Here are 85 books that Deadly Words fans have personally recommended if you like
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I’ve been researching and writing histories of witchcraft for over twenty years because I wanted to know why people would confess to a crime that they couldn’t have committed. I especially wanted to know about women’s stories of witchcraft, and I found that fiction really helped me to imagine their worlds. I’m a Professor at Exeter University and I’m working on two new books about witchcraft trials: The Witches of St Osyth and Witchcraft: A History in Thirteen Trials. I’m trying to feel every word and give the “witches” the empathy they deserve.
The immersive and tragic history of a witch trial in Bideford, Devon, England in 1682 puts the “witches” back at the centre of their story and tries to imagine their world with sympathy and insight. This is a very well-researched book, drawing on documents from the town and printed news pamphlets about the trial, as well as on the author’s wider knowledge of witchcraft and demonology (the study of devils and witches). It evokes the sinister atmosphere in the town very effectively. The story is well told, pacy, and easy to follow, and I learned a lot about the women and their world – telling details that I thought might have been lost to history, but are rediscovered and thrillingly told here.
"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet
On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives.…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
In choosing a theme for this list, I was very careful to think of one that would allow me to include this book, my favorite haunted house novel of all time. It’s gay; it’s weird; its central mystery is never fully resolved, which may be why it’s stuck with me for years and is one of the few novels I’ve reread more than twice as an adult.
Miranda Silver is neither a classic Gothic heroine nor an ass-kicking Sidney Prescott type, but someone stranger and more opaque. She’s confused and lonely and an unreliable narrator. Her romance with classmate Ore might offer some respite from the terrors of her family’s ancestral home, but it’s not enough to save her.
I love a queer story without a happily ever after. Knowing who you are and who you love doesn’t always make everything turn out okay. Sometimes, it just means you have…
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I picked this book up, thinking it might have to do with witch trials in Europe during the 17th Century, and in a peripheral way, it does because it’s very loosely based on the life of Katharina Kepler, the mother of famous astronomer Johannes Kepler. (And really, how can you resist the title.) But the novel delivered so much more.
It’s a witty, searing meditation on community, gossip and envy, the strictures of society, the corruption of power, and a woman’s determination to be her own person. Add to that some of the funniest, most absurd situations I’ve read in a long while. Some sections of the novel are truly laugh-aloud.
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's…
I’ve been researching and writing histories of witchcraft for over twenty years because I wanted to know why people would confess to a crime that they couldn’t have committed. I especially wanted to know about women’s stories of witchcraft, and I found that fiction really helped me to imagine their worlds. I’m a Professor at Exeter University and I’m working on two new books about witchcraft trials: The Witches of St Osyth and Witchcraft: A History in Thirteen Trials. I’m trying to feel every word and give the “witches” the empathy they deserve.
A thoughtful and well-researched novel about the “Witchfinder General” Matthew Hopkins, who hunted witches in eastern England during the mid-seventeenth century Civil War. Or rather, it’s not about Matthew but about his fictional sister, Alice. Focusing on Alice is a clever and thought-provoking way of telling a famous story, making us look harder at the women involved in the witch hunt and how they might have felt about their experiences. How did women feel about witchfinders in their families and among their friends? Did they really suspect other women of witchcraft? Were they able to avoid becoming complicit in witch-hunting?
It’s a lively and horrifying story that has a really convincing seventeenth-century feel and it made me uncomfortable. What would I have done if a witch-hunt had come to my village? What would you do?
'The number of women my brother Matthew killed, so far as I can reckon it, is one hundred and six . . .'
THE PAGE-TURNING RICHARD AND JUDY BOOK CLUB BESTSELLER
'A compelling debut from a gifted storyteller' Sarah Perry, author of The Essex Serpent _________________________
When Alice Hopkins' husband dies in a tragic accident, she returns to the small Essex town of Manningtree, where her brother Matthew still lives.
But home is no longer a place of safety. Matthew has changed, and there are rumours spreading through the town: whispers of witchcraft, and of a great book, in which…
I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.
The Anti-Witch is kind of a follow-up to Favret-Saada’s complex and brilliant Deadly Words, in which the author wrestled with the phenomenon of modern witchcraft beliefs in northern France’s Bocage region and tried to get inside the logic of those beliefs. I said modern witchcraft beliefs, because for me as a historian, what Favret-Saada contributed most to my understanding of this phenomenon lay in the way that she insisted on its historicity. That’s a historian’s way of saying that she did not treat witchcraft beliefs as “timeless relics” that some people weirdly “still” believe, but rather as an evolving set of practices and ways of thinking about how the world works, and the place of evil within it.
Jeanne Favret-Saada is arguably one of France's most brilliant anthropologists, and The Anti-Witch is nothing less than a masterpiece. A synthesis of ethnographic theory and psychoanalytic revelation, where the line between researcher and subject is blurred - if not erased - The Anti-Witch develops the contours of an anthropology of therapy, while deeply engaging with what it means to be caught in the logic of witchcraft. Through an intimate and provocative sharing of the ethnographic voice with Madame Flora, a "dewitcher," Favret-Saada delivers a critical challenge to some of anthropology's fundamental concepts. Sure to be of interest to practitioners of…
"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find.
This nonfiction about a French priest who was burned at the stake in 1634 reads like fiction. Although I knew the story and how it ends, Rapley’s writing is suspensful and dramatic. The author keeps close to Grandier, whose character flaws contribute to his death. Grandier’s enemies are given their separate situations and in some cases are treated with generosity. Though the writing is not emotional, I was dismayed and hardly able to believe this actually happened.
As a Catholic priest, Grandier was an influential figure in the Loudun community and local government. A brilliant speaker, he was popular with his parishioners. But he had enemies, including Cardinal Richelieu and Louis XIII, who was trying to wrest political autonomy from local governors and centralize power in Paris. Grandier's support of the governor of Loudun meant that he was seen as an enemy of the crown. In addition, the debonair priest's romantic intrigues brought him into conflict with some of the town's most influential power brokers. When a nearby convent of Ursuline nuns began experiencing strange visions and…
I teach history at Cambridge University and focus on the period between 1500-1700. We call this period early modernity, and associate it partly with the advances of printing, literacy, learning, and scientific discoveries. But this was also the age of the witchcraze and a period in which everyone, whether learned or illiterate, believed in the power of the devil and the presence of witches in society. It is important to me to recover women´s experiences and the experiences of families.
Alongside Germany, Lorraine was another hotspot of accusations and Briggs has worked over decades in local archives to analyse the patterns of accusations and paint a vivid picture of village life. His book underlines how complex sets of factors worked together, often over many years, to result in accusations and, in some cases, in executions.
Based on perhaps the richest surviving archive of witchcraft trials to be found in Europe, The Witches of Lorraine reveals the extraordinary stories held within those documents. They paint a vivid picture of life amongst the ordinary people of a small duchy on the borders of France and the Holy Roman Empire, and allow a very close analysis of the beliefs, social tensions, and behaviour patterns underlying popular attitudes to witchcraft.
Intense persecution occurred in the period 1570-1630, but the focus of this book is more on how suspects interacted with their neighbours over the years preceding their trials. One…
Traveling through Ireland, everyone notices the low stone walls separating fields, but occasionally much larger stones rising from the green like giant cogs on a wheel—mystical standing stone circles. One in particular—Beltany in Co. Donegal—became the inspiration for my Circle of Nine series, which is a mix of Celtic mythology, pagan ritual, and magic set within alternating historical and modern storylines. It’s no wonder that the books I most like to read are also the same kind I write. There’s nothing better than picking up a new book and immersing myself in these worlds with their rich magical systems, historical details, suspenseful plots, and often a good dose of romance.
I only recently found this series and am so glad I did. In book one (of seven total) Krissa has suffered incredible losses and is grappling with potential magical powers while struggling to fit in at a new school in a new town. While many of the details are similar to other coming-of-age/accepting your power stories, the quality of the writing, realistic teenage reactions & dialogue, fast-paced plotting, and serious (didn’t-see-that-coming) twists make this an excellent and satisfying series.
When she’s upset, she can hear what other people are thinking. And when she’s overwhelmed, things explode.
A move to Clearwater, Michigan, gives her the chance to reinvent herself, but a fresh start is further away than she realizes. Her abilities magnify—making her a target for Crystal Jamison and the town’s circle of witches.
Even with new friends at her side, Krissa can’t ignore the witches’ magnetic pull—especially when a strange illness rips through the town.
If Krissa doesn’t push her fears aside, she could lose more than control. Learning to wield magic could consume…
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
This is the book that taught most of my generation of witches their first steps to becoming a witch. "Among those who understand the darkness which is no darkness to them anymore, are those that tread the way of witchcraft. They of their own accord have walked beyond the ring of firelight and learned the paths of the wilderness beyond." Which was heady stuff for those who wanted to learn about ‘real’ witchcraft of the time; the book having been described as one of the main motivators of the so-called ‘occult explosion’ of the 1970s and still in print today.
An enduring classic since its publication in 1970, Mastering Witchcraft is one of the best how-to manuals for those wishing to practice traditional European Witchcraft as a craft rather than a New Age religion. Starting from first principles, Huson instructs the novice step by step in the arts of circle casting, blessing and banning, the uses of amulets and talismans, philters, divination, necromancy, waxen images, knots, fascination, conjuration, magical familiars, spells to arouse passion or lust, attain vengeance, and of course, counter-spells to exorcize and annul the malice of others."A genuine vade mecum."-The Catholic Herald.
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
