Fans pick 100 books like The Nutmeg's Curse

Barry’s dramatic historical account of the 1918 influenza pandemic has been called “fascinating,” “brilliant,” “sobering,” and “terrifying” by numerous reviewers.

It is a piece of history, the worst public health disaster in the century before COVID-19, that should have helped succeeding generations to take pandemic preparedness more seriously. It should have enhanced our understanding that during such a crisis, science must lead the way. Despite all that we did learn from the great influenza of 1918, we were unable to avoid many of the mistakes made when our leaders too often shunned the advice of science and made the COVID-19 pandemic political.

This book informed and influenced me greatly. It inspired me to see the need for and the importance of recording and learning from our experiences a century later.

Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change. 

How can you not already love these underwater giants? But I didn’t know much about them before reading Gigg’s love letter to our undersea cousins. They live by breathing air and giving birth like we do, but most of their lives takes place in a hidden, watery world.

The horror our species inflicted on whales during commercial whaling became more repulsive as Giggs uncovered the layers of whales’ complexity and sociality. I learned that arthritis sufferers in the nineteenth century would bathe in holes cut into whale carcasses for their curative powers. I also tried to imagine an animal with blood vessels big enough for a child to crawl through and a heartbeat that can be heard through the water for over a mile. 

In clear, evocative prose, Barnett describes the world of seashells and humans’ relationship to them. Her book was laced with “Who knew?” moments for me. For example, until recently people considered seashells a kind of rock, giving little thought to the creatures that built and inhabited them. Barnett explains the threat that rising carbon dioxide levels present to the formation and very existence of shells, but she never carps; and although she interjects some of her own experiences—and sense of wonder—she never lapses into making this book about her, rather than her subject.

Islands of Abandonment shares extraordinary examples of nature’s ability to reclaim – and restore – land abused by humans.

In startling vignettes, the author visits numerous abandoned sites, uninhabited by humans for different reasons: from Chernobyl to a no man's land on the island of Cyprus, to factories simply rendered obsolete leaving the surrounding neighborhoods blighted, dangerous and often empty.

I found this book to be, if not hopeful, then cautiously optimistic in its affirmation of nature’s resilience, even in the wake of massive destruction. Cal Flyn’s writing is enviably good: keenly observant, capturing intimate details about these landscapes and the non-human beings who inhabit them in vivid detail.

Unforgettable and illuminating. This is nature writing and investigative journalism at its best.

The book’s title immediately drew me in. Atlases and maps obviously help make things visible, so atlas and invisible did not seem like two words that belonged together. In actuality, the title was a bit misleading, albeit effective in gaining my attention.

Cheshire and Uberti provide over 200 different maps and other spatial visualizations of a wide range of things that are generally unseen or at least difficult to see but can be gainfully mapped out to better understand the world. Examples range from the geographies of telecommunication and shipping routes to glacial movements and wildfires.

The illustrations were striking and plentiful, matched by well-written text. The book certainly gave me lots to think about.

Fires in Australia in 2019 and 2020 killed billions of animals in a climate disaster. The numbers are impossible to comprehend.

In this beautiful, elegiac book, Dr. Celermajer grieves the losses by telling of one of her beloved pigs. She moves outward to reflect on how individual stories allow us to remember enormous losses. She refuses to tell this story of a climate catastrophe by telling of a few wrongdoers.

In one powerful reflection, she concludes that it is essential if almost impossible to say ‘it is I, it is I’ when speaking of who brought these losses. 

Sure, people objected to pandemic mitigation measures in other countries. Only in the United States were objections partisan.

This book elegantly relies on public opinion surveys to demonstrate the costs of partisanship in the pandemic. The authors discuss the economy, immigration, and voting. They document the Trump administration’s efforts to make mitigating the pandemic partisan. Masks are not inherently partisan. Our friends in medicine wear them all the time. In parts of Asia, many have used them to limit viruses’ spread.

Even before the pandemic, in the United States, partisanship had become at least as much about personal identity as policy differences. Every personal decision could signal partisanship. By meticulously capturing the pandemic and partisanship, the authors warn of the ongoing difficulties of managing disasters in a divided country.

White Skin, Black Fuel is the most clarifying book I’ve read explaining the rise of the far right and how it made climate change an issue of politics rather than physics, of ideology rather than environment.

It has many light touches and is accessible in style, so the reader is guided through the postwar progression of the far-right as principally an anti-immigration platform that then gained, once they had acquired some electoral credibility, the support and funding of fossil fuel corporations to advance their extractivist business models and scuttle any transition to renewables.

It made connections I’d been grasping at for years. 

This compilation, describing the founding of a new religion that is queer, science-fiction, and climate justice is a mindblowing assemblage of collage artworks by Deborah Kelly, liturgies by author S. J. Norman, poetry and essays.

It features interviews with Kelly and collaborators, photography of the workshops and portraits of followers, regalia, exhibitions, dances, and processions. For those despairing about climate change, this collection is a provocation, an exhortation, and a diversion.

It has been a salve to have by my side as I daily absorb the unfolding climate catastrophe and try and understand and respond to the deepening exclusions and marginalisations and discriminations it entrenches.