Here are 64 books that The Case of the Velvet Claws fans have personally recommended if you like
The Case of the Velvet Claws.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
I love books that mash up genres and Dan Will has done just that with this first offering in his Arcane Casebook series. His hero, Alexander Lockerby, is a man after my own heart—a noir detective through and through. Only this fedora-wearing gumshoe has a little extra zing up his sleeve—magic. He’s a runewright, and while I have to admit I didn’t know what that was when I began the book, it became perfectly clear by the end. I won’t ruin it for you, but suffice it to say, it’s aces with the noir genre—a man gifted with certain talents, but not ones enough to gain him the easy life. This story starts out simple, but takes little time to grab you by the collar and slap you across the kisser. And the good news? There are eight more to keep it company.
At 31-years old, Alex has limited powers, but a knack for unraveling a mystery. The first clue leads him to a thief, but it doesn’t stop there. When people started dying, it becomes clear that it wasn’t an ordinary spell. Could it have something to do with the book?
A legendary and ancient tome could be the key.
But can he find it?
When an unfortunate incident gets him in hot water with both the police and New York’s…
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
Have you ever read a book and said to yourself, dang, I wish I’d have thought of that? Well that’s just what happened when I found this book. Jaffe’s gumshoe, Marshall Drummond, is a detective straight from the 1940s. The only problem? It’s not 1940 and Drummond is, well, dead—dead as a doornail. But like a true hardboiled detective, Drummond doesn’t let a little thing like the big sleep stop him. Instead, he haunts the office of Max Porter, making the man’s life far more interesting—and intriguing—than it otherwise would have ever been. Another great thing about this book is how Jaffe weaves history into the story—something I like to do in my own writing. Set in North Carolina, this book is just what it promises: fun, funny, suspenseful, and scary!
"Southern Bound gets it right! A great blend of ghosts and gumshoes. If you like haunting mysteries you'll love Southern Bound!" - Edgar-nominated author, Joel Goldman
When Max Porter discovers his office is haunted by the ghost of a 1940s detective, he does the only sensible thing ... he starts a detective agency!
Thrust neck-deep into a world of old mysteries and dangerous enemies, he will face ghosts, witches, and curses. He will discover a world in which survival might be the easiest challenge. And he will do anything necessary to keep his wife and his life from falling away.…
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
When most people think of noir, they think of a cynical fedora-wearing, trenchcoated detective wisecracking his way through a mystery, and while that is part of the genre, it isn’t the whole of it. Noir can be funny, but that humor needs to be dark, and cynicism is a definite component. All of that is included in this book and it’s delivered with an Irish twist. Bruton’s hitman, Patrick Callen, who rides a bike through the streets of Dublin, is a man who likes lists: To-Do List: Kill Henry O’Neil, Meet the Bronze Man, Buy Food, Sleep with Olivia, Bike Shop, Visit Ma. But when he finds a baby on the job, it interrupts both his list and his life. A hitman and a baby—if that doesn’t make you want to read the book, nothing will.
The Lemon Man is Patrick Callen, a bicycle-riding hitman with mild O.C.D. in Dublin, Ireland whose carefully ordered life is totally upended when he becomes the accidental caretaker of a baby boy. Now he’s got to balance his daily to-do list of errands and murders-for-hire with his unexpected domesticity, which impacts him and his work in ways he never expected…and that could get him killed.
Praise for THE LEMON MAN:
A Deadly Pleasures Magazine Top 10 Paperback of 2022: "If you are a fan of quirky characters, you will…
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
I have to admit, this book is a bit of a personal indulgence. I’ve always been fascinated by the swamps of Louisiana and the mysteries that hide in those murky waters. Add a human arm in the mouth of an alligator and you’ve definitely gotten my attention. Some day I’m going to write a book that is set there—I just haven’t figured out a storyline yet—but when I do, I hope it’s half as good as BJ Bourg’s first book in his Clint Wolf series. I know it’s a cliché, but this book really did grab me from the start and, I guarantee, the end of the first chapter will haunt you, just as it haunts Clint Wolf.
Embattled former detective Clint Wolf is the newly appointed police chief for Mechant Loup, a small swampy town in southeast Louisiana. Usually a quiet town, the tranquility of the place is shattered when a human arm is found in the jowls of an alligator. Once it’s determined the arm belongs to a reputable business owner, the race is on to find the man and figure out what happened to him. Little does Clint know that solving the case could unearth a plot so evil it would go down as the worst event in Louisiana history . . . and he…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
A damsel in distress, the mob, bent cops, well-drawn characters, and an intricate plot make this one of the most exciting Perry Mason novels.
As a lawyer myself who practiced some criminal law with the public defender's office, I appreciate Mason's clever legal maneuvers and his “never say die” pursuit of justice for his clients. Mason shows off his cerebral side as well as his toughness.
Perry Mason orders a double serving of trouble the night he and Della Street dine at an intimate restaurant after a hard day at law. In the middle of their steaks a waitress flees the premises in terror, leaving the puzzled proprietor holding her mink coat.
Why a humble working girl abandons such a pricey wrap is only the first question in a cop-killer case that traps Mason's client with both an impossible story and the murder weapon, makes Perry himself a prime suspect, and blazes a gunpowder trail that leads straight to the heart of the police department itself.
I’ve been an avid psychological suspense reader since I was at school, but have only recently begun to write in the genre myself. I’m not sure why it took me so long. If it was my most favourite genre to read, then why not write in it? When I came up with the idea for The Weekend Alone, I knew I had to write it, and I finally discovered what other suspense authors already knew: that playing with a reader’s perception can be the most amazing fun! My next psychological suspense book will be out with HQ Digital in summer 2023. Here’s hoping my own thrillers will keep readers gripped long past lights out!
This gripping thriller moves between the past and the present to tell the story of Melissa Slade, a woman who seemed to have the perfect life before she was convicted of the murder of her two baby girls. As journalist Jonathan Hunt investigates the case, he has no idea what to believe. Is Melissa a lying and manipulative murderer or an innocent victim? You’ll want to keep turning the pages to find out!
'Stayed up late finishing this, just had to know what happened, brilliant final twist! Gripping page-turner with great characters'Sunday Times bestselling author B A Paris
She says she's innocent. DO YOU BELIEVE HER?
2013
Melissa Slade had it all: beauty, money, a successful husband and beautiful twin babies. But, in the blink of an eye, her perfect life became a nightmare - when she found herself on trial for the murder of her little girls.
PRESENT DAY
Jonathan Hunt covered the original Slade Babies case for the local newspaper. Now that new evidence has come to light, Jon's boss wants…
As a writer of thrillers whose debut novel was considered Noir, I’ve always been fascinated by tales of characters that are not always the most likeable. Noir fiction is characterized by cynicism, fatalism, and moral ambiguity. Similar to its successful films, I love when you feel for an anti-hero. That despite their questionable motives, the author or director manages to make you root for them in the end.
The Getaway by Jim Thompson and the film directed by Sam Peckinpah is a gritty slice of noir and the classic story of a bank heist gone wrong. It’s a beautifully pulpy showcase for the twisted marriage of Doc and Carol, played by Steve McQueen and Ali MacGraw with perfection in the film. It plunges you into the very core of moral ambiguity and the ending of the book is unexpected, sublime, and a sledgehammer to the head. A great first book and film to introduce a reader to noir styles.
This work presents a new and important paradigm modification in psychology that attempts to incorporate ideas from quantum physics and postmodern culture. The author feels that the current diagnostic model of the mental health establishment is too entwined with political and economic factors to represent a valid method for healing psychological problems. The predominant model is too linear, reductionist, normative, and based upon an abnormal view of behavior. Exacerbating this problem is our highly accelerated present-day lifestyle in which new processes and interactions are constantly emerging. The postmodern self is evolving into a manipulative, situational self with no authentic core…
I'm a recently retired Professor of French literature and cinema studies at Dartmouth College. Because I love both books and movies, I developed a course on adaptation, which I taught with pleasure for many years. I wanted to give students the opportunity to learn how to analyze literary texts and films, separately and in juxtaposition, and they especially enjoyed discovering how the “same” story works quite differently in different media. In addition to the two volumes on Tavernier, my published books include New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France; Parables of Theory: Jean Ricardou’s Metafiction; and Rape and Representation (co-edited with Brenda Silver).
I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.
A classic crime novel from 'the best suspense writer going, bar none' New York Times
Nick Corey likes being the high sheriff of Potts County. But Nick has a few problems that he needs to deal with: like his loveless marriage, the pimps who torment him, the honest man who is running against him in the upcoming elections and the women who adore him.
And it turns out that Nick isn't anything like as amiable, easy-going or as slow as he seems. He's as sly, brutal and corrupt as they come.
I love sci-fi because it’s so optimistic about humanity’s future. I’m fascinated by new worlds and technologies and the vision of mankind spreading through the stars. But my favorite part about sci-fi is the freedom authors have to develop intriguing characters and let the story revolve around them and their decisions. I love it when a writer takes an imperfect person (someone I could see myself in) and shows them growing in unexpected ways and doing incredible things. That’s the theme of all my writing: no matter what we’ve done or had done to us, we can pick ourselves up, brush ourselves off, and do some good!
No list of character-driven sci-fi novels is complete without something from Timothy Zahn. Take a hardboiled detective, a mysterious and beautiful assistant, and a nefarious and unknown villain. Now add in trains in space!
This one is a page-turner, and not just because the idea of riding relativistic rails is so fascinating. Zahn excels at writing surprisingly complex characters whose motivations change as the story progresses. I read this entire five-book series from front to back and loved every minute.
More than two hundred years from now, the Quadrail transportation system run by the enigmatic Spiders connects civilizations throughout the galaxy. But someone is threatening the entire system and the worlds it serves with a military force that could wreak interstellar havoc. Frank Compton, a sharp investigator, lost his job with Earth's security forces when he exposed a corrupt scheme that had roots in high places. Enlisted by the Spiders to find out who's trying to take over the Quadrail, he's got his hands full. Beings of many races are gunning for him, trying to keep him from discovering a…
I've always been interested in books about lost souls and broken people. Before I got clean it was the story of my life and they’re stories that continue to resonate with lots of readers. I think my being drawn to those kinds of stories was a reaction to the stories I read and tv and movies I saw growing up. The image-conscious suburban American Dream stuff. I grew up without all those illusions and naturally gravitated to gritty realism because it mirrored my experience. My book is less interested in the day-to-day mechanics of the lives of drug addicts and lost souls, but rather how they came to be what they are.
One of the great tragedies of the literary world is that Jim Thompson never achieved fame and fortune when he was alive. The NYC literati deemed his books and characters too uncouth and depraved for polite society. His books weren’t populated by well-dressed Robin Hood-type criminals, they were mostly just weak men who followed some good intentions down the road to hell. Frank “Dolly” Dillon epitomizes the Thompson character. An unhappily married door-to-door salesman, he intends to help an underage girl escape her aunt who is pimping her out and holding her captive. Of course, it all goes horribly wrong and ends with Dillon in a cheap hotel with the girl and lots of drugs. The last few pages are the most mind-blowing writing about using drugs I have ever read, even more, impressive since it was written in 1954.
Frank "Dolly" Dillon has a job he hates, working sales and collections for Pay-E-Zee Stores, a wife named Joyce he can't stand, and an account balance that barely allows him to pay the bills each month. Working door-to-door one day, trying to eke money out of folk with even less of it than he has, Dolly crosses paths with a beautiful young woman named Mona Farrell. Mona's being forced by her aunt to do things she doesn't like, with men she doesn't know -- she wants out, any way she can get it. And to a man who wants nothing…
