Love The Getaway? Readers share 90 books like The Getaway...

If Dashiell Hammett’s Sam Spade served as the model for most private detective protagonists in American books (and movies), Raymond Chandler’s private detective Philip Marlowe offered a fascinating, inside-out variation. Marlowe—especially in this book, which I love as Chandler’s best—seems more analytical than Spade, more passionate than Spade, but just not quite as cool by today’s standards. 

That little loss doesn’t hurt him or this classic, however, which provides the best plot with the most expressive prose of this top 5 private detective novels. Marlowe’s war-torn pal disappears, the guy’s oversexed wife gets murdered, and Marlowe naturally becomes police suspect number one. 

In between the developments, Marlowe makes light: “Mostly I just kill time, and it dies hard.” That’s a clever way to say so long to involvement, but the longest goodbye, the real and permanent one to which the book’s title refers and we sometimes call death—that’s the… show more.

Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.

Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.

Another Jim Thompson classic, The Grifters is about a trio of con artists trying to move up from being small-time crooks. They add love and a mother/son relationship into the mix which only makes things worse. The film directed by Stephen Frears is a master-class in acting from Anjelica Huston, Annette Bening, and John Cusak. The scene at the end couldn’t be more shocking as a way to wrap up a noir film. Money is paramount in the world of the grifters, everything else secondary. What could be more noir than that?

In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.

One of the great tragedies of the literary world is that Jim Thompson never achieved fame and fortune when he was alive. The NYC literati deemed his books and characters too uncouth and depraved for polite society. His books weren’t populated by well-dressed Robin Hood-type criminals, they were mostly just weak men who followed some good intentions down the road to hell. Frank “Dolly” Dillon epitomizes the Thompson character. An unhappily married door-to-door salesman, he intends to help an underage girl escape her aunt who is pimping her out and holding her captive. Of course, it all goes horribly wrong and ends with Dillon in a cheap hotel with the girl and lots of drugs. The last few pages are the most mind-blowing writing about using drugs I have ever read, even more, impressive since it was written in 1954.

I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.

This gripping thriller moves between the past and the present to tell the story of Melissa Slade, a woman who seemed to have the perfect life before she was convicted of the murder of her two baby girls. As journalist Jonathan Hunt investigates the case, he has no idea what to believe. Is Melissa a lying and manipulative murderer or an innocent victim? You’ll want to keep turning the pages to find out!

When federal judge Alex Sand and his two young sons are brutally murdered in their upscale St. Paul home, the shocking crime sends ripples through their affluent community. With a long list of potential enemies and a major charitable donation left in limbo, suspicion quickly turns to his devastated widow.

As the pressure mounts and both local police and the FBI find themselves at a standstill, seasoned investigators Lucas Davenport and Virgil Flowers are brought in to untangle the web of deceit. Known for their expertise, the duo meticulously explores every lead and theory, determined to uncover the truth behind the Sand family murders.

The narrative showcases the author’s skill in crafting intricate procedurals, where each twist and turn brings them closer to unraveling the mystery. Every book in the Davenport series could be included in this list, but I liked this one.

Detective Turner is serious, author Bellem is not. Eleven short stories in 8-page comic format from the monthly pulp magazine Hollywood Detective; humorist S.J. Perelman describes Dan Turner as "the apotheosis of all private detectives"; the Dan Turner stories are the flip side of Chandler and Hammett, with delightful use of real and imagined slang: guns are 'roscoes,' a woman is a 'doll,' 'cutie, 'frail,' or ‘dame.'

No list of character-driven sci-fi novels is complete without something from Timothy Zahn. Take a hardboiled detective, a mysterious and beautiful assistant, and a nefarious and unknown villain. Now add in trains in space!

This one is a page-turner, and not just because the idea of riding relativistic rails is so fascinating. Zahn excels at writing surprisingly complex characters whose motivations change as the story progresses. I read this entire five-book series from front to back and loved every minute.