88 books like Mastering Witchcraft

Evan John Jones – who was once a part of Robert Cochrane’s own coven – is still one of the most controversial figures in contemporary witchcraft nearly 40 years after his death in 1966. It was an interesting time and as Evan wrote, you knew something was there, but it was a case of trying to find it and hold on to it! When this book came out in 1990 and as Evan was one of the first ‘real’ witches I had been privileged to meet, it was interesting to read many of these traditional teachings for the first time.

This book is like Marmite, you either love it or hate it but it represents a small but important time-capsule of traditional British Old Craft history that we have been lucky enough to preserve for the next generation of witches. This collection of true anecdotes mirrors the goings-on within an Old Craft coven and reveals the humour and sense of the ridiculous that is part and parcel of many traditional covens that I’ve come across.

I normally avoid books on historical witchcraft since they are normally written by biased academics who have never set foot in a magic Circle. This title is recognised as one of the most influential historical studies of European witchcraft beliefs; it began as an enquiry into the origins of the great European witch-hunt. It ended as something wider. It argues that the stereotype of the witch, as it existed in many parts of Europe in the fifteenth, sixteenth and seventeenth centuries, is made up of elements of diverse origins, and that some of these derived from a specific fantasy which can be traced back to Antiquity. (1975)  Cohn argues that there never were any devil-worshipping witches in Early Modern Europe, and that all of those persecuted for being so were innocent.

This book explains what goes on within a traditional British Old Craft coven and what is required of its members.  It is important that folk understand what is expected of them when joining an Old Craft coven and what the fundamental differences are between the various Traditions to avoid misunderstandings.  The authors are themselves veterans of Coven of the Scales having run their own hived-off group for over twenty years.

This book is a joy from start to finish! The writing is quippy, lighthearted, and witty.

I loved this story so much for it’s perfect exploration of the sunshine grump trope. Penny and Willem are a delight! I also really enjoyed the way Clare weaved in magic into a mundane world. It was easy to understand and was also incredibly believable.

This is the book I wished I had when reading the classic Dion Fortune novels The Sea Priestess and Moon Magic, though Margie certainly is not writing commentary of those novels. She provides a context for the bigger themes in such stories I was ignorant of when first reading Fortune. Lady of the Sea weaves a grand vision of the Goddess from ancient roots, including Egypt, the Celts, indigenous lore, Avalonian traditions, and the modern New Age, but does so with such skill, grace, and practical purpose. It is the best book for deeply describing the inner temple of the Moon, Sea, and Stars and how to work in them as a modern mystic. For that alone it is worth it, but everything leading to and from those sections supports your understanding of why the Lady of the Sea is important to us all.  

The title of this book says it all. It is about effective, practical magic with an emphasis on manifestation. Six ways an incantation that is as simple as it is powerful. The book goes into detail about different styles of magic that are available for readers who want to learn more about sorcery, witchcraft, chaos magic, and spirit work. I like this book because it takes one deep into the inner world of magic that exists within the recesses of the mind, opening up the practitioner to spiritual possibilities that have the goal of improving the self. Techniques such as meditation, trance, spiritual cleansing, and dreams are dealt with in an easy and straightforward way.

In this book, Christopher Marmalejo entranced us with a singular take on investigating tarot cards through a queer and Indigenous lens. Exploring cartomancy as a mirror to understand lived experience, Christopher brings to light a practice that is unafraid to confront, listen, critique, and unveil.

We love how Christopher’s personality shines through this thoroughly academic yet approachable description of tarot cards and their uses. Reading it filled us with hope for a future of liberation and ideas of how we can make that happen.

"A necromancer and a vampire walk into a cemetery…and if you’re wondering how this joke ends, that makes two of us." Nickel City ticks all the boxes for reasons why I’ll deprive myself of sleep for a book. The cast leaps out of the pages; Sera the witty, brave, but soft-hearted heroine, her friend/ex-girlfriend, Dev, a feisty, sharp-tongued vampire hunter, and then Nate, the brooding vampire who Sera just can’t ignore. Three deadly enemies forced to work together against evil; what can go wrong, eh? Thomas slays with this enemies-to-lovers paranormal romance. With delicious simmering tension and laugh-aloud moments, it’s a clever, gripping read that now has me addicted to visiting cemeteries in the hopes of bumping into a certain vampire.

As an indie author, I’m always interested in what other fellow authors are writing, so when I befriended Mark Cassell, I wanted to read his work. The Shadow Fabric made me a fan of his writing, and now I read everything he publishes.

With this book, Mark has established what he calls the Shadow Fabric Mythos, which means he’s written more novellas and short stories along the same theme: an ethereal darkness that takes over people, sucking the life out of them and giving a whole new meaning to the term ‘getting stitched’.

Again we have paranormal darkness, which I enjoy as a reader. And with Mark’s writing, he gives a chilly and yet urgent feel to it. You know what is coming, but you can’t look away. My kind of horror.