Here are 58 books that The Odyssey fans have personally recommended if you like
The Odyssey.
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My passion to write about Hawaiʻi began with a desire to see the world that I knew and loved reflected in literary form, complete with all its complexities and nuance. Growing up alongside Hawaiʻi’s sovereignty movement, there was so much I didn’t understand. School textbooks didn’t mention Hawaiʻi. The little I learned about our culture and history was from dancing hula. So when I started reading some of the books on this list, it put all of my memories into context. Everything about my home became clearer to see (and therefore write about). The true beauty of Hawaiʻi exists behind its postcard image, and this is how you get there!
In the ’70s through the early ’90s, Hawaiʻi went through massive social change.
There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.
Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation.
While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.
Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and…
This revised text includes material that builds on issues and concerns raised in the first edition. It explores issues of native Hawaiian student organizing at the University of Hawaii, the master plan of the native Hawaiian self-governing organization Ka Lahuni Hawaii and its platform on the four political arenas of sovereignty, the 1989 Hawaii declaration of the Hawaii ecumenical coalition on tourism, and a typology on racism and imperialism. Brief introductions to each of the essays bring them up to date and situate them in the native Hawaiian rights discussion.
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
Monique Roffey takes you on a father-daughter escape trip sailing from Trinidad to the Galapagos in a sketchy boat to leave behind the loss and sorrow they experienced after a major storm. Thanks to Grace Carr, I was shaped into who I am as a writer and researcher in Trinidad, where I carried out my dissertation work. The Trini cadence for life and love is ubiquitous in this book—it also reminds me of the bond between me and my Dad and our mutual appreciation for a little risk and chaos.
When a flood destroys Gavin Weald's home, tearing apart his family and his way of life, he doesn't know how to continue. A year later, he returns to his rebuilt home and tries to start again, but when the new rainy season arrives, so do his daughter's nightmares about the torrents, and life there becomes unbearable. So father and daughter - and their dog - embark upon a voyage to make peace with the waters. Their journey will take them far from their Caribbean island home, into other unknown harbours and eventually across a massive ocean. They will sail through…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This is a spectacular and detailed book—think city as island—that can engross you over and over again. Simone, development activist and scholar, carries us into four African cities and shares the grassroots efforts of people coming together to create systems of trust for economic exchange and meeting social needs—without or outside the state and capital. It is the potential for alternatives that makes this book so attractive to me and inspired my own work on convivial economics. Simone helps us to see that new ways of being and acting collaboratively can spring up and offer a blueprint for how we can move forward in solidarity.
Among government officials, urban planners, and development workers, Africa's burgeoning metropolises are frequently understood as failed cities, unable to provide even basic services. Whatever resourcefulness does exist is regarded as only temporary compensation for fundamental failure. In For the City Yet to Come, AbdouMaliq Simone argues that by overlooking all that does work in Africa's cities, this perspective forecloses opportunities to capitalize on existing informal economies and structures in development efforts within Africa and to apply lessons drawn from them to rapidly growing urban areas around the world. Simone contends that Africa's cities do work on some level and to…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
I'm an American writer who grew obsessed with all things King Arthur at age 10. Trying to be the best 7th-grade Arthurian scholar in the world set me on a path of life-long learning and research. My historical fantasy novels for children have been flatteringly called "maybe the only [fiction] depiction of the complexities of feudal obligations & responsibilities I've ever seen" by a real medievalist. While that wasn't what I was going for, it speaks to the thing I seek out when I read: total immersion in another world. If you don't feel like you scrubbed pots in the Middle Ages, why would you read about a medieval scullery maid?
When I first encountered this book in the late 1980s, it was titled Jackaroo--named for the Robin Hood-like folk hero in the non-magical secondary world called the Kingdom. However, the star of the story is Gwyn, so the renaming makes sense. The book is riveting in its action moments, but somehow I'm even more drawn to the scenes of daily toil. I have absolutely no idea how Voigt can make scrubbing the floor seem so important! (This is the real floor-scrubbing book of this list.) The Tale of Gwyn evokes a medieval European past that feels more real than the best-researched historical novel. Hopefully the series rebrand draws the wide readership it deserves--it is both exciting and thoughtful, bleak and hopeful, and I return to it again and again.
In a fantastical kingdom ravaged by famine and poverty, the prospect of hope lies with a mythical masked hero in this, the first book in the Tales of the Kingdom series from Newbery Medalist Cynthia Voigt.
In a distant time, a kingdom is starving. With winter upon them, there is little hope, except for the legend of Jackaroo: a masked outlaw who comes at night to aid the destitute and helpless. But Gwyn, the innkeeper’s daughter, is too practical for false hopes. She believes Jackaroo is nothing more than a fairy tale told to keep children hopeful till the next…
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience.
AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS SURVIVED THOUSANDS.
'An inimitable retelling of the siege of Troy . . . Fry's narrative, artfully humorous and rich in detail, breathes life and contemporary relevance into these ancient tales' OBSERVER
'Stephen Fry has done it again. Well written and super storytelling' 5***** READER REVIEW ________
'Troy. The most marvellous kingdom in all the world. The Jewel of the Aegean. Glittering Ilion, the city that rose and fell not once but twice . . .'
When Helen, the beautiful Greek queen, is kidnapped by the Trojan prince Paris,…
I am a kid from Brooklyn who is, and always has been, an inveterate hero worshiper. In a world that is generally mad and too often violent, I have weaned myself on the lives of heroes. I may lack their prowess, but I have striven for their dedication to excellence. I have published numerous books, including The Capitalist Manifesto: The Historic, Economic, and Philosophic Case for Laissez-Faire. But it is my recent book that crowns a lifetime of thinking about heroes. What is their nature? What factors in the world give rise to the possibility—and the necessity—of heroes? How do we rationally define the concept “hero”? These are the questions my book addresses and seeks to answer.
This book does several things. First, it offers fascinating bios of eight heroes from history and mythology. Two legendary Homeric characters—Achilles and Odysseus—are joined by six giant figures from history: Alcibiades, Cato, El Cid, Wallenstein, Francis Drake, and Garibaldi. Morally, these men are often a mix of good and bad—but their stories are always robustly colorful. Hughes-Hallett draws a fascinating distinction between Achilles and Odysseus—one hero chose death and glory, the other lied, cheated, and stole to retain life.
Hughes-Hallett points out the dangers of hero worshiping giants whose prowess might outstrip their character; the dangers of seeking guidance from “great men” that we would be better off providing ourselves.
Beginning beneath the walls of Troy and culminating in 1930s Europe, a magisterial exploration of the nature of heroism in Western civilization. Our need for heroes is a timeless phenomenon; from ancient Greece to September 11, we have always looked to great figures for inspiration and leadership. In this riveting and insightful cultural history, Lucy Hughes-Hallett brings to life eight exceptional men from history and myth whose outsized accomplishments made them heroes of their times.
Alcibiades was Athens’s most dazzling citizen but an incorrigible traitor. El Cid was an invincible but self-interested warlord. Albrecht von Wallenstein terrified both enemies and…
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
Okay, okay, I realize that using webbing isn’t an actual way to get around, but neither is my digger. And I wouldn’t be a reader, writer, or artist today if it hadn’t been for Spider-Man. Young Kevin spent every day imagining the freedom of spinning a web and flying through the air. Even though I grew up in a small town with two steeples and a three-story inn, it was a captivating idea.
And wow does this version of the story kick things up a notch. I mean, I already love the Miles Morales version of Spidey, but Reynolds kicks it all up a notch or five. He has such a deft hand as a storyteller with a message. Never preachy, but deeply felt and funny (sort of like a super-hero version of Jerry Kraft’s New Kid) this was a ride.
“Everyone gets mad at hustlers, especially if you’re on the victim side of the hustle. And Miles knew hustling was in his veins.”
Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He’s even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he’s Spider Man.
But lately, Miles’s spidey-sense has been on the fritz. When a misunderstanding leads to his suspension from school, Miles begins to question his abilities. After all, his dad and…
Since writing a middle-grade novel about a lab rat living on the International Space Station, I was curious to see how other authors tackled the challenge of creating stories about talking rats and mice. After all, these rodents are not generally popular in real life. What exciting approaches did others use to get past this dilemma? I wanted to see how they balanced the ideal—being true to the nature of a species—while constructing original characters in challenging situations. Analyzing how other writers succeed is always useful.
Ratscaliburreveals what happens when a ragician turns grade seven student—Joey—into a rat. Joey becomes Ratscalibur when he pulls a spork from a dehydrated scone. The other rats are convinced he can help save their kingdom but Joey is not so confident. Still, if he wants the chance to become a boy again, he must help the rodents fight their devious enemies. Rich in humor, this book’s charm also comes from illuminating a character who is quite certain he’s not meant to be a hero. This novel is full of original twists that will keep readers turning pages.
I am a kid from Brooklyn who is, and always has been, an inveterate hero worshiper. In a world that is generally mad and too often violent, I have weaned myself on the lives of heroes. I may lack their prowess, but I have striven for their dedication to excellence. I have published numerous books, including The Capitalist Manifesto: The Historic, Economic, and Philosophic Case for Laissez-Faire. But it is my recent book that crowns a lifetime of thinking about heroes. What is their nature? What factors in the world give rise to the possibility—and the necessity—of heroes? How do we rationally define the concept “hero”? These are the questions my book addresses and seeks to answer.
Hook draws an interesting distinction in his book on heroes. He discusses two types of heroes: the eventful man and the event-making man. “The eventful man in history is any man whose actions influenced subsequent developments along a quite different course than would have been followed if those actions had not been taken. The event-making man is an eventful man whose actions are the consequence of outstanding capacities of intellect, will, and character rather than of accidents of position. This distinction tries to do justice to the general belief that a hero is great not merely in virtue of what he does but in virtue of what he is."
This is an interesting distinction that we can profitably deliberate on. Hook was a philosophy professor for decades at NYU and he brings to the issue of heroes a grasp of the historical discussion of it.
Considered by some the most controversial American philosopher of contemporary times, SIDNEY HOOK (1902-1989) was infamous for the wild swing in his political thought over the course of his career, starting out as a young Marxist before the Great Depression and ending up a vehement anti-Communist in his later years. Hook's conception of history and the individual's impact upon it is the subject of this intriguing work, first published in 1943. Subtitled A Study in Limitation and Possibility, it examines the concept of the "hero" as it relates to leadership in the modern world, the hero as a child of…
