our laws of nature may not apply. But also, I love seeing the familiar in fantastical places: love, friendship, and hope. Though the characters in books may inhabit worlds made mostly out of paper, ink, and imagination, their stories are universal.
Filled with magic, prophecy, and ancient goddesses, Hunted By the Sky transports you to a world where a girl with a star-shaped birthmark seeks revenge for the murder of her parents, and a boy who is willing to do anything to save his father will soon meet. In this beautiful novel, you will find thoughtful worldbuilding and fantastical mirrors to our own reality, exploring identity, class, and love.
Gul has a star-shaped birthmark on her arm, and in her kingdom, marked girls are disappearing. Gul's mark caused her parents murder at the hands of the king's army, and forced her into hiding. When a group of rebel women rescue her to train her in warrior magic, Gul only wants one thing: revenge.
Cavas is ready to sign his life over to the king's army in exchange for money and medicine for his sick father. But when he meets Gul in the capital's bazaar, their chemistry grows, and he becomes entangled in a mission of vengeance - and discovers…
Since I was a child, my imagination would run rampant with ideas and fantasies I had no idea how to channel. Then, when I was fifteen, I joined my high school’s creative writing class, and suddenly, every fantasy I’d ever concocted in my head had somewhere to develop. Sweet romance books have always fulfilled me, and I love it when, from the first page, you can feel the sparks between the main characters. They have a wholesomeness that leaves me feeling refreshed and hopeful, and I love that, for a few hundred pages, I can dive into another world and experience love through someone else’s eyes.
Jenn Bennett’s depiction of communication—or lack thereof—in relationships was so real that I found it to be one of the most compelling subplots I’ve read. She details how neglecting to talk about issues not only causes rifts in romantic relationships, but in familial ones as well.
Mixed with the sweet romance between the main characters, it made for a story that I quickly became invested in.
A swoon-worthy story of first love, making mistakes and finding out who you are, from the author of Night Owls.
Budding photographer Josie Saint-Martin has spent half her life with her single mother, moving from city to city. When they return to her historical New England hometown to run the family bookstore, Josie knows it's not forever, so there's no reason to change her modus operandi-keeping to herself, dreaming of the day she can leave.
But after a disastrous summer party, a poorly executed act of revenge lands her in big-time trouble. As in, jail...alongside the last person with whom…
Oh, Dragons. They have invaded my life. They’re in every room in my house – it gets crowded in the bathroom but there are a couple in there. They feature in my meditations and once I started reading fantasy, they feature in many of my books. I’m always happy to look at a book with dragons in it. If I could turn into a dragon – I would.
She’s a witch! Let’s stake her out for the dragon to eat. This happens to Alys. But she’s not a witch. Her village just didn’t like her. She wants revenge and when the dragon arrives, he becomes her ally. Here’s another twisted plot where the female is undervalued but the story helps Alys find what she thinks she wants. Part of what she finds along the way is a strength and loyalty she didn’t know she had. But she also discovers what she thought she wanted, isn’t really worth it in the end.
Fifteen-year-old Alys is not a witch. But that doesn't matter—the villagers think she is and have staked her out on a hillside as a sacrifice to the local dragon. It's late, it's cold, and it's raining, and Alys can think of only one thing—revenge. But first she's got to escape, and even if she does, how can one girl possibly take on an entire town alone? Then the dragon arrives—a dragon that could quite possibly be the perfect ally. . . .
I love being cozy more than just about anything – that’s why I keep writing books set in boarding schools in the fall! My books are best served with a cup of tea and a purring kitten to get you through the sad bits – which, as we all know, just make romantic endings even more satisfying.
This book is the equivalent of eating a batch of fresh chocolate chip cookies inside a drafty and most definitely haunted lighthouse on the Oregon coast as the waves crash against the shore and you pull your blanket a little tighter around you.
No one does atmosphere like Shea Earnshaw (No one, I said it) and this story of drowned girls off the Oregon coast will send a chill up your spine even as you’re reaching for your next cup of tea.
Hocus Pocus and Practical Magic meets the Salem Witch trials in this haunting story about three sisters on a quest for revenge - and how love may be the only thing powerful enough to stop them.
Welcome to the cursed town of Sparrow...
Two centuries ago, in the small, isolated town, three sisters were sentenced to death for witchery. Stones were tied to their ankles and they were drowned in the deep waters surrounding the town. Now, for a brief time each summer, the sisters return from the depths, stealing the bodies of three weak-hearted girls so that they may…
I am an author, American Sign Language interpreter, librarian, and signing storyteller. I write picture books, children’s nonfiction, middle grade, and young adult fantasy, and resource books for educators, librarians, and parents. In my books, I highlight strong female characters, both fictional and from real-life. Here I am sharing 5 of my favorite fantasy and sci-fi books with female characters who – by the end of their journeys - absolutely do not care what you think of them.
Asra is a demigod with the gift of dictating the future by writing with her own blood. When her blood magic leads to the mortal girl she loves turning into a vengeful dragon, Asra must embark on a journey across the kingdom to stop her. A big-hearted protagonist grappling with her own power, complex cultural politics, two compelling love interests – who could ask for more? That so many of the primary romantic relationships in the story are same-sex is almost beside the point – except, of course, that queer characters rarely appear so matter-of-factly in epic fantasy. Inkmistresstrades in deep, nuanced characters, moral complexity, and a story that often surprises in the best way, keeping the reader hooked until the incredibly satisfying conclusion.
A sweeping, action-packed, and romantic fantasy full of dangerous magic and dark choices, perfect for fans of Tamora Pierce and Kristin Cashore—set in the same world as Of Fire and Stars.
Asra is a demigod with a dangerous gift: the ability to dictate the future by writing with her blood. To keep her power secret, she leads a quiet life as a healer on a remote mountain, content to help the people in her care and spend time with Ina, the mortal girl she loves.
But Asra’s peaceful life is upended when bandits threaten Ina’s village and the king does…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This is a book written in its own language: one that is derived from Old English. It is written from the viewpoint of a Saxon native, a freeman, whose liberty is threatened by the outside world, invaders who respect no moral laws. Through this method, we enter the minds of the protagonist – Buccmaster of Holland – and a worldview is constructed in which the local is in a shifting balance with external sources of power. The book demonstrates how our thoughts and worldviews are realised by, and dependent upon, the language through which they are articulated. Without explicitly intending to do so, it also provides insight into much of the psychology behind Brexit.
Winner of the Gordon Burn Prize 2014 and The Bookseller Industry Book of the Year Award 2015. Longlisted for the Man Booker Prize, the Desmond Elliott Prize and the Folio Prize and shortlisted for the Goldsmiths Prize.
A post-apocalyptic novel set a thousand years ago, The Wake tells the story of Buccmaster of Holland, a free farmer of Lincolnshire, owner of three oxgangs, a man clinging to the Old Gods as the world changes drastically around him. After losing his sons at the Battle of Hastings and his wife and home to the invading Normans, Buccmaster begins to gather together…
