100 books like Displaced

I loved this book when it came out in 1990 and I still love it. Rocco has disturbing dreams of being in a primitive, cave-dwelling society then shockingly the dreams become reality. He must learn to live with the people who struggle to survive in a harsh landscape. He learns to hunt with primitive weapons just as he must learn how to live with the people he’s found himself amongst. But why has he ended up here? There’s something amiss with this life and the wise woman seems to hold the key but she won’t tell him. When he finds himself back home recovering from bubonic plague he has to find the answer.

Rocco is a book I wished I’d written! The story is fascinating with its well-researched depiction of surviving in a harsh environment without modern technology or tools. Also, the plot is clever – how is it that… show more.

I was privileged to be asked to mentor Lilia as she wrote of her life in and escape from the Gloriavale religious cult, a community of about 500 people living a secluded and strictly controlled life in a remote part of the South Island of New Zealand. Her life was like my fictional book, but on steroids. Four years after leaving the pain of knowing she’d never again see those she loved was still so acute that she wept as she wrote of it. Life inside Gloriavale fascinated and horrified me. But while Lilia gained the freedom to forge her own life she lost the closeness and love of wider family and friends. A heart-wrenching but ultimately triumphant story.

I cried at the end of this brilliantly crafted novel about the futility of war.

It shows how an unnamed society might respond to ongoing conflict. Both sides have de-humanised the other; both are committed to revenge and retribution for the daily tragedies; and groups on both sides believe there can’t be peace without the total subjugation of the other.

I really appreciate how Nik’s worldview is shaken – and ultimately widened – when he crosses into enemy territory to find a captured friend. This story is a lesson in how peace can never come without justice, or empathy, told through great characters, gripping plot, and nail-biting tension.

(I imagine the unspecified city as being in Australia/New Zealand – the author is from NZ.)

Violet Black is the first book in a trilogy set in the near future. Violet Black and Ethan Wright are both in a coma after contracting the lethal M-fever. They have never met:

I couldn’t speak, but I was trying so hard to communicate and then... then... I pushed. And something, someone, pushed back. Her name is Violet. Violet, but she is sunshine-yellow, and I need to find her because I think she might be just like me.

But there is a far more serious reason for Ethan to find Violet: the sinister Foundation is trying to hunt them down.

Violet Black in the first book of a trilogy where Violet must fight for her sanity and her freedom from those who want to control her. It’s always wonderful when you’ve got captured by a story and its characters to know that there are more books to come. I love… show more.

I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.

I love the setting of this mystery: New Zealand during World War II. Ngaio Marsh was a New Zealander, but most of her well-known mysteries are set in England. This one has fascinating Māori characters as well as the usual blustery English ones.

Add a Nazi spy and our intrepid Inspector Roderick Alleyn in disguise, a complex plot, plus a truly surprising ending, and you’ve got a recipe for exactly the kind of mystery I like to escape into. 

Matariki, the Māori new year, comes in late June, winter in New Zealand. It begins when the star cluster known as Matariki first appears in the sky. It’s a time of honoring ancestors, being with family, reflecting on the past, and dreaming for the future.

This moving story by Brianne Te Paa is about a boy who takes the lead in honoring his koro (grandfather), who dies shortly before Matariki. The sadness and warmth come through the night-sky color palette and the grown-up-feeling illustrations. To an American still learning about Matariki and Māori culture, this story feels unique, yet the way it captures the bonds between whānau (family) makes it feel universal.

Two Worlds, by Dame Anne Salmond, is another crossover work—part history and part anthropology. The author, an eminent New Zealand anthropologist, uses her knowledge of traditional Māori culture (what people believed, what they ate, how they lived) to flesh out the historical record left by early European visitors to Aotearoa/New Zealand. The result is a rich, authoritative account of encounters that for far too long have been described from only one point of view.

Though not packaged as YA, I think it sits well here. It’s speculative cli-fi, imagining an Aotearoa New Zealand ravaged by climate change. Steeped with Māori references, it’s a rollicking good yarn with a serious undertow and questions about how we care (and don’t care) for our environment, and the things that join and divide us.