Here are 100 books that The Australia Stories fans have personally recommended if you like
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I am a University Distinguished Professor at Mays Business School, Texas A&M University, and a senior fellow at the Institute for Healthcare Improvement. I have devoted my career to studying service quality and ways to improve it, first in the commercial sector and, since 2001, in healthcare. I started my healthcare journey studying at the Mayo Clinic, and I have since done in-residence research at other health systems, most recently, Henry Ford Health in Detroit. My work includes research on improving the patient and family experience in cancer care. Kindness and dignity are vitally important in healthcare – and too often missing. I am on a personal mission to enhance healing in all its forms.
I loved this book because it builds from the sadness of a life taken far too young to the beauty of deep reflections on the meaning of life, love, and loss. Paul Kalanithi was a brilliant neurosurgeon just completing his years of training when he was diagnosed with Stage IV lung cancer.
Kalanithi, a new father, wrote much of this book while he was dying. As a writer myself, this book caused me to wonder if I could be so open about my reality, in a book or any other form, while dying. I do not know the answer, but I treasure the experience of having read a book that raised such a powerful stirring in myself. Like the other books I recommend, Kalanithi’s memoir is a gift from the book Gods.
'Rattling. Heartbreaking. Beautiful.' Atul Gawande, bestselling author of Being Mortal
What makes life worth living in the face of death?
At the age of thirty-six, on the verge of completing a decade's training as a neurosurgeon, Paul Kalanithi was diagnosed with inoperable lung cancer. One day he was a doctor treating the dying, the next he was a patient struggling to live.
When Breath Becomes Air chronicles Kalanithi's transformation from a medical student asking what makes a virtuous and meaningful life into a neurosurgeon working in the core of human identity - the brain - and…
The United States Old West is a legend, a myth, a land of contradictions. I grew up and have never left this vast land of scorching deserts, soaring peaks, misty coasts, and redwoods that touch the heavens. I grew up on the myths – Tombstone, Billy the Kid, Calamity Jane, Pearl Hart. What I love most are the stories of the women of the West, who survive with grit, wiles, and no small amount of courage. I love finding the lesser known women through novels and research and seeing their lives bloom before my eyes. Cowgirls, sufragettes, doctors, ex-slaves, Cheyenne, Arapahoe, cattle rustlers, homesteaders, dancehall girls.
The Outlander is a gripping historical fiction novel set in the Canadian Rockies.
The story follows Mary Boulton, a young woman on the run from her dangerous husband. As Mary navigates the rugged wilderness, she encounters a cast of memorable characters and faces numerous trials.
I loved its evocative and atmospheric writing, transporting me to the untamed Rocky Mountains in the early 20th century. Adamson's portrayal of Mary as a strong and resourceful protagonist captivated me. The land is brutal and beautiful at one, as are the characters she encounters.
The Outlander is a compelling tale of survival, filled with suspense, surprising twists and turns, and a captivating exploration of the human spirit. I could not put this down.
On a moonlit night in 1903, a mysterious young woman flees alone across the Canadian wilderness, one quick step ahead of her pursuers. Mary Boulton is nineteen years old, half mad, and widowed - by her own hand. Tearing through the forest with dogs howling in the distance, she is desperate, her nerves burning, and she is certain of one thing only - that her every move is being traced. Two red-headed brothers, rifles across their backs, lurch close behind her: monstrous figures, identical in every way, with the predatory look of hyenas. She has murdered their brother, and their…
When I began compiling stories for my collection, I noted the theme of disappearance throughout. I’m not sure why that’s the case. Perhaps because I’ve dealt with disappearance on a personal level. Perhaps almost all stories deal with the theme. I have also always been fascinated by people who disappear (such as Agatha Christie), especially into the wild. As a former book editor, my reading standards are very high. The books I’ve recommended are superb and still resonate with me years after I’ve read them. I hope you explore this list and that the characters in these unique and well-crafted stories linger on, even after you’ve finished the last page.
Daisy Johnson is a force of her own. I’ve read all three of her books and was the most taken with her more recent novel, Sisters. This has a moody, gothic feel to it. Very well narrated by one of the two sisters, and is the ultimate story about disappearance, and the traumatic effect it can have on a loved one. Brutal, surreal, and with a setting as real as its characters: a crumbling moldy cottage, near the shore, that lives and breathes with the characters. And includes a twist you won’t see coming.
The electrifying novel from the Booker shortlisted author of Everything Under.
'A short sharp explosion of a gothic thriller' Observer
Something unspeakable has happened to sisters July and September.
Desperate for a fresh start, they move across the country to an old family house that has a troubled life of its own. Noises come from behind the walls. Lights flicker of their own accord. Sleep feels impossible, dreams are endless.
In their new, unsettling surroundings, July finds that the fierce bond she's always had with September - forged with a blood promise when they were children - is beginning to…
When I began compiling stories for my collection, I noted the theme of disappearance throughout. I’m not sure why that’s the case. Perhaps because I’ve dealt with disappearance on a personal level. Perhaps almost all stories deal with the theme. I have also always been fascinated by people who disappear (such as Agatha Christie), especially into the wild. As a former book editor, my reading standards are very high. The books I’ve recommended are superb and still resonate with me years after I’ve read them. I hope you explore this list and that the characters in these unique and well-crafted stories linger on, even after you’ve finished the last page.
One of my working titles for my book was A Country All Its Own, a phrase pulled from this exquisite novel set in Hilo, Hawaii. Ball plays with the theme of disappearance throughout, and it’s basically the female version of Australia Stories. Kinau, the narrator, is also shaped by her mother’s stories and haunted by the disappearance of her father, and the death of her ex-husband's stepson, who comes to the island in search of his own destiny. Original and breathtaking in its craft and message, Ball is an accomplished storyteller.
A haunting tale of obsessive love, and how an otherwise strong young woman releases herself from it. What if you lived in a world where you could wake the dead, where men had a shark jaw buried in their backs just as the shark god did when he stepped on the shore and became human? A place where scalding lava ran through the streets of the town and down into the hissing sea. Where women picked up guns and never put them down again, where it rained three days out of three, and ghosts drank from the rain gutters and…
What does it mean to live a good life in a world shared with a multitude of other beings? I’ve spent my career exploring this question, in both my personal and my professional life. In my work as a bioethicist, I’ve researched and written about how to integrate environmental values into health care and medical research; how to think through (and survive) caring for a companion animal who is nearing the end of life; and why keeping pets is ethically problematic. My most current project—in collaboration with my canine companion Bella—is about ethics in human-dog relationships.
Brooks’ collection of essays is a vivid example of how to talk without rancor or judgmentalism about the painful failings of humans in their treatment of other animals. He writes “small,” focusing on everyday interactions with animals on his farm and in his neighborhood, and through his narratives touches on and helps nurture a well of empathy.
Originally published in Australia, The Grass Library is a philosophical and poetic journey by "one of Australia's most skilled, unusual and versatile writers" (Sydney Morning Herald). Both a memoir and an elegy for animal rights, The Grass Library portrays the author's relationship with his dog, four sheep, and myriad other animals in the home he shares with his partner in the Blue Mountains of New South Wales.
This collection of essays--with its lyrical language, its honesty and vulnerability, its charm and wit--will delight and inspire all animal lovers, and especially those who rescue animals.
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
It’s not common for books about WWI to contain detailed analysis of both the battlefields and the home front (although this dual coverage is a feature of my lost generation multi-biographies).
To compile a comprehensive history of Australia during the war that combines what happened at home with what occurred at the various fronts is indeed a daunting task, yet Joan Beaumont accomplished it with conspicuous success in this acclaimed and award-winning book.
Winner of the 2014 Prime Minister's Literary Award for Australian History.The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac 'legend'. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible.Broken Nation is the first book to bring together all the dimensions of World War I. Combining deep scholarship with powerful…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
The Broken Years is a wonderful book about what Australian soldiers thought and felt during the war.
It originated in Bill Gammage’s PhD thesis, which was the first systematic study of the soldiers’ letters and diaries collected by the Australian War Memorial. The result is an illuminating and moving masterpiece, which proved transformational.
When he began his thesis he was in unfamiliar territory, as the concentrated use of these sources was unprecedented — in fact, military history itself was not popular. But he persevered, gradually sensing he was on to something, and indeed he was.
The Broken Years became an enduring classic. It was personally very influential for me during the 1970s when I was a dissatisfied, recently graduated lawyer considering a change to something more aligned with my interest in history. I took the plunge, left the law, and I’ve been a historian and biographer ever since.
WHEN THE GREAT WAR STARTED, MOST AUSTRALIANS BELIEVED IN THE NOTIONS OF PATRIOTISM, COURAGE AND UNSWERVING LOYALTY TO THE BRITISH EMPIRE. BUT AS THE WAR DRAGGED ON, AS THE HORRORS INTENSIFIED AND THE CASUALTY LISTS GREW, PATRIOTISM GAVE WAY TO CYNICISM AND COURAGE TO DESPAIR. USING THE DIARIES AND LETTERS OF ABOUT ONE THOUSAND FRONT LINE SOLDIERS IN THE FIRST AIF, BILL GAMMAGE SHOWS HOW AND WHY THESE CHANGES TOOK PLACE. THE BROKEN YEARS IS A VIVID, OFTER HORRIFYING AND MOVING PORTRAYAL OF SOLDIERS AT WAR - MEN LOCKED IN A TRAGEDY THAT ENGULFED AN AGE.
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
Charles Bean’s epic volumes were pioneering, illuminating, thorough, deeply researched and far superior to equivalent official histories produced by other nations involved in the conflict.
Although Bean’s books were written long ago — between 1921 and 1942 — they are still the starting point for any credible project concerning itself with what the AIF did in battle. And he edited various volumes in the Official History series compiled by other writers as well, including a book about the home front during the war.
Bean was remarkable. His Official History, and the records and research materials underpinning it, have been crucial in so much of my work—not only my lost generation multi-biographies, and also my books on Pompey Elliott and Will Dyson, but many other research projects as well.
I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. Itis rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere whilesimultaneously having a good chuckle.
It would be impossible to create a list of morbidly whimsical books without including Edward Gorey, the uncontested master in this realm. While virtually any of Gorey’s books could be added to this list, his Amphigorey treasuries are the most efficient way for new readers tobrowse through his books. Since I must make a choice, however, I am selecting Amphigorey Too since this was the volume that introduced me to Gorey’s work when I was seventeen. Furthermore, it also contains a couple of my favourite Gorey tales: The Beastly Babyand The Inanimate Tragedy.
This follow-up to the darkly humorous Amphigorey is wittier, more macabre, and more wondrous than ever. Master illustrator and iconic gothic storyteller Edward Gorey gives his fans 20 more nonsensically and mind-bending tales that draw fans and unsuspecting newcomers into a world only he can create. Gorey’s pen-and-ink drawings spur the imagination and satisfy fans of art and the good storytelling.
Some of the 20 stories in this collection include: “The Beastly Baby” “The Pious Infant” “The Evil Garden” “The Inanimate Tragedy” “The Osbick Bird” “The Deranged Cousins” “The Abandoned Sock” “Story for Sara” “A Limerick”
I'm a women's fiction novelist with a love for drama without trauma. As an avid reader myself, I write what I know—moving stories written for women and about women. In my books, I sweep you off your feet, lead your heart to a place it's never been before, make you think, make you fall in love, make you yearn for justice, make you aspire and hope and dream. And I promise a happy ending every time, or at least a realistic, thought-provoking tote of warm feelings you can take with you. I hope you enjoy my reading recommendations below!
The premise of this short novel sucked me in right away. Missy Wright is shy, unhappy, poor, and a spinster. She is stifled and demeaned by her overbearing sisters and the local small-town gossips where she lives. Despite the fact that Ms. McCullough paints the portrait of a fairly unsavory heroine in the form of Missy, I still found myself rooting for her, wishing with all my might that she would (under the most improbable circumstances) find love. When I write about a heroine in my own novels, I want my readers to see past appearances and the superficial trappings of our society’s ideals. That is what this novel does—it draws you in and makes you believe the impossible is possible if only we can see beyond what is right in front of our faces—that dreams really can come true, for all shapes, sizes, styles, and substance.
An endearing tale, full of wit, warmth and romance, from the bestselling author of The Thorn Birds.
The Hurlingford family have ruled the small town of Byron, nestled in the Blue Mountains, for generations. Wealthy, powerful and cruel, they get what they want, every time.
Missy Wright lives with her widowed mother and crippled aunt in genteel poverty. Hurlingfords by birth, all three are victim to the family's rule of inheritance: the men take it all. Plain, thin and unforgivably single, it seems Missy's life is destined to be dreary.
But then a stranger arrives in town. A divorcee from…
