Here are 100 books that Rehearsals for Living fans have personally recommended if you like
Rehearsals for Living.
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As a military wife, and daughter, sister, mother, and mother-in-law to military members, I gained a strong perspective of what it is like to be behind the scenes, keeping the family together and building my own career while supporting the important missions of the men around me. In my reading, I’m drawn to historical fiction, as I feel it makes the stories come alive for me. I love a good story, and what entertains and informs even better than the documented facts are the dialog, relationships, and emotions of the characters. So it seems only natural to write about the amazing women behind the curtain in history in the engaging and memorable form of novels.
This is a collection of the letters between President Woodrow Wilson and his future second wife, Edith Bolling.
I already knew a bit about the role of Edith Bolling Wilson during her husband’s presidency. Reading their actual letters both shocked and entertained me. Woodrow Wilson, unlike his staid, professorial reputation, was quite the romantic.
It made me realize there was much, much more to their story, and it sent me on a journey to discover a relationship that changed the course of history.
My engagement in the topic has two distinct vectors, academic, and personal, or, if you wish, existential. My academic engagement began when Buber's son Raphael (1900-91), who served as the Executor of the Martin Buber Literary Estate, invited me to assemble and edit his father's writings on the "Arab Question." He explained that of all of his father's publications, his ramified writings promoting the political and human dignity of the Palestinian Arabs spoke most dearly and, as a citizen of the State of Israel, most immediately to him. I accepted Rafael's invitation with alacrity, for like Raphael I'm an Israeli by choice, having emigrated to the country in 1970.
Examines
how the architects of the conflict worked to influence and indoctrinate their
respective ideologies in the ordinary soldiers by analyzing the battle orders,
pamphlets, army journals, and recordings of radio broadcasts in Hebrew, Arabic,
and English. Through two overarching narratives – the official and unofficial,
the propaganda and personal letters, Dear Palestine reveals the fissures
between ‘sanctioned nationalism’ and individual experience and identity. This
book reminds one that everyday individual’s fears, bravery, hubris, base
cruelty, lies, and fantasies are as important in history as the preoccupations
of the elites.
In 1948, a war broke out that would result in Israeli independence and the erasure of Arab Palestine. Over twenty months, thousands of Jews and Arabs came from all over the world to join those already on the ground to fight in the ranks of the Israel Defense Forces and the Arab Liberation Army. With this book, the young men and women who made up these armies come to life through their letters home, writing about everything from daily life to nationalism, colonialism, race, and the character of their enemies. Shay Hazkani offers a new history of the 1948 War…
It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.
I love plants and gardening, and in this clever story, an aunt sends her niece a letter and a houseplant every month. I also love that the letters are written in poetic rhyme. Young kids love rhyme, which adds to the playfulness when reading aloud.
A delightful celebration of family, plants, and the boundlessness of love told in lively, poetic letters from aunt to niece with bright, irresistible illustrations!
Every month, an aunt mails a letter and a houseplant to her niece and . . . LOVE GROWS!
I'm sending this pothos, so while we're apart, you'll look at its leaves and know you're in my heart.
In the vein of We Are the Gardeners and Dear Girl, this beautiful story is the perfect gift for Valentine's Day, birthdays, graduation, and more! Young readers and gardeners will also love the sidebars on each spread with…
I am a professional historian who has been writing books for more than forty years. Most of the books have been about war and dictatorship in the first half of the twentieth century. My last book, The Bombing War: Europe 1939-1945, developed my long interest in air war history, which goes back to my first major book written in 1980 on air warfare in World War II.
The big question for World War II is what kept men fighting in appalling conditions, with high losses against an implacable enemy. McManus focuses on the American army to answer this question, but his answers could apply to many of the fighting men in other armies as well. The book explores the nature of combat and the psychological mechanisms used to cope with the conditions of modern war. This is a dimension of the history that too often gets overlooked as divisions and units are moved around on the historians’ map of the war, yet it is a central issue to understand what motivates soldiers and keeps them fighting effectively. Sadly, a great many did, indeed, end up as psychological casualties.
In his book Men Against Fire, [historian S. L. A.] Marshall asserted that only 15 to 25 percent of American soldiers ever fired their weapons in combat in World War II. . . . Shooting at the enemy made a man part of the “team,” or “brotherhood.” There were, of course, many times when soldiers did not want to shoot, such as at night when they did not want to give away a position or on reconnaissance patrols. But, in the main, no combat soldier in his right mind would have deliberately sought to go through the entire ear without…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their…
I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!
Some people might not think writing a letter is a tremendously brave act, but it is if you are a young woman who knows in her heart that she needs to challenge a very famous and beloved author – a man even she admires! I had never heard of Eliza Davies and her letters to Charles Dickens and was captivated by the story. Davies wrote to Dickens protesting his stereotypical and harmful depiction of Jewish people in Oliver Twist. And she made a difference! I love how the story teaches kids that they, too, can make a difference and that activism takes many forms, in this case, letter-writing. Added bonus: the book contains quotes from Eliza’s actual letters, which appeals to me immensely as a history geek.
2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place―Children's Book Nonfiction, Press Women of Texas 2022 First Place―Children's Book Nonfiction, National Federation of Press Women
Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong.
As an emeritus professor of philosophy now working as a licensed therapist, I feel uniquely qualified to span the two worlds of philosophy and psychotherapy. In addition to dozens of academic articles which no one has ever read, I’ve published books on modern China, ancient Greek Stoicism, Bob Dylan, and the TV show The Sopranos, which at least a few people seem to have picked up.
Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.
White and Epston base their therapy on the assumption that people experience problems when the stories of their lives, as they or others have invented them, do not sufficiently represent their lived experience. Therapy then becomes a process of storying or restorying the lives and experiences of these people. In this way narrative comes to play a central role in therapy. Both authors share delightful examples of a storied therapy that privileges a person's lived experience, inviting a reflexive posture and encouraging a sense of authorship and reauthorship of one's experiences and relationships in the telling and retelling of one's…
I have always been a voracious reader and was blessed with parents who filled my home with books, who read to me, and who exposed me to both true and fictional stories that expanded my heart and nourished my imagination. I grew up on Christian biographies, along with devouring history and novels. I was shaped, nourished, and strengthened by the stories of real men and women who lived lives that mattered, and who understood that God never puts His children in times, in places, or in circumstances where He cannot enable them to shine brightly, and where they cannot speak truth and compassion into the darkness.
The sheer, transcendent beauty of the language in this book would have made me love it even had I not found the story engaging, and the powerful, personal truth of the story it tells would have made me love it even if the prose had been awkward and lackluster.
The marriage of the language with the deeply personal story of a young American couple finding their way through love, marriage, and friendship to the love of Christ, and then facing the ultimate test of their young faith, will mark you forever. I will warn you that I finished the book in floods of tears!
A heart-rending love story described by its author as “the spiritual autobiography of a love rather than of the lovers” about the author’s marriage and search for faith.
Vanauken chronicles the birth of a powerful pagan love borne out of the relationship he shares with his wife, Davy, and describes the growth of their relationship and the dreams that they share.
A beloved, profoundly moving account of the author's marriage, the couple's search for faith and friendship with C. S. Lewis, and a spiritual strength that sustained Vanauken after his wife's untimely death. Replete with 18 letters from C.S. Lewis,…
Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
An indispensable work to anyone interested in the Romanovs, and especially in the life and reign of Tsar Nicholas II. Here, in their own words from diaries and letters are the thoughts and inner-most feelings of Tsar Nicholas II and his wife, Tsarina Alexandra, as well as numerous royal relatives – though the main focus is on Nicholas and Alexandra. Through these written words, the imperial couple and their families are revealed; they’re given a voice and come alive across more than six hundred pages of text. Interspersed as well are a variety of primary sources such as memoirs, documents, diplomatic letters, and the like. But it is the letters and diaries which take center stage and deliver an emotional read.
Russian historians Maylunas and Mironenko (he was Director of the State Archive of the Russian Federation) have done an admirable job of culling through an enormous amount of material…
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are…
I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
This book became a lifeline for me when I was going through an unhappily difficult and extremely stressful time. I felt as if it was written for me as a form of salve for my lack of trust in myself and my life at this point.
Rilke is wise, knowing, and reassuring about the vicissitudes of our emotional journeys. He encouraged me to hold onto myself in an emotional sense. To seek my own inner counsel and to not panic when my life seemed to unravel. I love his discourse on faith, solitude, trust, and his dissection of what it is to be an artist.
I found this a profoundly important and moving book when I was wavering about the bigger picture of life.
Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle…
