Here are 100 books that Overworked & Underpaid fans have personally recommended if you like
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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I’ve always been inspired by the setting as character. Place is powerful, especially when that place is touched by the natural world. Between growing up in the rural American South and doing fieldwork with biologists, nature has wormed its way into the majority of my work. And as a queer horror writer, I deeply value horror stories that have us in the protagonist’s role. I’ve curated this list to reflect all of that at once: queer protagonists trying to survive in environments that would love to eat them alive. I hope you enjoy them as much as I did.
Set in 1930’s Louisiana, the environment is a character in and of itself—lush, suffocating, dreamlike. In fact, the entire book feels like an unsettling dream. The narrative of trauma and death swirls around Eugene, a reporter, and Johnny Walker, an enigmatic fugitive. Heed the content warnings before you dive into this book, it’s heavy, and Powell leaves very little off the page.
Small-town Louisiana, 1935.When Eugene was twelve, a girl from town disappeared. Everyone said the gators must have got her when she strayed too near the bayou. No foul play, just a terrible accident. But Eugene can't shake the conviction that Mary Beth's death had something to do with the man who used to haunt her—the man no one else could see.Now, nearly two decades later, there are more dangerous things than gators in Chanlarivyè. People are disappearing again, and this time, no one can find the bodies. As the town's unease grows, charismatic fugitive Johnny Walker arrives on the scene,…
I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.
What Moves the Dead has all of the gothic atmosphere without any of the jump scares.
Kingfisher retells Poe’s The Fall of the House of Usher with a few fresh twists. There is a family curse, a mysterious fatal illness, and plenty of bumps in the night. The result is a story that might give you goosebumps, but no nightmares.
From the Nebula and Hugo award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her…
I am a writer and performer born and raised in New York City. In my previous life, I was an Emmy-nominated journalist and digital media producer, covering sexual and reproductive health. In addition to writing, I love musical improv, opera, Olympic weightlifting, and spending time with my wife and dog.
What most people fail to appreciate is that each new tentacle is another location for a little kiss. Vesper Rune, a warm-hearted eldritch horror, has tentacles, and, as librarian Sebastian Rath can attest, each could do with at least one little kiss.
Jordan L Hawk, author of the popular Whyborne and Griffin series, is a titan in the world of kissable monstrosities, and the cultist-turned-hero Vesper Rune is possibly my favorite. After a lifetime of hiding, he finally finds a place where he can be safe, open about both his queerness and his untraditional anatomy, and receive many little kisses. Widdershins knows its own.
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
This novella is a close retelling of Carmillaby Sheridan Le Fanu, which is theOG sapphic vampire story. It recasts the ending to give the leads a happy ever after, and ups the sapphic content to modern standards, adding a bit of steaminess. Simper’s version retains Laura’s initial ambivalence and horror towards Carmilla, the historical setting, and the gothic flair. It’s a must-read for fans of the original who are looking for a more modern interpretation.
In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however – the eccentric and beautiful Carmilla.
With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the…
As a queer, nonbinary author and lover of historical fiction, I’ve spent countless hours thinking about how to tell stories I care about in a genre that has traditionally excluded people like me. We all know that life was hard for LGBTQ+ folks growing up in, well, basically any time in recent history. There’s a time and place for realistic depictions of those hardships, but we also need space to imagine ourselves in more joyful, fantastical depictions of the past. After all, if straight people can enjoy Jane Austen without thinking too hard about the legal rights of women during that era, why can’t queer people do the same?
Have you ever read Dracula and thought, “What if the vampire were a lady? An extremely gay lady?” That’s Carmilla in a nutshell!
The story actually predates Bram Stoker’s tale by several years, making it a neat little literary artifact on its own, but this isn’t some dry historical text. It is, in fact, super heckin’ horny, to the point that I would strongly advise against listening to the audiobook with, say, your parents or other unsuspecting cishets in the room. It’s gonna get awkward.
It’s also fairly short, making for an easy, steamy bedtime read for anyone who’d like to imagine themself as a waifish little lass ravaged nightly by your lesbian vampire BFF.
In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest - the beautiful Carmilla.
So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day...
Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.
Monsters intrigue me. I’ve always enjoyed the weird and obscure – the creatures who are recognizably not human. Being a queer, autistic person, I’ve often felt as if I didn’t understand the world…or the world didn’t understand me. Reading and writing about monsters sheds a new light on the parts of myself that I was taught are undesirable. By conventional standards, the monsters in these stories are horrifying, yet they find people who love them and their monstrosity. Monsters get their happy endings – and I can get mine, too.
We all know the story: someone messes around with magic and ends up indebted to a demon. In this short, however, our main character is a queer Black man, and the devil that finds him won’t take no for an answer. For fans of Omegaverse, dubcon, and monsters that look like monsters, definitely check this out!
The last thing Silas Cromwell expected was for a book to change his life. When a rare first edition book from a famous 19th-century Occultist ends up in Silas's lap at an auction, life as he knows it suddenly changes. Pressured into performing one of the rituals from the book by a friend, Silas gets a tease of regret. Now Silas can’t sleep, is having nightmares that end with him waking up terrified. Something obscene, dark and deadly wants Silas and he isn’t human. Bazaduil lusts for Silas and won’t take no for an answer, even if it means tricking…
I’ve been reading books about dark content since I was a teenager, and I’ve always loved the understanding and companionship it provides to people who carry around broken pieces of themselves. Over the years, this interest in hardship has become a lot more specific; I’ve discovered my own queer identity, which has cause me to seek shelter in queer fantasy. It also inevitably lead me to queer Norse mythology, whose source material is dripping with queer hints for anyone with the historical knowledge to find them. Combining all these things, I’ve gathered a large collection of stories that promise to help you lick your wounds, all while drawing you into the next chapter.
This book is just fun, but it’s also a weird kind of fun. Short and to the point, it follows two monstrous men as they wreak deadly havoc on a dark little town. It leans heavily on the media’s history of queer-coding villains in stories and allows the characters to be unapologetically evil. Readers who enjoy this book will find themselves thinking the pair are strangely cute together, all the while trying to remember that they’re very dangerous. It’s great as an audiobook and makes the perfect palate cleaners between longer books.
“A black tide of perversity, violence, and lush writing. I loved it.” —Joe Hill
A Finalist for the 2019 Shirley Jackson Award!
Debut author Jennifer Giesbrecht paints a darkly compelling fantasy of revenge in The Monster of Elendhaven, a dark fantasy about murder, a monster, and the magician who loves both.
The city of Elendhaven sulks on the edge of the ocean. Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
I vote that this novella by Cassandra Khaw be made into an animated limited series, opening on a mermaid who leaves her two children after they’ve devoured what is left of the city that had to be burned to the ground to prevent the spread of the plague.
They devoured because they have teeth, as mermaids do. The children also have “supple lips”, as their father had, a prince who abducted and forced the mermaid to marry him then cut her tongue out.
She leaves them and their destruction behind to wander the countryside with a plague doctor who wears a vulture mask. It was the plague doctor who insisted they burn everything to the ground. The unusual pair soon find their way to a village where saints decide which people can be brought back from the dead in (on theme) Frankenstein-ian ways. A perfect animation.
A sensuous and strange horror novella full of creeping dread and delicious gore, twisting mermaid myths into something sharp, dangerous, and hungry, for fans of Christina Henry, Carmen Maria Machado and Eric LaRocca.
After the murder of her husband and the fall of his empire, a mermaid and her plague doctor companion escape into the wilderness. Deep in the woods, they stumble across a village where children hunt each other for sport, sacrificing one of their own at the behest of three surgeons they call "the saints." These saints play god with their magic, harvesting the best bits of the…
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