Here are 94 books that The Grifters fans have personally recommended if you like
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I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
If Dashiell Hammett’s Sam Spade served as the model for most private detective protagonists in American books (and movies), Raymond Chandler’s private detective Philip Marlowe offered a fascinating, inside-out variation. Marlowe—especially in this book, which I love as Chandler’s best—seems more analytical than Spade, more passionate than Spade, but just not quite as cool by today’s standards.
That little loss doesn’t hurt him or this classic, however, which provides the best plot with the most expressive prose of this top 5 private detective novels. Marlowe’s war-torn pal disappears, the guy’s oversexed wife gets murdered, and Marlowe naturally becomes police suspect number one.
In between the developments, Marlowe makes light: “Mostly I just kill time, and it dies hard.” That’s a clever way to say so long to involvement, but the longest goodbye, the real and permanent one to which the book’s title refers and we sometimes call death—that’s the…
Ed Bishop stars as Philip Marlowe in a powerful and atmospheric full-cast dramatisation of Raymond Chandler's classic noir novel. The first time Marlowe sets eyes on Terry Lennox, he is lying drunk in the passenger seat of a Rolls-Royce Silver Wraith. The next time, he's on Skid Row. After they share a few Gimlets, Marlowe thinks he seems like a nice guy, but he's had a hard life - his white hair and scarred face testify to that. Or could it be marriage to Sylvia Lennox that has turned him prematurely grey? Although beautiful and rich, she plays the field…
As a writer of thrillers whose debut novel was considered Noir, I’ve always been fascinated by tales of characters that are not always the most likeable. Noir fiction is characterized by cynicism, fatalism, and moral ambiguity. Similar to its successful films, I love when you feel for an anti-hero. That despite their questionable motives, the author or director manages to make you root for them in the end.
The Getaway by Jim Thompson and the film directed by Sam Peckinpah is a gritty slice of noir and the classic story of a bank heist gone wrong. It’s a beautifully pulpy showcase for the twisted marriage of Doc and Carol, played by Steve McQueen and Ali MacGraw with perfection in the film. It plunges you into the very core of moral ambiguity and the ending of the book is unexpected, sublime, and a sledgehammer to the head. A great first book and film to introduce a reader to noir styles.
This work presents a new and important paradigm modification in psychology that attempts to incorporate ideas from quantum physics and postmodern culture. The author feels that the current diagnostic model of the mental health establishment is too entwined with political and economic factors to represent a valid method for healing psychological problems. The predominant model is too linear, reductionist, normative, and based upon an abnormal view of behavior. Exacerbating this problem is our highly accelerated present-day lifestyle in which new processes and interactions are constantly emerging. The postmodern self is evolving into a manipulative, situational self with no authentic core…
During my career in law enforcement, I worked in narcotics, violent crimes, criminal intelligence, hostage rescue, SWAT, and internal affairs, to name just a few. I am the recipient of many awards and commendations for heroism. The Sinister is the ninth novel in the best-selling Bruno Johnson Crime series, following The Disposables, The Replacements, The Squandered, The Vanquished, The Innocents, The Reckless, The Heartless, and The Ruthless. I live in the Los Angeles area with my wife, Mary.
Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.
Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.
Christmas 1951, Los Angeles: a city where the police are as corrupt as the criminals. Six prisoners are beaten senseless in their cells by cops crazed on alcohol. For the three LAPD detectives involved, it will expose the guilty secrets on which they have built their corrupt and violent careers. The novel takes these cops on a sprawling epic of brutal violence and the murderous seedy side of Hollywood. One of the best (and longest) crime novels ever written, it is the heart of Ellroy's four-novel masterpiece, the LA Quartet, and an example of crime writing at its most powerful.
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well.
A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America.
But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it…
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
In this first book of The Shill Trilogy struggling actress Jane Innes is seduced by a handsome new arrival in her acting class. He admits he’s a con man and needs Jane to pose as a rich, carefree heiress to fulfill his intricate scam. I loved this book because Jane, being desperate for money, and love, agrees to help the con man that has seduced her. Is it love or money the reason she agrees? I believe there is no black and white, good or evil in characters when it comes to morals. I enjoy stories that show us the gray in us, and how one can be swayed to the dark side through desperation if given the right opportunity.
Struggling actress Jane Innes is seduced by a handsome new arrival in her acting class. He makes a proposition. He admits he’s a con man and needs Jane to pose as a rich, carefree heiress to fulfill her part in his intricate scam.
Would you agree? Or run the other way?
All goes as planned until Jane’s true identity threatens to surface and their scheme begins to crack at the seams.
It all leads to a tangled maze of deception, depravity and murder.
THE SHILL is part one of a trilogy from Shamus Award winning author, John Shepphird.
I love the psychology behind a good con. Con artists are the ultimate anti-heroes - masterful manipulators and highly observant, but unscrupulous at heart. And after reading a GQ article on “real-life superheroes” – people who dress up in homemade costumes and patrol their neighborhoods – I became fascinated by that psychology, too. Las Vegas is the capital of con and Cons—a unique city bursting with swindlers and cosplayers decked out in full regalia. What better place to set a crime novel? And thus—voila—Con Me Once was born.
This 1960 book by George Clayton Johnson, who wrote the scripts for The Twilight Zone, Star Trek, and the sci-fi film Logan’s Run, was a tie-in for the original Ocean’s Eleven movie featuring the Rat Pack. It’s hard to find, but worth it as it contains all the elements of a classic Vegas con – the mob, the girlfriend, the complex relationships between the conmen and their marks. It delves into the characters more than either movie, although admittedly, it’s impossible to read the book without picturing the 2001 film and its star-studded cast.
I've steeped myself in the world of entertainment journalism since high school—writing music reviews, interviewing musicians, hanging out with actors, wandering backstage on shows as varied as Law & Order and Another World—and it was time to do what everyone says authors should do: Write what you know. I have a great admiration (and some criticism) for soaps and reality TV shows, but I recognize the ways in which they appeal to us like no other entertainment—they get us involved. They make us want to be part of the story, and the best ones convince us (especially those reality TV shows) that we are part of their incredible worlds.
I have a soft spot for charming con men, and inSpirit Thiefwe meet one of the best. Not only is Eli Monpress a wizard, he's the greatest thief ever. Thief is just the first in a series of Eli Monpress/Spirit novels, and I've only read the first one thus far. But it's a light-as-air confection that manages to unspool one single caper over the course of a full novel while still keeping things fast-paced, with an ensemble of colorful, fully-realized characters. Aaron manages a balancing act with this kind of character that I'm still working on mastering.
Eli Monpress is talented. He's charming. And he's a thief.
But not just any thief. He's the greatest thief of the age -- and he's also a wizard. And with the help of his partners -- a swordsman with the most powerful magic sword in the world but no magical ability of his own, and a demonseed who can step through shadows and punch through walls -- he's going to put his plan into effect.
The first step is to increase the size of the bounty on his head, so he'll need to steal some big things. But he'll start…
I am an award-winning true crime author, criminologist, and victims advocate who has written and presented on crime for over 30 years. I know that history teaches us how and why crime occurs and why it will happen again, but crime doesn't happen in a vacuum. History, personality, and human nature all play a part. There is always a "story behind the story." I appreciate true crime books that teach us rather than sensationalize. The faster we share knowledge, the easier it is to catch criminals.
I require all students and mentees to read this book and keep it on their shelves. It is an easy read and contains information that will keep future law enforcement officers safe from inmate behavior. Civilians can apply these skills to everyday life to protect themselves as well. We call it “the trick bag”, falling for a simple ruse and landing as a pawn in an inmate’s game in prison. The “game” is a series of manipulations over time that might lead to the target’s incarceration, loss of job, and public humiliation.
This book is an effective tool for offender management and exposing criminal scams. The examples are accurate and anyone can use the tools it discusses. The authors discuss the anatomy of the setup, susceptibility profiles of both inmate and target, survival traits, and more. It can start with a pencil and end with…
For much of my career as a sociologist and professor of social welfare, I’ve focused my research and teaching on the issue of economic and social inequality in America. Why should the United States have both great wealth and yet at the same time extreme poverty and inequities? This question has motivated much of my scholarly and popular writing over the years. For me, this represents the fault line of America. We profess the importance that all are created equal, and yet our actions undermine such a belief. Why should this be the case, and how can we change the reality to reflect the ideal?
One of the most enduring stereotypes about poverty and welfare, has been that of the welfare queen – someone living the good life on welfare and grossly abusing the system.
Ronald Reagan used the example of Linda Taylor in the 1970s to epitomize and capitalize on this myth in order to score political points. Josh Levin tracked down the actual story of Linda Taylor. As is so often the case, the truth is much stranger than fiction.
A riveting biography of the individual who was at ground zero of the welfare queen myth.
*** WINNER OF THE NATIONAL CRITICS CIRCLE AWARD FOR BIOGRAPHY *** *** LONGLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY ***
'The Queen is an invaluable work of non-fiction' - David Grann, Sunday Times and New York Times bestselling author of Killers of the Flower Moon
This is the gripping true tale of a villain who changed American history.
In the 1970s, Linda Taylor became a fur-wearing, Cadillac-driving symbol of the undeserving poor - the original 'welfare queen'. In the press she was the ultimate template for this insidious stereotype; Ronald Reagan himself cited her criminal behaviour in his…
I have been an avid reader from an early age and painting has been my life's work since attending art school from the age of sixteen. Having painted the largest mural in a private house in the 20th century, over a period of fourteen years since 1968, it has been a great privilege to live as part of the families in so many diverse and beautiful houses in Britain, Europe, The Middle East, and The Americas. Many of the interesting people that I have met along the way have greatly enriched my being and I am particularly intrigued by the way that chance encounter shapes one's life. Serendipity is all!
The best tale and totally mesmerizing story of the confidence-man Felix Krull, who developed the art of subterfuge and deception to a phenomenal degree.
Escaping from a childhood of poverty he eventually rose to mingle with the highest echelons of European society. Helped by being young and good-looking Krull was irresistible to women, of which he was not slow to take advantage.
This chameleon-like quality enabled him to adapt to countless situations and to pursue his career as a highly gifted swindler impervious to the conduct and morals of normal humankind.
When, eventually, the Marquis de Venosta makes him a proposal he cannot refuse - his world changes.
Recounts the enchanted career of the con man extraordinaire Felix Krull--a man unhampered by the moral precepts that govern the conduct of ordinary people.
