100 books like Lava

I loved this book because it builds from the sadness of a life taken far too young to the beauty of deep reflections on the meaning of life, love, and loss. Paul Kalanithi was a brilliant neurosurgeon just completing his years of training when he was diagnosed with Stage IV lung cancer.

Kalanithi, a new father, wrote much of this book while he was dying. As a writer myself, this book caused me to wonder if I could be so open about my reality, in a book or any other form, while dying. I do not know the answer, but I treasure the experience of having read a book that raised such a powerful stirring in myself. Like the other books I recommend, Kalanithi’s memoir is a gift from the book Gods.

The Outlander is a gripping historical fiction novel set in the Canadian Rockies.

The story follows Mary Boulton, a young woman on the run from her dangerous husband. As Mary navigates the rugged wilderness, she encounters a cast of memorable characters and faces numerous trials.

I loved its evocative and atmospheric writing, transporting me to the untamed Rocky Mountains in the early 20th century. Adamson's portrayal of Mary as a strong and resourceful protagonist captivated me. The land is brutal and beautiful at one, as are the characters she encounters.

The Outlander is a compelling tale of survival, filled with suspense, surprising twists and turns, and a captivating exploration of the human spirit. I could not put this down.

This brief novel in stories was a pleasant surprise. I was completely drawn into the dry, unfamiliar landscape of the Australian Blue Mountains and loved that while the narrator is a young man coming to terms with his personal history, the theme of the book is the impact that the disappearance of both his grandmother and mother have on him as a boy and as a man trying to find himself in a relationship. Pierce deftly weaves in found memoirs and retrieved memories to create a bigger picture of life: how we both develop and lose ourselves, how place affects us, and how our actions can have a major impact on others.

Daisy Johnson is a force of her own. I’ve read all three of her books and was the most taken with her more recent novel, Sisters. This has a moody, gothic feel to it. Very well narrated by one of the two sisters, and is the ultimate story about disappearance, and the traumatic effect it can have on a loved one. Brutal, surreal, and with a setting as real as its characters: a crumbling moldy cottage, near the shore, that lives and breathes with the characters. And includes a twist you won’t see coming.

In the ’70s through the early ’90s, Hawaiʻi went through massive social change.

There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.

Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation. 

While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.

Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and… show more.

Jessica Machado’s father is Hawaiian and her mother is from the American South, a factor that looms large in a place like Hawaiʻi.

As a child, Machado senses that her life is complicated by history and context, but doesn’t have the words to formulate the questions brewing within.

In this touching coming-of-age memoir, Machado grapples with some of the same haunting questions and uncertainties that inspired my writing of my book while taking us on a journey to discover if her unshakeable connection to Hawaiʻi is a blessing, a burden, or a responsibility she’s lucky to have.

A must-read for anyone who has ever left home wondering how to take it with them.

I adore the passages about what happens to the mind and body when you enter the ocean. I connected to the ideas about thinking through water and oceanic literacies. All the experiences shared about being in nature felt completely relatable.

Kanaka Maoli writer Karin Amimoto Ingersoll describes dropping into a wave on her surfboard as a kinaesthetic/sensorial experience (not that I can surf, but I felt so present with the writer at that moment!). She expands on this tantalizing metaphor in the most wondrous ways.

I read this during a particularly difficult phase of writer’s block, and it gave me the vital inspiration I needed to reflect on issues of identity, knowledge, and culturally safe expansive spaces in forms not imprisoned by “academic speak.” Needless to say, my words flowed like water.

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.

I promise not all my book picks are political! But this incredible book is a must-read, and as it explains, culture is political, politics are cultural.

There is no way to fully appreciate Hawaiian culture as it is today without being aware of what it took to keep it alive.

In this compilation, personal stories of activists and academics come together to offer a searing depiction of the cost of colonization and the ultimate love of their land that continues to fuel its resistance.

From water wars and land grabs to the touching story of how the Hawaiian language was brought back to life, A Nation Rising will broaden your understanding and appreciation for Hawaiʻi’s landmarks and tourist destinations.

Laura’s fiancé and father die, and she travels from San Francisco to Hawaii to live with missionary relatives. It’s 1886, and Honolulu is the sophisticated bustling capital of a prosperous modern kingdom. Laura’s missionary relatives actively work to bring down the monarchy while Laura goes to work for the royal family. She builds quite a bond with the last queen, Lili`uokalani, who is trying to save her kingdom. This book tells the compelling story of the Hawaiian kingdom’s last days from a point of view inside the royal family.