Here are 100 books that Blanca & Roja fans have personally recommended if you like
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When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
This novella has some of my favorite descriptions of the natural world and I love how it plays with its protagonist’s sense of time.
The lead character and his relationship to the forest draw from the mythology of the Green Man, and it’s a fantastic example of how much the narration style can be affected by the viewpoint character.
Tesh’s pose is dreamlike and slow, and all of its elements—the plot, the characters, the relationships—unfold slowly, like winter melting into spring.
Stories rife with forest magic and characters who learn to let go of past hurts are two of my favorite things, and Silver in the Wood executes both beautifully.
From Astounding Award winner and Crawford Award finalist Emily Tesh
An ALA RUSA Reading List Selection
"A true story of the woods, of the fae, and of the heart. Deep and green and wonderful.”—New York Times bestselling author Naomi Novik
There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.
When Greenhollow Hall acquires a handsome, intensely…
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
This is a collection of short stories that mixes fairy tales and myths to create six spooky, atmospheric retellings.
A few of the short stories, like “The Witch of Duva” (which borrows from “Hansel and Gretel”) deal with some dark themes, and “When Water Sang Fire,” is a deeply tragic, sapphic work inspired by “The Little Mermaid.”
My favorite of the collection is “The Soldier Prince” which combines “The Nutcracker” and “The Velveteen Rabbit” to produce a story with a fascinating take on agency, love, and self-awareness.
It’s queer in a way I don’t think I can define; I was still thinking about that story weeks after I finished it, and I would—in a heartbeat—read a whole novel about that particular nutcracker.
Travel to a world of dark bargains struck by moonlight, of haunted towns and hungry woods, of talking beasts and gingerbread golems, where a young mermaid's voice can summon deadly storms and where a river might do a lovestruck boy's bidding but only for a terrible price.
Inspired by myth, fairy tale, and folklore, no. 1 New York Times-bestselling author Leigh Bardugo has crafted a deliciously atmospheric collection of short stories filled with betrayals, revenge, sacrifice, and love. Perfect for new readers and dedicated fans, these tales will transport you to lands both…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
This is the Twelve Dancing Princesses meets the Hunger Games! It’s a great start to a new series of fairytale retellings that manages to take some well-known stories and make them feel new. All while maintaining that familiar comfort of what we expect from a classic tale. It’s a great weaving of old and new that has you rooting for these princesses and wondering whose story you’ll get to read next.
When Princess Liliana and her twin sister set sail for new lands, Lily hopes to find adventure and romance. But the people of Marin live under the shadow of a curse—one powerful enough to destroy entire kingdoms. To protect them all, Lily and eleven other princesses are forced to participate in a mysterious and secret tournament. Lily spends her nights competing in a magical underground realm and her days unraveling the dangers of this new court. Although she needs the help of the Marinese prince, Lily knows she can’t let herself grow too close to him. There’s no time for…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
I used to get in trouble (nightly) for eating with my book propped against my plate. Yet with all the books I devoured, there was never one about a kid that looked like me with a family like mine. The single anomaly was Blubber, which absolutely thrilled me to see a supporting character named Tracy Wu. And while the YA world has thankfully become more diverse, BIPOC authors and protagonists are still the exception in adult literature. I’m excited to share this list of badass female AAPI authors who write equally strong protagonists because, though we’ve come a long way since Tracy Wu, we still have further to go.
I started this book on a plane, continued to read in my seat after the plane landed, and was seriously annoyed at the flight attendant when forced to deplane. This is one of those books with a simple twist on the fantasy genre I wish I’d thought of—a race of beings who subsist on eating books.
Dean’s world building is superb, the protagonist is a badass, and the portrayal of the fractured relationships among characters—especially with her son—complicated and relatable. I finished it (in a chair at the airport) in one sitting, and it was worth it.
THE NO. 2 SUNDAY TIMES BESTSELLER
'I devoured this' V.E. Schwab
'A vampire-themed Handmaid's Tale, with effective thrills that are intensified by social commentary' Guardian
A gorgeous new fantasy horror - a book about stories and fairy tales with family and love at its dark heart...
A gorgeous new fantasy horror - a book about stories and fairy tales with family and love at its dark heart...
Hidden across England and Scotland live six old Book Eater families.
The last of their lines, they exist on the fringes of society and subsist on a diet of stories and legends.
I was born in a stable close to the Himalayas in India. The family farm was buzzing with animals and one of the most wonderful was a wild monkey called Oma who adopted our family and insisted on living with us. This is where the magic in my life began. My Grandmother was the storyteller in my family, so even after we emigrated to England when I was only 18 months old, our house was filled with magical stories, many with roots in India. So when I became a children’s author it was this magic that I wanted to bring to my stories and it was this magic that drew me to reading.
Imagine if you could meet someone from the past without realising? This is what drew me to this magical book. When you are young there are things you just don’t question and this is what I was like. I saw things that adults would have said weren’t there. But I didn’t believe them. I only believed in the power of my imagination. For me anything could appear; a small creature under a tree in the garden or Santa’s sleigh flying through the sky at Christmas – it was all so real I could reach out and touch it. In Darkling Wood is one of those stories that wrap themselves around you and whisk you away, where you’ll leave believing in magic!
For fans of Kelly Barnhill’s The Girl Who Drank the Moon and Jack Cheng’s See You in the Cosmos, here is “a haunting and poignant exploration of family, loss, and redemption” (Booklist, Starred Review).
When Alice is suddenly bundled off to her estranged grandmother Nell’s house, there’s nothing good about it, except the beautiful Darkling Wood at the end of the garden—but Nell wants to have it cut down. Alice feels at home there, at peace. She even finds a friend, a girl named Flo. But Flo doesn’t go to the local school, and no one in town has heard…
I’ve always been drawn to stories that feature mysterious locales and secret objects and strange or magical occurrences, so books with these elements—particularly when the main characters in the books are young people learning about themselves and the world around them—are often very satisfying to me. There’s something naturally engaging, I believe, in tales where someone is thrust into a disorienting situation and has to make sense of the uncertainty he or she faces. The books I’ve written for young readers all tend in this direction, and so I’m always on the hunt for stories along these same lines.
Bizarre, misshapen, and sweet, this is the Roald Dahl book I find most alluring. A much-beloved tale, the plot sounds phantasmagoric in distillation: a house-sized peach sprouts overnight from a tree outside the shack where young James is essentially kept imprisoned by two cruel aunts; the boy tunnels into the fruit’s pit, befriends the band of enormous talking insects within, and the whole gang embarks on an adventure where the peach bobs out to sea, is carried through the air by hundreds of seagulls, is attacked by creatures who live on clouds, and eventually comes to rest on the spire of the Empire State Building. Intrigue, humor, and rambunctious versifying abound—and the once-forlorn James is not only unvanquished but happy. Nice ending.
James and the Giant Peach by Roald Dahl in magnificent full colour.
James Henry Trotter lives with two ghastly hags. Aunt Sponge is enormously fat with a face that looks boiled and Aunt Spiker is bony and screeching. He's very lonely until one day something peculiar happens. At the end of the garden a peach starts to grow and GROW AND GROW. Inside that peach are seven very unusual insects - all waiting to take James on a magical adventure. But where will they go in their GIANT PEACH and what will happen to the horrible aunts if they stand…
I've always loved stories. After years of observing the importance of stories, and their role in creating our reality, the determination to write my own clicked into place. Storytelling is very much at the heart of my first novel, Strange Gods. Strange Gods features a multiverse of powerful gods, but humans still stand out for their ability to tell self-defining stories. From the inciting incident where Carcass kidnaps Spooky to be his storyteller, to the decisions she makes along her journey, the stories Spooky tells others and herself determine her outcomes. I hope the books on this list inspire you to reflect on the power of any stories you tell, as they've inspired me.
I read The Hazel Wood while writing my own book, and the vibe immediately struck me as similar. It takes the protagonist, Alice, on a journey between our world and a world of dark, original fairytales, where stories are the very fabric of the universe. The more entangled the story becomes in the fairytale world, the more the book itself reads like one...it feels like a dream, with events unfolding unpredictably as we learn the rules of the new world and what the characters from it want.
One of The Observer's Best Children's Books of 2018!
Fans of Miss Peregrine's Home for Peculiar Children and The Children of Blood and Bone have been getting lost in The Hazel Wood...
"The Hazel Wood kept me up all night. I had every light burning and the covers pulled tight around me as I fell completely into the dark and beautiful world within its pages. Terrifying, magical, and surprisingly funny, it's one of the very best books I've read in years". -Jennifer Niven, author of All The Bright Places
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Seventeen-year-old Alice and her mother have spent most of…
