Here are 100 books that The Conqueror fans have personally recommended if you like
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I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.
Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.
In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that…
In the kingdom of Gwynedd, the mysterious forces of magic and the superior power of the Church combine to challenge the rule of young Kelson. Now the fate of the Deryni -- a quasi-mortal race of sorcerers -- and, indeed, the fate of all the Eleven Kingdoms, rests on Kelson's ability to quash the rebellion by any means necessary . . . including the proscribed use of magic!
I am an avid fantasy reader and writer. I have been writing for many years and love to craft detailed worlds and complex characters that surprise and delight readers. Stories are about challenges, overcoming the barriers that are put in front of us, and growing in the process. Characters do not have to be good or bad; they can be both, a mixture, just like real people. I strive to create characters that make people stop and think, make them question their assumptions, or relate to them in ways that they had not expected. Fantasy is about bringing real emotions to readers through an imaginary setting, and I love it.
Where to start? Lord of the Rings contains countless unlikely heroes. From Frodo and Sam, simple hobbits who have to undergo an impossible task to save the entire world, to Theoden or Faramir, the books are full of tales of valor and strength as the good of the world strives to overcome an impossible evil.
The books are written with the key theme that even ordinary people can do great good, and that is reflected in the Hobbits. They are an ordinary race, unimportant for most of history, but they possess the courage and the heart to save their world. I love these books above all else, and the characters are all inspiring and loveable.
This brand-new unabridged audio book of The Fellowship of the Ring, the first part of J. R. R. Tolkien's epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author, Andy Serkis.
In a sleepy village in the Shire, a young hobbit is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lord Sauron's evil dominion.
Thus begins J. R. R. Tolkien's classic tale of adventure, which continues in…
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
Of the novels based on the classic Star Trek TV series, this book is one of a handful that delves extensively into the background of arguably the show’s most iconic character. Diane Duane created a history for Spock and his birth world Vulcan, skillfully merged it with the show’s canon and used that as the backdrop for a political crisis that threatens to affect the United Federation of Planets.
Trekkie that I am, it felt like a pilgrimage of sorts when I read this book. I was fascinated with the past events that shaped the planet due to the extraordinary world-building covering Vulcan’s prehistory all the way to its peoples’ ventures into space exploration and, of course, the development of the famous Vulcan ethic of logic. What’s not to love about a novel that makes the most fascinating world in the Star Trek universe come alive in every aspect?
It is the twenty-third century. On the planet Vulcan, a crisis of unprecedented proportion has caused the convocation of the planet's ruling council -- and summoned the U.S.S. Enterprise from halfway across the galaxy, to bring Vulcan's most famous son home in its hour of need. As Commander Spock, his father Sarek, and Captain James T. Kirk struggle to preserve Vulcan's future, the planet's innermost secrets are laid before us, from its beginnings millions of years ago to its savage prehistory, from merciless tribal warfare to medieval court intrigue, from the exploration of space to the the development of o'thia…
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
The Roselynde Chronicles aren’t just historical romances; they’re a deep dive into English life during the reigns of Richard the Lionheart and King John. Because Roberta Gellis didn’t prettify the traditions and conditions of the era and toned down only the practices and language that would confound modern readers, I was almost effortlessly transported back to that period.
My favorite book in the series is the third novel, Joanna, largely because of a hero who doesn’t fit the romance archetype of devastatingly tall, dark, and handsome. Not that Geoffrey isn’t one of the three, but he’s presented as the most ordinary-looking of the leading men in the series. That made him feel more real to me. Joanna, on the other hand, isn’t the stereotypical, sometimes anachronistically independent, and feisty beauty I’d come to associate with historical romances. Thanks to the superb writing and lavish yet realistic depiction of the era,…
Beautiful, iron-willed heiress to power, Joanna secretly burns with an explosive inner passion as wild and-- radiant as her flaming red hair. But her deepest emotions are tragically frozen by the cold fear of a man's tender love. Ensnared in the violent lusts and dangerous intrigues of King John's decadent court, she defies every outward peril-only to come face-to-face with the terror in her own heart. Caught between willful pride and consuming desire, she struggles to avoid surrendering herself to the irresistible fires raging within her.
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
Steven J. Reid’s comprehensive study of James’s youth and rise to real power is as well-researched as it is readable. Most people are only familiar with the older James when he was king of England—the tired stereotype of the doddering, prematurely-aged old king.
But his early life and reign in Scotland were fraught with drama and high politics–all of which helped make James James.
Shortlisted for the Saltire Society Scottish History Book of the Year Award
James VI and I was arguably the most successful ruler of the Stewart Dynasty in Scotland, and the first king of a united Great Britain. His ableness as a monarch, it has been argued, stemmed largely from his Scottish upbringing. This book is the first in-depth scholarly study of those formative years.
It tries to understand exactly when in James' 'long apprenticeship' he seized political power and retraces the incremental steps he took along the way. It also poses new answers to key questions about this process. What…
I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
More than any other source, Geoffrey of Monmouth’s book is responsible for our modern fascination with King Arthur. I read this for the first time at school and have returned to it again and again.
Written in Latin in the twelfth century, Monmouth claimed to have access to secret books that no other author had read–I found that intriguing all by itself. When he wrote, three of his exact contemporaries were also writing works on King Arthur, and there seems to have been a literary ‘Arthur business’ in the 1130s–why? (It was a period of great disruption in England, and she may have needed a new savior!). Although he goes way beyond the realms of history, I still find Geoffrey charming and inspiring.
Completed in 1136, The History of the Kings of Britain traces the story of the realm from its supposed foundation by Brutus to the coming of the Saxons some two thousand years later. Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works…
I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.
It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series.
Uther, the High King of Britain, has died, leaving the infant Mordred as his only heir. His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the Saxon enemy, Arthur is embroiled in a doomed romance with beautiful Guinevere.
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
Caroline Bingham is one of the forgotten titans of Scottish popular nonfiction. From the 1970s to the 1980s (she sadly died young in 1998), she produced a multitude of books covering the lives of various Scottish monarchs.
Her books (although research has moved on quite a bit) are beautifully and sensitively written and her two books on James (she wrote one on his life in Scotland and then one on his life in England) are sparkling.
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
This beautifully written nonfiction book brings to life Henry VIII’s tragic fifth queen. It reveals the complexities and colour of the ageing tyrant’s court.
It’s a book packed with detail and yet so rich in narrative that I couldn’t put it down. Henry’s wives are popular figures for biography–but Russell breathes new life into his youngest, most tragic consort.
SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017
During one of the hottest summers on record the court of Henry VIII is embroiled, once again, in political scandal. The King's marriage to Anne of Cleves has failed, his closest adviser Thomas Cromwell is to be executed for treason and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly irascible, unpredictable monarch.
Her story is both a very dark fairy tale and a gripping thriller. Born into nobility and married into the royal family, Catherine was attended every waking hour by…
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
Sarah Gristwood is one of our leading experts in Tudor history, and in this nonfiction study, she lays bare the complexities of love and passion at the Tudor court.
This is such a refreshing book because it explores both the similarities and the wild differences between ourselves and our ancestors. Gristwood provides a rich sense of what love, marriage, passion, and the performance of emotion meant to the Tudors.
One cannot quite look at Henry VIII or any of his wives in quite the same way after reading.
'One of the most important books to be written about the Tudors in a generation.' Tracy Borman
In this groundbreaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty. From Henry VIII declaring himself as the 'loyal and most assured servant' of Anne Boleyn to the poems lavished on Elizabeth I by her suitors, the Tudors re-enacted the roles of devoted lovers and capricious mistresses first laid out in the romances of medieval literature, but now with life-and-death consequences for the protagonists. The Tudors in Love dissects…
