100 books like What Feasts at Night

A beautiful story written beautifully. I was enamored with Miller’s deft use of lyrical prose set within an epistolary framework to tell the story of one man’s struggle against the demons of his past, and the consequences that followed, all in search of redemption.

Though fictional, Miller manages to avoid the usual veteran tropes in creating his character. It’s an intimate account—and one with which I’m intimately familiar—that feels truer than nonfiction. I’ve found few more realistic accounts of living with the moral injury that comes from our errors in judgment, how those errors cause unintended, though no less harmful, secondary effects on those we love, and how life remains yet salvageable.

I found it to be, at once, an inspiring, endearing, and threatening read.

Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.” 

In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.

Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome. 

I love this book because, in true Crystal Maldonado fashion, it’s funny and heartfelt and full of immaculate vibes AND tackles big topics like fatphobia and living with chronic illness in frank, relatable ways.

Whit leaps off the page and felt instantly recognizable to me as a fat person who has been there. And then there’s the absolutely swoony romance—I was hooked right away!

A young woman begins to steal; she has no other way to support her starving and ill mother. When she’s caught, she’s given the fairytale choice of either jail time or service to a mastermind criminal. I’m a big fan of complex morality in a story, and I loved this twisted scenario—who is justified to commit a crime? How can a woman survive in a life of lies? And how can she eventually break free in a very unexpected way?

Because of the unexpected ways she responds to these three dilemmas, she became heroic in my eyes, and I cheered her on at the surprise ending. The author expertly layered the different timelines in this character’s life, never losing me in the transitions, which was an additional delight.

A bit of a curveball entry, but go with it. One of the subplots in Smith’s impressively sprawling historical novel involves do-gooder Baptists who really are doing good! They’re in Anglican England to agitate for the end of slavery in the British colonies—and they’re ahead of their time in other ways, too.

They help to platform the voices of freedmen and escaped slaves, acting as allies, essentially. It’s in the main character of Eliza that the larger novel takes up this search for a liberatory truth, nominally Christian but really entrusted to anyone who can see the suffering of others and refuse to look away.

Within a few chapters, I knew I would love this book. I could smell the coffee, feel the flour on my hands, and taste the pastries each time someone bit into one. The low-stakes trials of opening a cafe were so wonderfully written that I momentarily dreamed of doing so (which, for the record, would be a terrible idea for my chaos-goblin brain).

Even years after reading this book, Thimble and his mannerisms live rent-free in my head, which speaks to the impact this story had on my psyche.

I fell in love with this book from the very first page.

The premise captured my attention, but it was the writing that captivated me until the end. With gorgeous prose, Tate weaves her characters so deliberately all while slowly unearthing these shocking family relationships until the final puzzle piece slides into place. I absolutely loved it!

This new novel from Libyan writer Matar is mainly a story about the love between friends, especially male friends, but that love is set against displacement and trauma and the psychological difficulties of being separated from one's country, family, culture, and identity.

A contemplative, deeply thoughtful novel, it is totally engaging and searingly honest, just as much about being a human being as it is about political ideologies or survivor guilt. 

What kind of list would this be about massive universes without mentioning the Cosmere? Brandon Sanderson is the undisputed king of worldbuilding because he is so meticulously obsessed with the details, and is so good at juggling all of them in a way that interweaves like a tapestry of crossing stories.

The fact that this story holds dozens of nods to characters from his other stories that exist within the same universe as the worlds on which this book takes place while not being confusing to someone unfamiliar with all that the Cosmere has to offer is why I want to recommend this book in particular, though.

I will freely admit that I am not a Cosmere aficionado. The task of trying to keep up on everything that Sanderson writes is entirely too daunting for me (how does the man write so much, so well, and so fast?!!). But I… show more.

I can’t get enough of this novel about a group of young women making their way into the world of publishing in New York City. A window into what it was like to find a career, fall in love, and negotiate life as a single woman in the big city in the 1950s, Rona Jaffe’s book was a watershed when it was published in 1958. I think it should be required reading for all women, regardless of whether they work in publishing, or have ever lived in New York. 

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