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I’ve been researching and writing histories of witchcraft for over twenty years because I wanted to know why people would confess to a crime that they couldn’t have committed. I especially wanted to know about women’s stories of witchcraft, and I found that fiction really helped me to imagine their worlds. I’m a Professor at Exeter University and I’m working on two new books about witchcraft trials: The Witches of St Osyth and Witchcraft: A History in Thirteen Trials. I’m trying to feel every word and give the “witches” the empathy they deserve.
The immersive and tragic history of a witch trial in Bideford, Devon, England in 1682 puts the “witches” back at the centre of their story and tries to imagine their world with sympathy and insight. This is a very well-researched book, drawing on documents from the town and printed news pamphlets about the trial, as well as on the author’s wider knowledge of witchcraft and demonology (the study of devils and witches). It evokes the sinister atmosphere in the town very effectively. The story is well told, pacy, and easy to follow, and I learned a lot about the women and their world – telling details that I thought might have been lost to history, but are rediscovered and thrillingly told here.
"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet
On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives.…
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
White Is for Witchingis, on the surface, a story about a gothic haunted house, but it opens with a reference to “Snow White”—“Her throat is blocked with a slice of apple / (to stop her speaking words that may betray her)”—and conjures that tale throughout the novel. Collapsing witching, whiteness, and outright racism, White is for Witchingsuggests that the same racial superiority undergirds “Snow White,” where the eponymous character is celebrated for her whiteness, implicitly naturalized as beauty when she is identified as “fairest in the land.” White is for Witching, like Oyeyemi’s other fairy-talenovels, rewrites European fairy tale conventions to make strange the familiar and to normalize the unexpected, thereby disrupting genre expectations to expose the European fairy tale's underlying racial logics.
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I picked this book up, thinking it might have to do with witch trials in Europe during the 17th Century, and in a peripheral way, it does because it’s very loosely based on the life of Katharina Kepler, the mother of famous astronomer Johannes Kepler. (And really, how can you resist the title.) But the novel delivered so much more.
It’s a witty, searing meditation on community, gossip and envy, the strictures of society, the corruption of power, and a woman’s determination to be her own person. Add to that some of the funniest, most absurd situations I’ve read in a long while. Some sections of the novel are truly laugh-aloud.
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's…
I’ve been researching and writing histories of witchcraft for over twenty years because I wanted to know why people would confess to a crime that they couldn’t have committed. I especially wanted to know about women’s stories of witchcraft, and I found that fiction really helped me to imagine their worlds. I’m a Professor at Exeter University and I’m working on two new books about witchcraft trials: The Witches of St Osyth and Witchcraft: A History in Thirteen Trials. I’m trying to feel every word and give the “witches” the empathy they deserve.
A brilliant anthropological account of witchcraft in the Normandy countryside in the 1960s. If it sounds dull, believe me, it isn’t! Jeanne Favret-Saada started her study of magical beliefs among French farmers thinking that she might find some superstitious vestiges of the sort that were laughed at by Parisian intellectuals. Instead, she found a complex, shifting world of theories and suspicions, as gripping as any detective novel. As she was drawn into the world of witchcraft, Jeanne found herself believed to be able to lift curses and began to fear that she herself might have been bewitched.
Her book is about how we tell stories of witchcraft – and indeed tell stories of anything. It made me question whether we could ever write a really solid, factual history of witchcraft: the story of a crime that didn’t exist, told by people who weren’t sure what had happened anyway. I think…
This 1980 book examines witchcraft beliefs and experiences in the Bocage, a rural area of western France. It also introduced a powerful theoretical attitude towards the progress of the ethnographer's enquiries, suggesting that a full knowledge of witchcraft involves being 'caught up' in it oneself. In the Bocage, being bewitched is to be 'caught' in a sequence of misfortunes. According to those who are bewitched, the culprit is someone in the neighbourhood: the witch, who can cast a spell with a word, a touch or a look, and whose 'power' comes from a book of spells inherited from an ancestor.…
I’ve always loved fantasy. My mother told me fairy stories and I read every book of myth and legend in my local library. I’ve continued to read and love books of fantasy and magic. I guess it’s not surprising that all four of my novels and most of my short stories have a speculative aspect to them. Having grown up with the traditional view of the aged, ugly crone luring children away to their doom, I especially love stories of witches that come at the topic of witchcraft from a different angle. I live in the East of England, where the infamous witch-hunts of the seventeenth century took place.
If you mention witches, most people think fantasy novels, but this is a factual history about the real life witch-hunts that took place across the East of England in the 17th Century. It unpicks the brutal and most likely self-serving crusade of the original Witchfinder General, Mathew Hopkins and the religious hysteria of the time. It is a worthy counterbalance to classic horror films such as Witchfinder General and to all the varied and imaginative fiction that has been written about witches and witchery over the centuries, my own included.
By spring 1645, two years of civil war had exacted a dreadful toll upon England. People lived in terror as disease and poverty spread, and the nation grew ever more politically divided. In a remote corner of Essex, two obscure gentlemen, Matthew Hopkins and John Stearne, exploited the anxiety and lawlessness of the time and initiated a brutal campaign to drive out the presumed evil in their midst. Touring Suffolk and East Anglia on horseback, they detected demons and idolators everywhere. Through torture, they extracted from terrified prisoners confessions of consorting with Satan and demonic spirits.
I am a historian of early modern Europe, with a research focus on Spain and Italy. I first encountered archival documents from the Spanish Inquisition during research for my first book: I was already a fan of religious history but quickly became a fan of studying the law. I am fascinated by the ways in which people between the 1500s and 1700s used the legal systems at their disposal to recapture honor and pursue enemies. I am always on the lookout for ways in which religious prescriptions from centralized authorities did not match what was happening on the ground with ordinary, usually illiterate people.
This book should never go out of print, and for good reason: it is so smart and so very readable.
Briggs persuasively assesses the village contexts that played into witchcraft accusations and confessions in early modern Europe.
He clearly explains the crucial contexts of debt, feuds, and local relationships behind witchcraft allegations, and provides important insights into questions of gender and age. His evidence is compelling.
In his remarkable and compelling interpretation of the course and causes of the fear and persecution of witches that bedeviled Europe for centuries, Briggs draws on the latest research into the local realities underlying the phenomenon. In particular, he employs his own extensive work in the rich archives hidden away in those Franco-German borderlands in which so many cases became known. Briggs reveals how ordinary people diverted ordinary and not-so-ordinary grievances into a complex structure of blaming and scapegoating. Villagers inhabited a harsh and dangerous world, where real and fantastic fears mingled. Through his study of real cases and real…
I am the Centennial Professor of history at Vanderbilt University. I have been reading and teaching about witchcraft and the occult for over thirty years. This is a topic that never fails to engage people of all backgrounds and has generated a plethora of books, some good, many not. I look for authors who understand the passions, psychology, and experiences of both accusers and supposed witches, while also exploring what it is about certain societies that leads to such claims being taken seriously, often with fatal results. The books I picked vividly convey the reality of the witch craze, while also asking some probing questions about persecutions in general.
I have read dozens of books on this subject and this is by far the best succinct overview I have come across. The author has written extensively on English witchcraft and knows the broader field inside out. It is truly amazing how much he is able to cover (clearly and vividly) in such a short space, from historic origins up to the present day. There is also a very helpful bibliography so readers can pursue certain topics in more depth.
Witchcraft is a subject that fascinates us all, and everyone knows what a witch is - or do they? From childhood most of us develop a sense of the mysterious, malign person, usually an old woman. Historically, too, we recognize witch-hunting as a feature of pre-modern societies. But why do witches still feature so heavily in our cultures and consciousness? From Halloween to superstitions, and literary references such as Faust and even Harry Potter, witches still feature heavily in our society. In this Very Short Introduction Malcolm Gaskill challenges all of this, and argues that what we think we know…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
This new and acclaimed book about the first witch trial in America in 1651 Springfield, Massachusetts, reads like a novel in which two outsiders, Hugh Parsons and his vision-seeing wife Mary (who probably suffered from paranoid schizophrenia or post-partum psychosis) become the target of an entire town. Puritan laws and Old World medieval folk tales contribute to the sense of darkness and foreboding that prevail over the town and its inhabitants, reminding us that New England was a dark land, isolated and full of enemies, hungry and poor and primed to be swept up by diabolical accusations and actions. Read this for a deep understanding of the causes and consequences of the American witch trials.
*A TIMES, SUNDAY TIMES AND BBC HISTORY HISTORY BOOK OF THE YEAR 2021*
'The best and most enjoyable kind of history writing' Hilary Mantel
'A bona fide historical classic' Sunday Times
Simply one of the best history books I have ever read' BBC History
In the frontier town of Springfield in 1651, peculiar things begin to happen. Precious food spoils, livestock ails and property vanishes. People suffer fits and are plagued by strange visions and dreams. Children sicken and die. As tensions rise, rumours spread of witches and heretics, and the community becomes tangled in a web of spite, distrust…
A native of Massachusetts and married to a descendent of two of the accused, the Salem witch trials have long fascinated me. Armed with a Ph.D. in American studies from New York University – focused on American history, literature, and religion – a significant portion of my academic career has been devoted to research, publications, classes, and public lectures on the Salem witch trials, reflected in the third edition of my book, The Story of the Salem Witch Trials. The book is only one of several books and many articles I have published on various aspects of American cultural history, many of which relate in some way to what happened in Salem in 1692.
Brian Levack is the leading authority on the history of witch-hunts in Europe.
Anyone seeking to fully understand the events of 1692 in Salem, needs to begin with a study of the 250 years of witch-hunts in Europe that preceded the outbreak in New England, which came late in the game but followed what occurred in many ways what preceded it.
Levack’s book, now in its fourth edition, is the best source on this subject. It includes information on the Salem witch trials in context of what happened in Europe.
The Witch-Hunt in Early Modern Europe, now in its fourth edition, is the perfect resource for both students and scholars of the witch-hunts written by one of the leading names in the field. For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. This new edition includes the most recent research on children, gender, male witches and demonic possession as well as broadening the exploration of the geographical distribution of witch prosecutions to…
I’m an avid fantasy reader and enjoy stories filled with magic, danger, and a mix of humor and romance thrown in. When I’m not writing my own fantasy novels, you might catch me tucked away in a corner, reading a book, and fueling my imagination. Since my own book, The Wayward Wizard, features a secret organization trying to intercept the supernatural, I knew similar stories would make a perfect list to share with fellow fantasy readers.
Who’s ever been blamed at work for something they didn’t do? Well, the Office of Preternatural Affairs takes it to a whole new level when they suspect one of their agents, Cèsar Hawke, of murdering a woman. I mean, she was found dead in his home…but he claims he’s innocent. And he’s going to hunt down a shaman who can speak to the dead to prove it.
This wickedly fun story takes the urban fantasy detective trope and infuses it with humor, danger, and twists & turns.
There are scratches on Cèsar Hawke’s arms, a discharged Glock on his coffee table, and a dead woman in his bathtub. Yeah, maybe he brought the waitress home for some fun—he was too drunk to remember it—but he knows for a fact that he didn’t kill her. He’s an agent with the Office of Preternatural Affairs. He doesn’t hurt people. He saves them. The cops disagree. Now Cèsar is running. Isobel Stonecrow speaks with the dead. She brings closure to the bereaved and heals broken hearts. But when she talks to the wrong spirit, the OPA puts a bounty on…
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