The best books for connecting with a few true Paris ‘Makers’

This guide to Paris is a one-of-a-kind, thoroughly personal—almost private—address book that takes in such fanciful themes as acupuncturists, beekeepers, Bouquinistes, cabarets, fancy dress, Esperanto, and rose gardens.

It provides a vision of Paris that is so idiosyncratic, so fully lived, so persuasive and contagious, so far from cliché, pandering, and pretention, that I discover the city anew each time I browse its beautiful, letterpress printed pages. I think I first met Ivan and Benoît, the founders of Astier de Villatte, when I interviewed them for the first edition of Makers Paris, and since then, they have become my compass for living a bold life of beauty, fun, and freedom.

As the much-missed Karl Lagerfeld once said, “Fashion is a train that waits for nobody.” And that train comes whooshing through Paris quite a lot.

This book captures some of the inimitable energy and agitation of Paris Fashion Week, as self-taught photographer Meyabe covers six seasons—men’s, women’s, and couture—over a single year. It includes an introduction by local fashion hero Loïc Prigent and is published by my friends Alex and Marie from Ofr. (who also published Makers Paris #2).

Ofr. is an indie arts bookshop, gallery and publisher, always in the moment, that channels a certain bohemian spirit proper to Paris: “Open, Free and Ready”.

The much-loved English bookshop Shakespeare and Company can at times feel like a victim of its own success (every so often I try and imagine solutions as if I were trying to save Venice!), but the place remains a refuge for writers and readers and a true beacon of bohemian values.

In my first Makers book, owner Sylvia remembers her father George describing Paris: “where poetry is part of life; where men are poets and life is a poem.” And now the bookshop has published its own collection of poems about Paris, illustrated with beautiful line drawings by the Italian illustrator Matteo Pericoli.

Alongside verses by Rimbaud, Gregory Corso, or Lawrence Ferlinghetti, Pericoli imagines the views from windows of poets who, at one time or another, made their homes here, like Gertrude Stein and Alice B. Toklas or Charles Baudelaire, or indeed Shakespeare and Company’s own beautiful view across the Seine to Notre-Dame cathedral. 

Paris has an incredibly vibrant food scene, and some of that energy is generated by a shapeshifting community of expat chefs and foodies. Hugh Corcoran, a Belfast born writer and cook, spent the most part of the last decade living and working in France, in Paris and beyond.

This lovely book is a collection of vignettes from his travels, simply and honestly written, remembering people he met along the way and the meals they shared. Each story ends with a recipe, including some French classics like roast chicken, gratin dauphinois, or carottes râpées.

If the book’s tone is gentle, it’s actually an urgent call to action, as the epigraph confirms: “Friends and neighbors, wet your mouths, for after death you won’t touch another drop.”

This fascinating book plunges the reader into the avant-garde effervescence of the Roaring Twenties in Paris, presenting serious historical scholarship about the era alongside the author’s own take on classic cocktails like the Sazerac or the Highball. It provides, to quote the author Franck Audoux (in my book Makers Paris), “a kind of cultural snapshot of an era, to show how the cocktail, like jazz or the Charleston, participated in the reconstruction of a new society after the carnage of the First World War”.

One of the founders of the game-changing restaurant Le Châteaubriand, Franck is a pillar of the indie food and drinks scene here. This book is the fertile soil from which his current project, Cravan, grows. Named after Oscar Wilde’s nephew, the poet and boxer Arthur Cravan, Cravan is a contemporary cocktail bar rooted in the “French Modern.”