Here are 85 books that Mastering Witchcraft fans have personally recommended if you like
Mastering Witchcraft.
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I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
Evan John Jones – who was once a part of Robert Cochrane’s own coven – is still one of the most controversial figures in contemporary witchcraft nearly 40 years after his death in 1966. It was an interesting time and as Evan wrote, you knew something was there, but it was a case of trying to find it and hold on to it! When this book came out in 1990 and as Evan was one of the first ‘real’ witches I had been privileged to meet, it was interesting to read many of these traditional teachings for the first time.
Revealing the secrets of ancient rituals and the philosophy of witchcraft, this book delves deep into modern witchcraft. The nature of the rites are shown to revolve around traditional witchcraft passed down from ancient times.'
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
This book is like Marmite, you either love it or hate it but it represents a small but important time-capsule of traditional British Old Craft history that we have been lucky enough to preserve for the next generation of witches. This collection of true anecdotes mirrors the goings-on within an Old Craft coven and reveals the humour and sense of the ridiculous that is part and parcel of many traditional covens that I’ve come across.
Coarse Witchcraft is a squint-eyed look at what passes for Craft in many modern groups and just how much of the teaching has been dumbed down so that everyone can acquire rank and have a "crack at the priesthood". This blind grope for titles, rank and public acclaim have replaced the enlightened quest for genuine wisdom and ability, while the old Witch-magic is practised by fewer and fewer of those who would call themselves Witches. There are also those who insist on being recognised as instant Adepts in a system that takes years of study and preparation - but book-learning…
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
I normally avoid books on historical witchcraft since they are normally written by biased academics who have never set foot in a magic Circle. This title is recognised as one of the most influential historical studies of European witchcraft beliefs; it began as an enquiry into the origins of the great European witch-hunt. It ended as something wider. It argues that the stereotype of the witch, as it existed in many parts of Europe in the fifteenth, sixteenth and seventeenth centuries, is made up of elements of diverse origins, and that some of these derived from a specific fantasy which can be traced back to Antiquity. (1975) Cohn argues that there never were any devil-worshipping witches in Early Modern Europe, and that all of those persecuted for being so were innocent.
This is a history of the irrational need to imagine witches and an investigation of how those fantasies made the persecutions of the Middle Ages possible.
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
This book explains what goes on within a traditional British Old Craft coven and what is required of its members. It is important that folk understand what is expected of them when joining an Old Craft coven and what the fundamental differences are between the various Traditions to avoid misunderstandings. The authors are themselves veterans of Coven of the Scales having run their own hived-off group for over twenty years.
Coven Working explores the intricacies of the different Paths and Traditions for the benefit of those who wish to join and existing group or to set up a coven of their own.
Writing as Philip Wright and Carried West, the authors are both members of the Coven of The Scales, the magical Order formed by Bob and Meriem Clay-Egerton in the late 1980s. They have run their own coven for well over twenty years and can trace their lineage back to the turn of the last century.
I define myself as a hopeless romantic and look for books that put me in the feels. When one does, it tends to last with me forever, if not a very long time. I read a range of books, and for me, a love story just makes my heart full like nothing else. I don’t care if it’s fantasy romance, contemporary romance, historical romance, etc. As you can see, I’m versed in genre romance all the way to the classics. Give me all the love stories.
This book is a joy from start to finish! The writing is quippy, lighthearted, and witty.
I loved this story so much for it’s perfect exploration of the sunshine grump trope. Penny and Willem are a delight! I also really enjoyed the way Clare weaved in magic into a mundane world. It was easy to understand and was also incredibly believable.
Enemies-to-lovers has never been more enchanting in this witchy romantic comedy from the New York Times bestselling author of Go Hex Yourself.
Penny Roundtree wants nothing more than to be a familiar to a witch. She’s been a member of the Society of Familiars ever since she was old enough to join the Fam. There’s just a small problem—no one’s hiring. Witches and warlocks are so long-lived that there are far more familiars available than witches to train them. So when an unorthodox arrangement to apprentice under the table to a forbidden warlock…
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This is the book I wished I had when reading the classic Dion Fortune novels The Sea Priestess and Moon Magic, though Margie certainly is not writing commentary of those novels. She provides a context for the bigger themes in such stories I was ignorant of when first reading Fortune. Lady of the Sea weaves a grand vision of the Goddess from ancient roots, including Egypt, the Celts, indigenous lore, Avalonian traditions, and the modern New Age, but does so with such skill, grace, and practical purpose. It is the best book for deeply describing the inner temple of the Moon, Sea, and Stars and how to work in them as a modern mystic. For that alone it is worth it, but everything leading to and from those sections supports your understanding of why the Lady of the Sea is important to us all.
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
The title of this book says it all. It is about effective, practical magic with an emphasis on manifestation. Six ways an incantation that is as simple as it is powerful. The book goes into detail about different styles of magic that are available for readers who want to learn more about sorcery, witchcraft, chaos magic, and spirit work. I like this book because it takes one deep into the inner world of magic that exists within the recesses of the mind, opening up the practitioner to spiritual possibilities that have the goal of improving the self. Techniques such as meditation, trance, spiritual cleansing, and dreams are dealt with in an easy and straightforward way.
Six Ways is a handbook of practical skills and methods that help build the foundation of a sound magical practice. Six Ways looks at relationships with allies, sigils, energy work and other simple approaches to magic presented in clear and direct language. It explains how to develop the internal and external skills required for effective practice.
The idea of paranormal beings living amongst us makes me irrationally giddy. It constantly distracts me as I wonder how they blend into society and live behind their closed doors. Happy to explore these possibilities, I love to read and write books where wolves, vamps, and witches are put through the wringer as they navigate a world that’s sometimes hidden, and other times not. Tenacious females, gutsy heroes, and heinous villains inhabit my dark paranormal and epic fantasy realms, but with added twists that make them not-your-usual paranormal tales. When not torturing my characters, I can be found reading tarot as I live my own otherworldly life in Dublin, Ireland.
"A necromancer and a vampire walk into a cemetery…and if you’re wondering how this joke ends, that makes two of us." Nickel City ticks all the boxes for reasons why I’ll deprive myself of sleep for a book. The cast leaps out of the pages; Sera the witty, brave, but soft-hearted heroine, her friend/ex-girlfriend, Dev, a feisty, sharp-tongued vampire hunter, and then Nate, the brooding vampire who Sera just can’t ignore. Three deadly enemies forced to work together against evil; what can go wrong, eh? Thomas slays with this enemies-to-lovers paranormal romance. With delicious simmering tension and laugh-aloud moments, it’s a clever, gripping read that now has me addicted to visiting cemeteries in the hopes of bumping into a certain vampire.
A necromancer and a vampire walk into a cemetery…and if you’re wondering how this joke ends, that makes two of us.I’m Seraphina Mason, Buffalo’s only resident necromancer. While other people are on normal sleep schedules doing regular human things, I spend my nights conjuring spirits, resurrecting the dead, and sometimes a bit of poltergeist removal, if you need it. But I’m not even the most dangerous nocturnal creature lurking around the cemeteries. That’s where vampire Nathaniel Caligari waltzes in—all devastating eternal beauty and brooding charm, ready to ruin my life. He’d rather have a wooden stake shoved through his chest…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
A native of Massachusetts and married to a descendent of two of the accused, the Salem witch trials have long fascinated me. Armed with a Ph.D. in American studies from New York University – focused on American history, literature, and religion – a significant portion of my academic career has been devoted to research, publications, classes, and public lectures on the Salem witch trials, reflected in the third edition of my book, The Story of the Salem Witch Trials. The book is only one of several books and many articles I have published on various aspects of American cultural history, many of which relate in some way to what happened in Salem in 1692.
Brian Levack is the leading authority on the history of witch-hunts in Europe.
Anyone seeking to fully understand the events of 1692 in Salem, needs to begin with a study of the 250 years of witch-hunts in Europe that preceded the outbreak in New England, which came late in the game but followed what occurred in many ways what preceded it.
Levack’s book, now in its fourth edition, is the best source on this subject. It includes information on the Salem witch trials in context of what happened in Europe.
The Witch-Hunt in Early Modern Europe, now in its fourth edition, is the perfect resource for both students and scholars of the witch-hunts written by one of the leading names in the field. For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. This new edition includes the most recent research on children, gender, male witches and demonic possession as well as broadening the exploration of the geographical distribution of witch prosecutions to…
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