Fans pick 100 books like Odysseus in America

This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.  

A beautiful story written beautifully. I was enamored with Miller’s deft use of lyrical prose set within an epistolary framework to tell the story of one man’s struggle against the demons of his past, and the consequences that followed, all in search of redemption.

Though fictional, Miller manages to avoid the usual veteran tropes in creating his character. It’s an intimate account—and one with which I’m intimately familiar—that feels truer than nonfiction. I’ve found few more realistic accounts of living with the moral injury that comes from our errors in judgment, how those errors cause unintended, though no less harmful, secondary effects on those we love, and how life remains yet salvageable.

I found it to be, at once, an inspiring, endearing, and threatening read.

Oftentimes, we focus on the injured individual, forgetting that the injuries extend to—and harm—others in our immediate orbit: spouses, children, family, and friends. I appreciated, therefore, that Wood, in detailing moral injuries to our servicemembers, simultaneously exposes the reader to the soul wound-adjacent injuries to our loved ones, reminding us of the aphorism, “hurt people hurt people.” 

My list contains a theme, of course: that the responsibility for helping those living with moral injury and post-traumatic stress heal lies beyond the individual, requires the community. So I welcomed Wood’s willingness to cite the “prefab patriotism,” to borrow Barbara Ehrenreich’s words, of American civilians and their “thank you for your service” platitudes as also worthy of blame. Healing, as Wood rightfully suggests, requires listening without judgment.

A provocative title combines with an introspective account of one soldier’s slow descent into madness to provide an edgy read. I enjoyed Edmonds’ choice of a unique narrative device, jumping backward and forward in his story, to introduce the impossible questions with equally hard answers he faced advising an Iraqi official involved in interrogation—and Edmonds’ ensuing breakdown.

The lion’s share of war literature concerning moral injury and post-traumatic stress comes from “trigger pullers.” But in God is Not Here, we see how war spares no one. And, in exposing war’s reach and how trauma can affect anyone, I believe Edmonds validates—rightfully so—those who might otherwise feel their trauma doesn’t “measure up” to those who experienced “real” trauma.

I love this book, because it fuses personal history with American history in the most searing, heartbreaking, and incisive ways.

I taught this book to high school students, alongside the work of James Baldwin, since they both call to account America's founding, its brutality, the moral injury and legacy of slavery, and also the corrosive nature of popular culture. My students were stunned. It woke them up and demanded that they pay attention.

This is an obvious pick, I know. Still, it’s on record as the greatest adventure, the highest bar of duty and courage—and ultimately love.

Homer’s epic detailing Odysseus’ journey home from the Trojan War is fraught with peril and obstacles that would have made a lesser human give up and call it a day. 

Destiny called him away, but it was love that brought him home from war. At each crossroad Odysseus was offered an alternative, he chose to return to his wife, his son, and his land. He could have been made immortal.

He was offered riches and greater glory, and all the dude wanted was to kiss his wife and sleep in his own bed at the end of the day. Is that so much to ask?

The reason The Odyssey is on my list is to reflect the scale of destiny, and the answering and equal call… show more.

All adventures begin with The Odyssey.

Before there was Don Quixote, Huckleberry Finn, or Bilbo Baggins, there was brave Odysseus. It was Homer who first taught us what it means to desperately desire “to make it there and back again.” For me, The Odyssey struck a personal cord. As a warrior who once answered his nation’s call, it often wasn’t the battles in far distant lands, but the journey home, that was most difficult. Home, that beautiful, powerful word, holds great magic for Odysseus, and for me, too. Many ideas can send a hero on an adventure, but only love of home can bring him back again. These are the greatest adventures of all, and why The Odyssey is foundational for my own novel.

This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!

Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.

This epic by Homer has a great impact on epic culture.

Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.

Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.

For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.

I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.