Fans pick 100 books like Arthur in Medieval Welsh Literature

Geoffrey’s History of the Kings is the work that picked Arthur up from the somewhat obscure backwater of Welsh story-telling and launched him onto the European stage, in the process creating a story that had an enormous influence on how the insular past was understood across the rest of the Middle Ages. Geoffrey was writing for the new Norman elite, who welcomed a view of the past which downplayed the Anglo-Saxons and centred instead on their rivals for control of ancient Britain, the Britons. He based his magnificent new work on the Historia Brittonum, a set of Welsh genealogies and various stories, all of which he embroidered from his own fertile imagination to construct a complex vision of insular history no closer to what had really happened than modern works such as Lord of the Rings or Star Wars. 

But by tapping into political and cultural needs in… show more.

John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a… show more.

Green’s book is a great read, very scholarly, and inclusive of a great deal of comparatively early source material on Arthur. If you want a good discussion of how you could go from a figure of Celtic myth to one of history, again and again in multiple stories, this is the best guide to that journey and deserves a hearing, whether ultimately you agree with it or not. You’ll probably not be surprised to hear that I am not persuaded, despite my considerable respect for the arguments made herein, largely for the same reasons as I noted in looking at Padel’s work above. It is extraordinarily difficult to determine whether Arthur passed from ‘history’ to folk-lore or folk-lore to ‘history’, better in my view to not distinguish these as two separate genres with this much clarity.

As usual, it all comes down to the Historia Brittonum, which is called… show more.

For any serious Arthurian fan, an understanding of the Welsh origins of Arthur is essential, and yet unpicking these early threads of Arthurian material can be difficult.

This book provides the perfect guide, a series of accessible articles about the various stories and poems that circulated in Wales before the fourteenth century. As someone who has studied medieval Welsh literature in depth, I enjoy sharing knowledge of this fascinating culture with others, and this book opens a door into the world of early Wales where Arthur first took shape as a legendary battle warrior.

Arthur’s Welsh origins have perhaps attracted more extremist views than any other part of the legends, so this book, based on documentary evidence, is a welcome corrective to the more far-fetched speculations about the origins of Arthur.

Terence Hanbury White is famous for writing The Sword in the Stone, The Once and Future King, and The Book of Merlin, all about King Arthur and his court. But he wrote many other books, both fiction and nonfiction.

This book is a translation of a Medieval bestiary, filled with strange animals like the Unicorn, the Dragon, the Phoenix, and the Amphisbaena. As White points out, the book was not meant as a mere rainy-day diversion, but was a serious attempt to catalog the animals of the world and how they related to man and the world.

White, a believer in the high knowledge and science of the often belittle Middle Ages, provides extensive footnotes showing that many of the apparently fantastic creatures and behaviors documented in the Bestiary do, indeed, have factual roots.

The Basilisk might stem from an imperfectly understood description of the King Cobra,… show more.

Clawson's protagonist, Harry Fox, is a criminal, working for criminals—which makes him a bit unusual in a field dominated by historians and law enforcement. And yet…Harry is highly sympathetic.

I love how Clawson uses Harry's interactions with secondary characters and random strangers to develop that side of his character. This book delivers on medieval clues and ciphers without ever losing that focus on character.

As a history geek myself, I get excited when I recognize the characters from my research, emerging from a thriller plot, in this case, the historian Geoffrey of Monmouth. (Don't worry if you haven't heard of him, he's a little obscure, but that only makes it more fun to see his work incorporated into fiction!)

This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.

Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.

Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.

The first thing that drew me to Davis’s books was that teen/dragons were the main characters. Throughout the series these teenagers with dragon abilities face many crises in faith as they battle the forces of evil. Another interesting twist is Davis used the story and characters from the King Arthur story. These characters help and hinder the teen in their efforts to save their dragon world and fight evil. The reader watches with bated breath as Billy and Bonnie fight to preserve a secret legacy and discover their place in God’s world of dragons.

Forget the Wars of the Roses! Give me the fourteenth century and the reign of Edward III—whose like, according to the chronicler Jean Froissart, “has not been seen since the days of King Arthur." A happy warrior, exuberant ruler, and skilled commander, who at least one modern military historian has described as “the greatest general in English history.” Edward kicked some serious French butt during the beginning of the Hundred Years War. (Great from the English point of view. Devastating for those on the receiving end of Edward’s chevauchees.) The poignancy of outliving one’s peers and one’s time and dying alone—all of that is compassionately detailed in Ian Mortimer’s compelling biography, which reminds us why Edward of Windsor ranks among England’s greatest kings. 

I first read the tales of The Mabinogion when I was an undergraduate and their amazing otherness helped to propel me towards a career researching medieval Welsh literature.

These prose tales were composed in Welsh between 1100 and 1300. Four of the tales are linked together and are known as ‘The Four Branches of the Mabinogi’. Other tales include two original Arthurian stories, a dream vision set in the Roman British past, and three tales based on the French Arthurian romances of Chrétien de Troyes.

In this rich mixture of genres, otherworldly women marry heroic men, warfare between Wales and Ireland destroys a generation, and Arthur strides the land as the king of the whole island of Britain. Sioned Davies’s translation is the latest and best, capturing all the drama and apparent simplicity of the original Welsh texts.