Here are 100 books that Europe's Inner Demons fans have personally recommended if you like
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I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
This is the book that taught most of my generation of witches their first steps to becoming a witch. "Among those who understand the darkness which is no darkness to them anymore, are those that tread the way of witchcraft. They of their own accord have walked beyond the ring of firelight and learned the paths of the wilderness beyond." Which was heady stuff for those who wanted to learn about ‘real’ witchcraft of the time; the book having been described as one of the main motivators of the so-called ‘occult explosion’ of the 1970s and still in print today.
An enduring classic since its publication in 1970, Mastering Witchcraft is one of the best how-to manuals for those wishing to practice traditional European Witchcraft as a craft rather than a New Age religion. Starting from first principles, Huson instructs the novice step by step in the arts of circle casting, blessing and banning, the uses of amulets and talismans, philters, divination, necromancy, waxen images, knots, fascination, conjuration, magical familiars, spells to arouse passion or lust, attain vengeance, and of course, counter-spells to exorcize and annul the malice of others."A genuine vade mecum."-The Catholic Herald.
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
Evan John Jones – who was once a part of Robert Cochrane’s own coven – is still one of the most controversial figures in contemporary witchcraft nearly 40 years after his death in 1966. It was an interesting time and as Evan wrote, you knew something was there, but it was a case of trying to find it and hold on to it! When this book came out in 1990 and as Evan was one of the first ‘real’ witches I had been privileged to meet, it was interesting to read many of these traditional teachings for the first time.
Revealing the secrets of ancient rituals and the philosophy of witchcraft, this book delves deep into modern witchcraft. The nature of the rites are shown to revolve around traditional witchcraft passed down from ancient times.'
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
This book is like Marmite, you either love it or hate it but it represents a small but important time-capsule of traditional British Old Craft history that we have been lucky enough to preserve for the next generation of witches. This collection of true anecdotes mirrors the goings-on within an Old Craft coven and reveals the humour and sense of the ridiculous that is part and parcel of many traditional covens that I’ve come across.
Coarse Witchcraft is a squint-eyed look at what passes for Craft in many modern groups and just how much of the teaching has been dumbed down so that everyone can acquire rank and have a "crack at the priesthood". This blind grope for titles, rank and public acclaim have replaced the enlightened quest for genuine wisdom and ability, while the old Witch-magic is practised by fewer and fewer of those who would call themselves Witches. There are also those who insist on being recognised as instant Adepts in a system that takes years of study and preparation - but book-learning…
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
This book explains what goes on within a traditional British Old Craft coven and what is required of its members. It is important that folk understand what is expected of them when joining an Old Craft coven and what the fundamental differences are between the various Traditions to avoid misunderstandings. The authors are themselves veterans of Coven of the Scales having run their own hived-off group for over twenty years.
Coven Working explores the intricacies of the different Paths and Traditions for the benefit of those who wish to join and existing group or to set up a coven of their own.
Writing as Philip Wright and Carried West, the authors are both members of the Coven of The Scales, the magical Order formed by Bob and Meriem Clay-Egerton in the late 1980s. They have run their own coven for well over twenty years and can trace their lineage back to the turn of the last century.
I have often been asked why I became an expert on vampires. The answer always goes back to my childhood, when I went to horror and sci-fi movies and watched old vampire movies on TV. In 1976, I published my first book of poetry, The Dracula Poems. My vampire interest eventually combined with my background in Russian literature when I discovered Perkowski’s Vampires of the Slavs. I obtained my Ph.D. in Slavic Folklore from UVA and have kept up my interest in this fascinating subject ever since. I am planning another book on the period known as Magia Posthuma when there were “epidemics” of vampirism around Austro-Hungary.
Serious students of vampire folklore are aware that the motif is found all over Eastern and Central Europe. Gabor Klaniczay is a Hungarian historian whose research focuses on witches and other supernatural entities in the cultures of Austro-Hungary and its environs.
This book showed me so many things that I and other American readers get wrong. For example, most people believe that the “blood countess,” Erzebeta Bathory, drank the blood of local virgins, but Klaniczay shows that these reports were actually constructed to get her out of the way of an inheritance scheme. Klaniczay is also an expert on Central European shamanism, and this led to my assertion that vampire lore incorporates some shamanistic beliefs.
This book of essays is concerned with aspects of religion, magic, and witchcraft in medieval and early-modern Europe, with particular reference to Central Europe. Drawing on a range of theoretical and methodological work including that of Elias, Geertz, Bakhtin, and Turner, the author gives special attention to the history of the body and of gesture, of symbolism and representation, and shows how these dimensions can be related to religious and mystical beliefs and practices.
Among the topics discussed are conflicts in twelfth-century Christianity and the tensions between popular religion and learned urban Christianity; heretical and nonconformist behavior in the twelfth…
I’m a recovering atheist: a Christian convert who has more sympathy with some of my former atheist brethren than with a lot of my fellow believers. And I’m a historian by trade, which means I believe in the importance of trying to get inside the heads of people living in very different times – but who were still people. I’ve chosen polemical books by atheists and by believers, but in my own writing I try to get sympathetically inside the heads of both. I find that I get on better if I listen to the other side rather than banging the drum for my own – whichever ‘my own side’ is.
This book’s idea hooks you from the start. Why, he wonders, when people say, "Do you believe in God?" do we never reply, "…what do you mean, believe?" It turns out that ‘believing’ has, down the centuries, meant some pretty radically different things. Is ‘belief’ the same as ‘knowledge’ or ‘opinion,’ or is it the opposite of them? Ethan Shagan’s disarmingly simple idea is to track how the notion of belief shifted from the Middle Ages to the Enlightenment. If we do believe in God nowadays, we don’t do it the way our forebears did. And if we don’t, it’s not because God has become unbelievable, but because belief itself has become so much harder than it used to be.
An illuminating history of how religious belief lost its uncontested status in the West
This landmark book traces the history of belief in the Christian West from the Middle Ages to the Enlightenment, revealing for the first time how a distinctively modern category of belief came into being. Ethan Shagan focuses not on what people believed, which is the normal concern of Reformation history, but on the more fundamental question of what people took belief to be.
Shagan shows how religious belief enjoyed a special prestige in medieval Europe, one that set it apart from judgment, opinion, and the evidence…
I am fascinated by humanity’s search for meaning. That is what I am exploring as I read philosophy and as I write my biographies of extraordinary individuals. Sue Prideaux has written award-winning books on Edvard Munch and his painting The Scream, the playwright August Strindberg, and the philosopher Friedrich Nietzsche. She acted as consultant to Sotheby’s when they sold The Scream for a record-breaking $120 million.
Nietzsche said “God is dead, but in thousands of years there still may be caves where his shadow will be shown.” Tom Holland traces the effect of the long shadow on our lives.
A "marvelous" (Economist) account of how the Christian Revolution forged the Western imagination. Crucifixion, the Romans believed, was the worst fate imaginable, a punishment reserved for slaves. How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the fears of godly states, early modern villagers had their own fears.
This book shows ‘witches’ being created in a process of everyday village rivalries between neighbours. Two villagers quarrel; either or both of them may utter insults, threats, or curses. You witch! You will regret this! May the Devil drag your soul through hell! And so on.
Insults (even ‘You witch!’) were relatively harmless, but threats and curses could get you into trouble. If your opponent then experienced some misfortune, neighbours might explain this as your curse taking effect.
This was particularly likely if you were female: people feared men’s physical violence, but they feared women’s curses. This book brings early modern villages to life.
Witches and Neighbours is a highly original and unconventional analysis of a fascinating historical phenomenon. Unlike other studies of the subject which focus on the mechanisms of persecution, this book presents a rich picture of witchcraft as an all-pervasive aspect of life in early modern Europe. Robin Briggs combines recent research with his own investigations to produce a brilliant and compelling account of the central role of witchcraft in the past. Although the history of witchcraft can only be studied through records of persecutions, these reveal that trials were unusual in everyday life and that witchcraft can be viewed as…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
Although most historical societies have believed in witches of some kind, the great witch-hunt was unique to early modern Europe.
This formidable but brilliant book explains how European intellectuals, in the age of the Reformation and Counter-Reformation, created an interpretation of witches as conspirators with the Devil – a spirit of terrifying power. The book has over 800 pages, but there are handy introductions to each of its five sections. Start by reading all these introductions, and then explore the rest of the book bit by bit.
My favourite section, ‘Politics’, shows how witch-hunting was linked with the doctrine of the divine right of kings. You should obey the king because he has been appointed directly by God – and the king can demonstrate his godliness by punishing God’s enemies, including witches.
This is a work of fundamental importance for our understanding of the intellectual and cultural history of early modern Europe. Stuart Clark offers a new interpretation of the witchcraft beliefs of European intellectuals based on their publications in the field of demonology, and shows how these beliefs fitted rationally with many other views current in Europe between the fifteenth and eighteenth centuries.
Professor Clark is the first to explore the appeal of demonology to early modern intellectuals by looking at the books they published on the subject during this period. After examining the linguistic foundations of their writings, the author…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.
When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.
Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.
He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history
"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history."-Los Angeles Times
The witch came to prominence-and often a painful death-in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.
This book sets the notorious European witch trials in the widest and deepest possible perspective…
