Here are 100 books that Prelude & Other Stories fans have personally recommended if you like
Prelude & Other Stories.
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When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This book takes you on a rollercoaster through contemporary lives and dilemmas, moving and inspiring you on the way.
From a young woman teacher with a big alcohol problem and a mess of a relationship through a lonely middle-aged male whose use of sex workers damages his ability to relate to regular women, this is a no-holds-barred exploration of how we live now.
Moshfegh shows us the pain, the humour, the sorrow, and the potential joy, in beautifully written prose with a real edge to it.
An electrifying first collection from one of the most exciting short story writers of our time
"I can't recall the last time I laughed this hard at a book. Simultaneously, I'm shocked and scandalized. She's brilliant, this young woman."-David Sedaris
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
These short stories lure you in to a world of fantastical distortions and mythical resonances, which make you look differently at women’s lives.
A young girl with an eating disorder turns into an eel; a group of female friends go hunting for male conquests whom they kill and eat to satisfy their appetites. In a world of anarchic desires and obtuse relationships, strange and inexplicable metamorphoses take place. Violence bridges the gap between human and animal, between desire and carnal action.
In candid language not for the faint-hearted, this book probes the potentially dark recesses of the female psyche against a timeless backdrop of rural folklore and magical possibility.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?
In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.
From literary sensation and International Booker Prize-shortlisted author Mieko Kawakami, the bestelling author of Breasts and Eggs and Heaven comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo.
'A brief, compelling study of alienation and friendship; I binge-read it in one sitting.' - Rebecca F Kuang, bestselling author of Babel
Fuyuko Irie is a freelance proofreader in her thirties. Living alone in an overwhelming city and unable to form meaningful relationships, she has little contact with anyone other than her colleague, Hijiri. But a chance encounter with a man named Mitsutsuka…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
Love, desire, falling too passionately for a married man, the world may be different from when this book was published in 1936, but the angst, the joy, the terror, and the hard choices remain the same.
An intelligent, capable, charismatic woman falls for a handsome, upper-class man, tantalizingly just out of her social and emotional reach. Will he leave his wife and the easy security of a stable relationship? Will love trump duty? Life-changing decisions reach a climax in the office of a back-street abortionist, where the snare of passion and its potentially destructive consequences are laid bare.
Written in lyrical and episodic prose, this is a truly timeless and memorable read.
ONE OF THE MOST REMARKABLE BRITISH WRITERS OF THE TWENTIETH CENTURY
'With brilliant dialogue and intense passages of elation and despair, The Weather in the Streets takes you on the rollercoaster of their relationship' ESTHER FREUD, SUNDAY TELEGRAPH'Lehmann legitimised a type of writing that took on deep personal themes' ENGLISH PEN'The first writer to filter her stories through a woman's feelings & perceptions' ANITA BROOKNERTaking up where Invitation to the Waltz left off, The Weather in the Streets shows us Olivia Curtis ten years older, a failed marriage behind her, thinner, sadder, and apparently not much wiser.…
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
I read Olivia Laing’s bookat the height of my own loneliness: isolated, in lockdown, at the beginning of the COVID-19 pandemic. Part memoir, part art history, part cultural criticism, the book managed to be both intimate and expansive—just what I needed as I sat by myself in front of a computer, anxiously refreshing virus graphs.
I became absorbed by the lives of Andy Warhol and Edward Hopper, Henry Darger, and David Wojnarowicz, artists I’d heard of but knew nothing about, and by the various aspects of loneliness I’d never previously considered. It’s the perfect example of the type of hybrid writing that I find truly magical.
Finalist for the National Book Critics Circle Award in Criticism
#1 Book of the Year from Brain Pickings
Named a best book of the year by NPR, Newsweek, Slate, Pop Sugar, Marie Claire, Elle, Publishers Weekly, and Lit Hub
A dazzling work of biography, memoir, and cultural criticism on the subject of loneliness, told through the lives of iconic artists, by the acclaimed author of The Trip to Echo Spring.
When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by the most shameful of experiences, she began…
I’ve been reading sapphic or lesbian romances ever since I got my hands on Touchwood and Curious Wine decades ago. When not writing contemporary sapphic romances, I’m always reading them. Happily ever afters haven’t always been the case for two women in love, least of all in fiction. I write sapphic romances to provide for other women like me what I hoped to find in bookstores when I was younger. It wasn’t easy to find a romantic story between two women, let alone have choices. Representation matters, and writing–and reading–books about two women in love is important to me and women like me, especially as states ban such books.
It might tempt someone to choose a book in Noyes’ Ask, Tell series, but Alone is my recommendation.
A romance with such a lonesome title might not appear swoon-worthy on the surface, but dig a little deeper, and witness the burgeoning romance between Celeste and Olivia develop in such beautiful fashion in their isolated cocoon–until all goes wrong.
Still, the loving way they interact, learn about each other, and then yearn for each other had my heart skipping beats until the end. Noyes has a way of writing characters with whom it’s easy to fall in love.
Half a million dollars will be Celeste Thorne’s reward for spending four years of her life in total isolation. No faces. No voices. No way to leave.
Since Celeste has never really worried about being alone, the generous paycheck she’ll receive for her participation in the solitary psychological experiment seems like easy money. br> When she finds an injured hiker in the woods bordering her living compound, her strictly governed world is thrown into disarray. But even as she struggles with the morality of breaking the rules of the experiment, Celeste can’t deny her growing attraction to the kind and…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
In 2000, I entered the University of California, Irvine as an assistant professor. Suddenly faced with multiple research projects, courses, committees, grant-writing, and student mentoring, I found myself switching screens and tasks like crazy. But I was also glued to my computer. I began to wonder if this was normal? Trained as a psychologist, I decided to study empirically what was happening to our attention. I began research over two decades on attention and discovered how our attention spans have shrunk over time (to a mere average of 47 seconds). Fast forward, I've continued to study our relationships with our technology, uncovering different types of attention and busting myths associated with focus and productivity.
There is no better place to start learning about attention than from The Principles of Psychology.
I have always been captivated by the writings and deep insight of William James, known as the father of psychology. This is not a pop science book by any means—it was written in the 19th century, and you’ll see how gorgeous the language is. If you don’t want to plough through all 720 pages, I suggest you start with Chapter VIII on Attention. As James says, “Everyone knows what attention is.” But do we really? You will find some amazing gems in it.
"For the psychologist, standard reading, to all readers, a classic of interpretation." — Psychiatric Quarterly This is the first inexpensive edition of the complete Long Course in Principles of Psychology, one of the great classics of modern Western literature and science and the source of the ripest thoughts of America’s most important philosopher. As such, it should not be confused with the many abridgements that omit key sections. The book presents lucid descriptions of human mental activity, with detailed considerations of the stream of thought, consciousness, time perception, memory, imagination, emotions, reason, abnormal phenomena, and similar topics. In its course…
I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outsideof society.
I discovered Wilson’s seminal book when I was in college.
It would not be an exaggeration to say that The Outsider changed my life. Before I read it I had no idea who I was or where I belonged. I was not a joiner. I wasn’t affected by peer pressure. As a consequence I felt alone and at sea.
At once, I recognized myself in The Outsider.
Wilson could have been writing about me. Suddenly, I understood who I was, why I reacted to certain things the way I did, and what my place in the world was and would be. There is no more desolate feeling of being alone and misunderstood in the world.
Wilson’s book gave me a sense of belonging. Who could ask for anything more?
The classic study of alienation, creativity and the modern mind 'Excitingly written, with a sense of revelation' GUARDIAN
THE OUTSIDER was an instant literary sensation when it was first published in 1956, thrusting its youthful author into the front rank of contemporary writers and thinkers. Wilson rationalised the psychological dislocation so characteristic of Western creative thinking into a coherent theory of alienation, and defined those affected by it as a type: the outsider. Through the works and lives of various artists, including Kafka, Camus, Hemingway, Hesse, Lawrence, Van Gogh, Shaw, Nietzsche and Dostoevsky, Wilson explored the psyche of the outsider,…
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
Once you’ve opened yourself up, gotten a few instructions and are reminded that nothing is holding you back, you’re ready to connect with your own internal mechanisms. Hillman re-positions psychology in the context of soul-making, where it makes most sense and is most useful for us.
We get hung up on so many things, and Hillman fearlessly wades into every one of them with great intention. I think Hillman is one of the smartest, most perceptively radical writers not named Jung, and this book grapples with the uneasy humility that is creative work: your own soul-making.
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
In my younger days I was a graphic designer and copywriter, approaching brands largely from a creative viewpoint. Over the years I’ve discovered that creative work is much more powerful when harnessed to business strategy, and business strategy is much more powerful when combined with exceptional creative work. I’ve characterized the gulf between strategy and creativity as the “brand gap,” which has led to eight books on branding and a school for professional mastery called Level C.
Marketing psychologist Kit Yarrow explains how technology has rewired our brains, making us more individualistic, isolated, emotional, and distrustful. This is not a pessimistic book—it’s a practical guide to addressing customers’ desires and insecurities in a time of deep cultural shifts. Not only has she done her homework, but she also presents the results with lightness and clarity.
Take a glimpse into the mind of the modern consumer A decade of swift and stunning change has profoundly affected the psychology of how, when, and why we shop and buy. In Decoding the New Consumer Mind, award-winning consumer psychologist Kit Yarrow shares surprising insights about the new motivations and behaviors of shoppers, taking marketers where they need to be today: into the deeply psychological and often unconscious relationships that people have with products, retailers, marketing communications, and brands. Drawing on hundreds of consumer interviews and shop-alongs, Yarrow reveals the trends that define our transformed behavior. For example, when we…
