Here are 58 books that From a Native Daughter fans have personally recommended if you like
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Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
Monique Roffey takes you on a father-daughter escape trip sailing from Trinidad to the Galapagos in a sketchy boat to leave behind the loss and sorrow they experienced after a major storm. Thanks to Grace Carr, I was shaped into who I am as a writer and researcher in Trinidad, where I carried out my dissertation work. The Trini cadence for life and love is ubiquitous in this book—it also reminds me of the bond between me and my Dad and our mutual appreciation for a little risk and chaos.
When a flood destroys Gavin Weald's home, tearing apart his family and his way of life, he doesn't know how to continue. A year later, he returns to his rebuilt home and tries to start again, but when the new rainy season arrives, so do his daughter's nightmares about the torrents, and life there becomes unbearable. So father and daughter - and their dog - embark upon a voyage to make peace with the waters. Their journey will take them far from their Caribbean island home, into other unknown harbours and eventually across a massive ocean. They will sail through…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This is a spectacular and detailed book—think city as island—that can engross you over and over again. Simone, development activist and scholar, carries us into four African cities and shares the grassroots efforts of people coming together to create systems of trust for economic exchange and meeting social needs—without or outside the state and capital. It is the potential for alternatives that makes this book so attractive to me and inspired my own work on convivial economics. Simone helps us to see that new ways of being and acting collaboratively can spring up and offer a blueprint for how we can move forward in solidarity.
Among government officials, urban planners, and development workers, Africa's burgeoning metropolises are frequently understood as failed cities, unable to provide even basic services. Whatever resourcefulness does exist is regarded as only temporary compensation for fundamental failure. In For the City Yet to Come, AbdouMaliq Simone argues that by overlooking all that does work in Africa's cities, this perspective forecloses opportunities to capitalize on existing informal economies and structures in development efforts within Africa and to apply lessons drawn from them to rapidly growing urban areas around the world. Simone contends that Africa's cities do work on some level and to…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
Hinds' mesmerizing paintings set the scene for a beautiful graphic rendition of The Odyssey. Anyone who has moved or travelled a lot, or seems to not be able to find a way home, can appreciate the story of Odysseus. I read this book many times with my two (once) young children, hopefully preparing them for a life of travel and living in Greece with their wanderer, researcher mom. For us Greek mythology is not for learning a "western" canon, which was never defined by ethnic Greeks anyway. We read the Odyssey to appreciate our roots in Greek island cultures and the hospitality they offer, which this lovely version makes palpable.
My passion to write about Hawaiʻi began with a desire to see the world that I knew and loved reflected in literary form, complete with all its complexities and nuance. Growing up alongside Hawaiʻi’s sovereignty movement, there was so much I didn’t understand. School textbooks didn’t mention Hawaiʻi. The little I learned about our culture and history was from dancing hula. So when I started reading some of the books on this list, it put all of my memories into context. Everything about my home became clearer to see (and therefore write about). The true beauty of Hawaiʻi exists behind its postcard image, and this is how you get there!
When I was growing up, all I learned about my home was the year Hawaiʻi became a state.
My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.
Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.
Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and…
Hawaii's Story by Hawaii's Queen (1898) is an autobiography by Lili'uokalani. Published in 1898, the book was written in the aftermath of Lili'uokalani's attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although it inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. Hawaii's Story by Hawaii's Queen appeared four years later as a final effort by Lili'uokalani to advocate on behalf of Hawaiian sovereignty, but it unfortunately came too late. That same year, President…
My passion to write about Hawaiʻi began with a desire to see the world that I knew and loved reflected in literary form, complete with all its complexities and nuance. Growing up alongside Hawaiʻi’s sovereignty movement, there was so much I didn’t understand. School textbooks didn’t mention Hawaiʻi. The little I learned about our culture and history was from dancing hula. So when I started reading some of the books on this list, it put all of my memories into context. Everything about my home became clearer to see (and therefore write about). The true beauty of Hawaiʻi exists behind its postcard image, and this is how you get there!
I promise not all my book picks are political! But this incredible book is a must-read, and as it explains, culture is political, politics are cultural.
There is no way to fully appreciate Hawaiian culture as it is today without being aware of what it took to keep it alive.
In this compilation, personal stories of activists and academics come together to offer a searing depiction of the cost of colonization and the ultimate love of their land that continues to fuel its resistance.
From water wars and land grabs to the touching story of how the Hawaiian language was brought back to life, A Nation Rising will broaden your understanding and appreciation for Hawaiʻi’s landmarks and tourist destinations.
A Nation Rising chronicles the political struggles and grassroots initiatives collectively known as the Hawaiian sovereignty movement. Scholars, community organizers, journalists, and filmmakers contribute essays that explore Native Hawaiian resistance and resurgence from the 1970s to the early 2010s. Photographs and vignettes about particular activists further bring Hawaiian social movements to life. The stories and analyses of efforts to protect land and natural resources, resist community dispossession, and advance claims for sovereignty and self-determination reveal the diverse objectives and strategies, as well as the inevitable tensions, of the broad-tent sovereignty movement. The collection explores the Hawaiian political ethic of ea,…
My passion to write about Hawaiʻi began with a desire to see the world that I knew and loved reflected in literary form, complete with all its complexities and nuance. Growing up alongside Hawaiʻi’s sovereignty movement, there was so much I didn’t understand. School textbooks didn’t mention Hawaiʻi. The little I learned about our culture and history was from dancing hula. So when I started reading some of the books on this list, it put all of my memories into context. Everything about my home became clearer to see (and therefore write about). The true beauty of Hawaiʻi exists behind its postcard image, and this is how you get there!
This collection of short stories offers a contemporary Hawaiʻi full of flawed characters who face challenges both unique to the islands and universal in motivation.
Kahakauwila explores the concept of paradise and the price paid for it. They are stories that capture the spirit and tenacity of Hawaiʻi, the nuanced layers of its social fabric, and brings me home every time I read them.
The first time I read it, I was alone in a cabin in the woods in the middle of my first writing residency. Suddenly I was no longer pressed up against a wood stove trying to stay warm. Through her gifted storytelling, all the sights and sounds and smells of home came rushing in, both comforting and familiar.
You don’t need to know Hawaiʻi to enjoy this book, but by the end of reading it, you will feel like you do.
Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy.
In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island.
In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her…
My passion to write about Hawaiʻi began with a desire to see the world that I knew and loved reflected in literary form, complete with all its complexities and nuance. Growing up alongside Hawaiʻi’s sovereignty movement, there was so much I didn’t understand. School textbooks didn’t mention Hawaiʻi. The little I learned about our culture and history was from dancing hula. So when I started reading some of the books on this list, it put all of my memories into context. Everything about my home became clearer to see (and therefore write about). The true beauty of Hawaiʻi exists behind its postcard image, and this is how you get there!
Jessica Machado’s father is Hawaiian and her mother is from the American South, a factor that looms large in a place like Hawaiʻi.
As a child, Machado senses that her life is complicated by history and context, but doesn’t have the words to formulate the questions brewing within.
In this touching coming-of-age memoir, Machado grapples with some of the same haunting questions and uncertainties that inspired my writing of my book while taking us on a journey to discover if her unshakeable connection to Hawaiʻi is a blessing, a burden, or a responsibility she’s lucky to have.
A must-read for anyone who has ever left home wondering how to take it with them.
A powerful, lush memoir about a Hawaiian woman who ran away from paradise to discover who she is and where she belongs.
Born and raised in Hawai'i by a father whose ancestors are indigenous to the land and a mother from the American South, Jessica Machado wrestles with what it means to be "local." Feeling separate from the history and tenets of Hawaiian culture that have been buried under the continental imports of malls and MTV, Jessica often sees her homeland reflected back to her from the tourist perspective-as an uncomplicated paradise. Her existence, however, feels far from that ideal.…
When I began compiling stories for my collection, I noted the theme of disappearance throughout. I’m not sure why that’s the case. Perhaps because I’ve dealt with disappearance on a personal level. Perhaps almost all stories deal with the theme. I have also always been fascinated by people who disappear (such as Agatha Christie), especially into the wild. As a former book editor, my reading standards are very high. The books I’ve recommended are superb and still resonate with me years after I’ve read them. I hope you explore this list and that the characters in these unique and well-crafted stories linger on, even after you’ve finished the last page.
One of my working titles for my book was A Country All Its Own, a phrase pulled from this exquisite novel set in Hilo, Hawaii. Ball plays with the theme of disappearance throughout, and it’s basically the female version of Australia Stories. Kinau, the narrator, is also shaped by her mother’s stories and haunted by the disappearance of her father, and the death of her ex-husband's stepson, who comes to the island in search of his own destiny. Original and breathtaking in its craft and message, Ball is an accomplished storyteller.
A haunting tale of obsessive love, and how an otherwise strong young woman releases herself from it. What if you lived in a world where you could wake the dead, where men had a shark jaw buried in their backs just as the shark god did when he stepped on the shore and became human? A place where scalding lava ran through the streets of the town and down into the hissing sea. Where women picked up guns and never put them down again, where it rained three days out of three, and ghosts drank from the rain gutters and…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
I adore the passages about what happens to the mind and body when you enter the ocean. I connected to the ideas about thinking through water and oceanic literacies. All the experiences shared about being in nature felt completely relatable.
Kanaka Maoli writer Karin Amimoto Ingersoll describes dropping into a wave on her surfboard as a kinaesthetic/sensorial experience (not that I can surf, but I felt so present with the writer at that moment!). She expands on this tantalizing metaphor in the most wondrous ways.
I read this during a particularly difficult phase of writer’s block, and it gave me the vital inspiration I needed to reflect on issues of identity, knowledge, and culturally safe expansive spaces in forms not imprisoned by “academic speak.” Needless to say, my words flowed like water.
In Waves of Knowing Karin Amimoto Ingersoll marks a critical turn away from land-based geographies to center the ocean as place. Developing the concept of seascape epistemology, she articulates an indigenous Hawaiian way of knowing founded on a sensorial, intellectual, and embodied literacy of the ocean. As the source from which Kanaka Maoli (Native Hawaiians) draw their essence and identity, the sea is foundational to Kanaka epistemology and ontology. Analyzing oral histories, chants, artwork, poetry, and her experience as a surfer, Ingersoll shows how this connection to the sea has been crucial to resisting two centuries of colonialism, militarism, and…
